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7artisans 50mm T1.05 Cine Lens E Mount Feet/meters

7artisans 50mm T1.05 Cine Lens E Mount Feet/meters
  • Product Code: eq102157
  • Availability: In Stock

$1,290.00 $1,935.00

Sharp, small, robust, and incredibly fast, this 7artisans 50mm T1.05 Cine Lens E Mount Feet/Metersfrom 7artisans 50mm T1.05 Cine Lens E Mount Feet/Metersis built for the cinema industry and works with standard cine lens accessories, so it will easily fit into your workflow. This version of the lens comes in a Sony E mount, and it features focus scales marked in feet and meters. The maximum T1.05 aperture allows you to film a gentle soft bokeh with soft natural-looking out-of-focus highlights, while the T16 minimum aperture helps reduce artifacts that can appear when the aperture opening is too small.

The 270° focus throw allows you to make extremely accurate focus pulls, and the lens features cine-standard 0.8 MOD lens gears for focus and iris. As part of the vision series, this 35mm lens shares the same focus and iris gear positions as the Vision 25 and 35mm lenses, making swapping lenses fast, as you don't have to reposition the follow focus unit or lens motor you may be using. A 90mm front diameter allows you to use a variety of industry-standard matte boxes, and the 82mm front filter thread allows you to mount optional filters directly on the front of the lens.

For APS-C Sensors, Mirrorless Only    T1.05 to T16    90mm Front Diameter    13 Iris Blades    82mm Front Filter Threads    270° Focus Rotation    Focus Scales in Feet and Meters

Key Specs
Focal Length50mm
Maximum ApertureT1.05
Lens MountSony E
Lens Format CoverageSuper35/APS-C
Filter Thread82 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT1.05
Minimum ApertureT16
Lens MountSony E
Interchangeable MountNo
Lens Format CoverageSuper35/APS-C
Image CircleNot Specified by Manufacturer
Angle of ViewAPS-C (1.5x)
Diagonal: 31.8°
Focus ScalesImperial, Metric
Optical Design7 Elements in 5 Groups
Filter Thread82 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 19.7" / 0.5 m
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades13
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 270°
Electronic CommunicationNo
DiameterMaximum: 3.5" / 89 mm
Front: 3.5" / 90 mm
LengthNot Specified by Manufacturer
Weight24 oz / 679 g
Packaging Info
Package Weight2.565 lb
Box Dimensions (LxWxH)7.6 x 5.6 x 4.8"

The Vision series of lenses is highly versatile and available in Canon RF, Sony E, FUJIFILM X, Leica L, and MFT mounts.

ED glass and an all-metal shell provide a pleasing image and a durable lens.

Lenses in the 7artisans Vision cine lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be repositioned.

Focus markings and measurements are in feet and meters.

The iris ring has no click stops, allowing you to make smooth iris pulls.

A minimum focusing distance of about 19.7" allows you to get up close to your subject.

Related Questions and Answers

Q: 1. Hello. Are these 7artisans Photoelectric Cine Lenses suitable for 8K recording or perhaps 6K recording on Fujifilm X-H2?

A: The 7artisans Photoelectric 50mm T1.05 Vision Cine Lens (X Mount, Feet/Meters) would support both 4k and 6k cameras.

Q: 2. Is this an anamorphic lens with what squeeze factor?

A: The Meike FF Prime Cine 24mm T2.1 Lens is not an anamorphic lens.

Q: 3. Would these lenses work on a Super 35 sensor like BMPCC 6K?

A: The 7artisans Photoelectric 50mm T1.05 Vision Cine Lens is designed for super 35 cameras. The lens mounts that they will work with are specifically listed on the page:Canon RF, Fujifilm X, Leica L, MFT, and Sony E mounts. This lens will not work on the Canon EF Mount.

Q: 4. What would happen if you put this on a full frame sensor?

A: If the camera you are working with does not have a S35/APS-C mode the 7artisans Photoelectric 50mm T1.05 Vision Cine Lens (RF Mount, Feet/Meters) would provide an unusable image and view on a full frame camera.

Q: 5. Es compatible con la sony a6500?

A: Yes, the 7artisans Photoelectric 50mm T1.05 Vision Cine Lens will work with the Sony a6500.

Q: 6. Does the 25mm Canon RF version cover the full RED Komodo sensor?

A: The 7artisans Photoelectric 25mm T1.05 Vision Cine Lens (RF Mount, Feet/Meters) covers the Super35;APS-C sensor of the RED Komodo.

Q: 7. Does this lens fit a Canon Eos R10?

A: Yes, the 7artisans Photoelectric 35mm T1.05 Vision Cine Lens (RF) would work with the Canon EOS R10 camera with APS-C sensor.

Q: 8. Do the 25, 35 and 50mm colour match?

A: Yes, All lens will provide consistent color uniformity.

Q: 9. Does this lens fit a Canon Eos R8? i don´t found any info about that

A: Yes, the 7artisans Photoelectric 35mm T1.05 Vision Cine Lens (RF Mount, Feet/Meters) and all other Canon RF mount lenses can mount on the Canon R8 Mirrorless Camera.

Q: 10. Can this lens be used for digital still captures too?

A: Yes it can.

01/08/2024

[T16] These lenses are insane, I still preffer to DZO's Vespid line. The 24mm(mine is PL) is another great lens in the line up. Everything is great here, its a little soft but lends itself to more of a cinematic look in this regard. I preffer the size and weight as well as the look of these to DZO - they arent too small like the Vespid's (may be a selling point for you, not me) Low CA Low/NO breathing... proper housing screw in 82mm front filters- these are proper cine lens for 1/4 of the price. This is an excellent edition, now hurry up and release the 16mm, 105mm, and lastly 135mm so I can complete my set!

5
19/07/2024

[T1.05] 7Artisans has brought us an entry level 50mm T1.05 cine lens. This is a great lens if you are wanting to into cinema lenses. Both the aperture and focus rings are smooth. The focus ring is a short throw. The rings are as they should be for using focus motors. 7Artisans thought ahead and added measurements in both meters and feet for the focus ring. The thread size is 82mm and the front outside is 90mm. This lens will fit in most matte boxes. The T1.05 aperture is great in low light situations. If you plan to use this lens in normal daylight, you'll need a filter as this lens' aperture range is 1.05 to 16. The video I get out of this lens paired with the S1H has been wonderful.

So far I haven't had any issues with the lens and plan to purchase the 35mm version to use with the S1H in the near future. I would recommend this lens to anyone wanting to step into the world of cine lenses.

5
11/07/2024

[T1.05] If you're just stating out in the world of cinema film, this is the perfect lens. Great with focus, no breathing.

5
01/07/2024

[82 mm] My only complaint would be that LAOWA didn’t make the 7.5 cine and 9 cine the same working diameter on the outside. But this is a solid wide angle lens for MFT.

5
28/06/2024

[T1.05] I love the build quality and weight of this lens. It definitely has a great look and feel and the image it puts out looks very cinematic. The lens flares are also really cool.

5
01/06/2024

[Super35/APS-C] Bought this for my Mini Ursa G2. Lens is sharp with a vintage flavour. The flares on it are gorgeous

5
04/05/2024

[T1.05] This is perfect for filmmakers on a budget. It's got tons of character. It's not technically perfect in anyway but at least for myself that what I want.

5
22/04/2024

[Super35/APS-C] The 50mm is a very good lense, nice and weighted, smooth focus can get pretty stiff in cold temperatures, give a nice warm image great boca and love the colours makes it quick and east to read. I don't know why the 24mm cost more thou.

5
30/11/-0001

[T16] This lens is both sharp and lets in a tonne of light! It has character, reminding me of older vintage lenses, which serves to create a more filmic look than modern photolenses can provide.
Solid construction, i'm picking up the full set.

5
30/11/-0001

[13] I have the 24mm and the 50mm FF primes now and love them. They are my first cine primes I've invested in. There standard form factor fits my camera build and mat box, which previously was for L series auto fucus lenses.

5

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