Ut Fet47 Large-diaphragm Fet Condenser Microphone
- Product Code: eq102622
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The UT FET47 Large-Diaphragm FET Condenser Microphone by United Studio Technologies is a painstaking recreation of a beloved German classic. Based on the original, highly sought-after U47 FET, the UT FET47 brings all of the versatility, wide open clarity, and depth of sound of the original without the vintage price tag. United Studio Technologies partnered with acclaimed capsule designer Eric Heiserman to bring the German K47 capsule back to life in a way that captures all of the big sound of the original without excessive harshness or sibilance.
The capsules are handmade in small batches in the US and tested prior to the final microphone build. Incredibly high SPL resiliency and an onboard -10 dB pad allow the mic to be used on nearly any instrument or application, especially its classic use as a kick drum mic. A switchable high-pass filter gives plenty of flexibility when used as a vocal mic or when recording brass, woodwinds, and guitar. A transformer built by California-based Cinemag Transformers delivers clean and quiet operation. The UT FET47 offers extraordinary, consistent sound quality that only an uncompromising design can bring, all at an accessible price.
For Vocals, Instruments, and Drums Cardioid Polar Pattern Large-Diaphragm Condenser Capsule HZ Capsule Derived from the K47 Capsule Dual-Backplate, All-Brass Capsule Design USA-Made Cinemag Transformer 136 dB Max SPL, 145 dB with -10 dB Pad Switchable High-Pass Filter at 75 Hz Includes Swivel-Mount Stand Adapter 48V Phantom Powered
Key Specs | |
---|---|
Element Type | Condenser |
Polar Pattern | Cardioid |
Controls | Pad, Low Cut/HPF |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 136 dB (.5% THD) 145 dB (.5% THD, with Pad) |
Analog Output | 1x XLR 3-Pin Male |
Power Sources | Phantom Power |
Microphone | |
Sound Field | Mono |
Element Type | Condenser |
Diaphragm | 1.3" / 34 mm |
Polar Pattern | Cardioid |
Orientation | Side Address |
Circuitry | Solid-State (FET) |
Pad | -10 dB |
High-Pass Filter | 75 Hz, 12 dB/Octave |
Filter & EQ | Low-Cut Filter: 75 Hz, 12 dB/Octave |
Controls | Pad, Low Cut/HPF |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 136 dB (.5% THD) 145 dB (.5% THD, with Pad) |
Connectivity | |
Analog Output | 1x XLR 3-Pin Male |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V (Phantom Power) |
Physical | |
Color | Nickel |
Dimensions | ø: 2.4H: 8.2 x W: 2.7" / ø: 6.1H: 20.8 x W: 6.9 cm |
Packaging Info | |
Package Weight | 2.155 lb |
Box Dimensions (LxWxH) | 10.6 x 5.4 x 3.8" |
United Studio Technologies has worked closely with acclaimed capsule designer Eric Heiserman to produce a modern take on the classic K47 German capsule design. Featuring sourced Mylar and dual, matched backplates, the HZ-Series capsules possess consistent and accurate sound quality from side to side and a wide open, highly three-dimensional sound. Only a few capsules are manufactured at a time, and undergo strict testing and listening.
UT sought numerous recreations of the original German transformer but ultimately settled on an exceptional offering from California based Cinemag Transformers. It is a large, heavy transformer made from a 'striped core' of interleaved high nickel and steel laminations, wound to the specs of the original. The core utilizes a humbucking design, ensuring clean, quiet operation.
No attention to detail was spared in this loving recreation of a classic and the UT FET47 is handmade in the USA by actual recording engineers. The body is constructed from electroplated Nickel and solid milled brass, the connector is 24k gold plated, and the capsule is top-of-the-line with 34mm all-brass and a diaphragm made of 24k gold sputtered Mylar (PET film).
While the original U47 FET became beloved for its use as a bass drum microphone, this recreation by UT has all those same strengths but even more flexibility thanks to its clever design. High pressure levels still allow the UT FET47 to be used for drums, aided by the convenient -10 dB pad, but also features a switch-activated, high-pass filter at 75 Hz, allowing it to be more viable as a general instrument mic and especially as a vocal mic. UT designed this microphone to be a versatile studio workhorse and it shows.
The UT FET47 features laboriously sourced NOS (new old stock) FETs for just the right time-honored sound. True vintage polystyrene capacitors further aid in producing a microphone that perfectly recreates one of the most beloved classic early solid-state condenser mics for the modern recordist.
Related Questions and Answers
Q: 1. Connected with XLR jack? Have a cable if so how long?
A: This mic uses an XLR cable which is not included.
Q: 2. How does this microphone compare to Sennheiser MK8 and Neumann TLM 102 & 107?
A: All four mics are large diaphragm condenser style with a frequency response range of 20 Hz to 20 kHz. The Senal SCM-660, Sennheiser MK 8, and Neumann TLM 107 offer multiple patterns to pick up audio from different directions, while the TLM 102 is cardioid only. The SCM-660 offers three patterns (cardioid, figure-8, omnidirectional) while the MK 8 and TLM 107 offer five patterns (cardioid, figure-8, omnidirectional, supercardioid, subcardioid/wide cardioid) for accommodating a wider variety of applications.
Q: 3. Does this mice support phantom power? Can I connect the mice to my ZOOM H4n audio recorder? It has to xlr outlets.
A: The Rode NT2-A does require phantom power to operate. It can be connected to a recorder like the Zoom H4n which offers XLR inputs and phantom power.
Q: 4. Does it come in a plastic case like I am seeing on YouTube?
A: Yes, the CAD M179 Large-Diaphragm Multipattern Condenser Microphone comes with a plastic carrying case.
Q: 5. Does it say Polsen on the pop filter or is that just in the photo?
A: Yes, there is a "Polsen" logo on the pop filter of the Polsen RM-650 Large Diaphragm Condenser Microphone.
Q: 6. The specs says : Output Connector 1 x XLR 3-Pin. How can I connect this mic to my pc?
A: This microphone has an XLR analog connector and will not plug directly in to your computer. In order to use this microphone with your PC you will need to use an Audio Interface. A simple solution for a one-mic set up is the MXL Mic Mate. You will need a short XLR to XLR cable to connect the mic to the interface. https://www.bhphotovideo.com/c/product/576806-REG/MXL_MIC_MATE_PRO_MicMate_Pro_USB.html https://www.bhphotovideo.com/c/product/845507-REG/Kopul_m4006_Kopul_Studio_Elite_4000.html Alternately, if you intend to use the microphone only with your computer, you may want to consider a USB microphone. The Samson Satellite is a good choice because it can be used with Mac, PC, or iOs devices, and it has features that are important when recording or streaming. https://www.bhphotovideo.com/c/product/1471366-REG/samson_sasat_satellite_usb_ios_broadcast_mic.html I would encourage you to give us a call at 800-606-6969 and a Pro Audio specialist will be happy to assist in choosing the right mic for you.
Q: 7. Can I use this mic for rap vocals or any type of music vocals??
A: This mic is great for rap vocals. It has great clarity and sound.
Q: 8. can i buy a windscreen for this mic?
A: BH #AUWCFUB440 would be a suitable windscreen for the Shure PGA27 Large-Diaphragm Side-Address Condenser Microphone.
Q: 9. Does the microphone come with the SG2 mounting ring?
A: No, the Neumann SG2 Stand Mount does not fit the Neumann U 89 i Large-Diaphragm Multipattern Condenser Microphone. The microphone comes with a wooden storage box and the mounting accessories are available separately. The Neumann SG 289 Stand Mount for U 89 i Studio Microphone (B&H # NESG289) and the Neumann EA89I - Elastic Suspension Shock Mount for use with Neumann U89 Microphones - Nickel (B&H # NEEA89I) are the two options that Neumann offers for mounting the U 89 i Microphone.
Q: 10. I am updating my Samson MTR 231, what differences should I expect between both mics, please?
A: In comparison, the Sennheiser is the more feature rich. 3 step low cut filter and 3 step pad. You are also getting more selectable pickup patterns. These allow you to more precisely tailor the mics performance to a specific application. Comparatively the mic are similar in self noise, however the Sennheiser offers better specs in dynamic range as well as signal to noise ratio. Regarding frequency response, the Sennheiser is relatively flat, with the Samson featuring a slight boost in the higher frequencies. This will generally be interpreted as the Sennheiser having a warmer sound.
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