[Kinefinity MAVO] Nice case. Solid and very nice size. I got the small one for the 79cc. Seems well buit.

[Yes] I have the Ktek KE-110CCR and it fits perfectly inside this hard shell case with about 4 inches to spare. The outer shell is very durable and the two velcro straps inside secure the boom pole very snugly, it doesn’t move around much at all. This particular model may not work for every size boom pole out there so be sure to check your specs first!

[Yes] No complains so far. Its been a week with my new case and i absolutely love it. As it says, it comes with custom fit foam, so you can adapt it for any monitor. The build quality is good and solid. 100% recommended to protect your monitors.

[Yes] The Kinefinity MAVO LF Mark II offers the best bang for your buck, for a full frame cinema camera! The images coming straight out of the camera cuts perfect with the Arri Mini. In fact, directly from Davinci Resolve, just apply an Arri LUT and the image is unbelievable! Kinefinity has been making cinema cameras since 2011. The latest generation cameras are VERY reliable. Internally, this camera shoots up to 12 bit ProRes 4444XQ (no need for raw). I've been using Kinefinity cameras since 2018 (my first Kinefinity camera was the Terra 4K, which still works perfect to this day). Kinefinity has a US Service Center in Burbank, California. I personally prefer buying my camera equipment from B&H. I was so happy to know they now sell all Kinefinity Cameras and accessories! YES, I purchased my Kinefinity MAVO LF Mark II right here at B&H! Get yours here too, you'll discover these cameras are the BEST kept secret if you want the ARRI look on a budget!!!

[Yes] I needed a hard case to with pockets to carry fiber modems and not get banged around while in the Pelican case. Would buy again in an instant!

[Gray] I use this case to hold my Rode wireless go set

[Gray] Best way to store and carry my boom poles.

[Yes] Was so happy to see this camera on B&H. The image out of this is amazing.

[Yes] I fly a lot with equipment and I really need to feel that I can drop it off at check-in without worries about the gear being smashed to pieces on arrival, enter the TS-50A. About 10 inches longer than I really needed, I still bought this case, thinking that I could stick cables clamps and other stuff in it. It works really well and it protects your tripod and head better than anything Ive tried before. It has a backpack harness wich is a good feature, and a cover for the carrying handle, protecting it on check-in, also a cool feature, it does take a few minutes to get this case flight-ready if you just spent a day actually working with it, but its worth it! Your gear is protected by a hard, light shell wich seems to be able to withstand a lot of abuse. On a recent job here i Europe involving 6 flights in 10 days, I managed to pack it with my Sachtler 2-stage CF legs with a Video 12 head, 2 light-stands. 100 ft. of electric cable, assorted clamps and other little bits and pieces, it has a lot of zippered pockets All in all a really great case! I have one negative comment though, Portabrace pushes this case as a travellers case there is no obvious place for the destination tag at check-in though when the case is covered up for flying...

[Kinefinity MAVO] This is the second Orca boompole case I've purchased. I flew around the world with it at the bottom of a wheeled duffle and my pole arrived intact to every location. What more can you ask? Yes, it's an extra chunk of change but much cheaper than replacing a pole.