Leica Sl2-s Reporter Mirrorless Camera
- Product Code: eq106540
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Following the established tradition of Leica SL2-S Reporter Mirrorless Cameraallows you to discreetly immerse yourself in any environment for authentic and vivid photos and video. Ready when you are, the SL2-S Reporter is engineered to withstand extreme temperatures, repel dust and water, and stand up well to rough handling so you can focus on one thing — documenting the variety of our world.
24.6MP Full-Frame BSI CMOS Sensor Maestro III Image Processor DCI 4K Video; HLG & 10-Bit Recording ISO 50-100000, Up to 25 fps Shooting 5.76m-Dot 0.78x-Mag. EyeRes OLED EVF 3.2" 2.1m-Dot Touchscreen LCD Contrast-Detect 225-Area AF System 5-Axis Sensor-Shift Image Stabilization 96MP Multishot, Dual SD UHS-II Slots Durable Aramid Fiber Armor
Key Specs | |
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Lens Mount | Leica L |
Sensor Resolution | Effective: 24.6 Megapixel (6072 x 4056) |
Image Sensor | Full-Frame CMOS |
Image Stabilization | Sensor-Shift, 5-Axis |
ISO Sensitivity Range | 50 to 100,000 in Auto Mode |
Continuous Shooting | Mechanical Shutter Up to 9 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) Up to 5 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) Up to 2 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) Electronic Shutter Up to 25 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) |
Internal Recording Modes | H.264/MOV 4:2:2 10-Bit DCI 4K (4096 x 2160) at 24.00/25/29.97 fps [400 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [400 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [200 Mb/s] H.264/MOV 4:2:0 8-Bit DCI 4K (4096 x 2160) at 50/59.94 fps [150 Mb/s] UHD 4K (3840 x 2160) at 50/59.94 fps [150 Mb/s] 1920 x 1080p at 100 fps [20 Mb/s] H.264/MP4 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 150 Mb/s] |
External Recording Modes | 4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps 1920 x 1080p at 23.98/25/29.97/50/59.94 fps 4:2:0 8-Bit via HDMI UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps 1920 x 1080p at 23.98/25/29.97/50/59.94/100/180 fps |
Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) |
Video I/O | 1x HDMI Output |
Audio I/O | 1x 1/8" / 3.5 mm TRS Stereo Headphone Output 1x 1/8" / 3.5 mm TRS Stereo Microphone Input |
Power I/O | 1x USB-C Input/Output |
Other I/O | 1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) |
Wireless | Wi-Fi, Bluetooth |
Display Type | Fixed Touchscreen LCD |
Battery Type | 1x BP-SCL4 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh (Approx. 510 Shots) |
Imaging | |
Lens Mount | Leica L |
Sensor Resolution | Effective: 24.6 Megapixel (6072 x 4056) |
Image Sensor | Full-Frame CMOS |
Image Stabilization | Sensor-Shift, 5-Axis |
Built-In ND Filter | No |
Capture Type | Stills & Video |
Exposure Control | |
Shutter Type | Mechanical Focal Plane Shutter and Electronic Rolling Shutter |
Shutter Speed | Mechanical Shutter 1/8000 to 500 Seconds Electronic Shutter 1/16000 to 60 Seconds |
ISO Sensitivity Range | 50 to 100,000 in Auto Mode |
Metering Method | Center-Weighted Average, Multi-Zone, Spot |
Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation | -3 to +3 EV (1/3 EV Steps) |
White Balance | Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Warm White), Halogen, Shade, Tungsten, White Balance Adjustment |
Continuous Shooting | Mechanical Shutter Up to 9 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) Up to 5 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) Up to 2 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) Electronic Shutter Up to 25 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG) |
Interval Recording | Yes |
Self-Timer | 2/12-Second Delay |
Still Image Capture | |
Image Sizes | 3:2 DNG 6000 x 4000 3:2 JPEG 6000 x 4000 4272 x 2848 2976 x 1984 |
Aspect Ratio | 3:2 |
Image File Format | DNG, JPEG |
Bit Depth | 14-Bit |
Video Capture | |
Internal Recording Modes | H.264/MOV 4:2:2 10-Bit DCI 4K (4096 x 2160) at 24.00/25/29.97 fps [400 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [400 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [200 Mb/s] H.264/MOV 4:2:0 8-Bit DCI 4K (4096 x 2160) at 50/59.94 fps [150 Mb/s] UHD 4K (3840 x 2160) at 50/59.94 fps [150 Mb/s] 1920 x 1080p at 100 fps [20 Mb/s] H.264/MP4 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 150 Mb/s] |
External Recording Modes | 4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps 1920 x 1080p at 23.98/25/29.97/50/59.94 fps 4:2:0 8-Bit via HDMI UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps 1920 x 1080p at 23.98/25/29.97/50/59.94/100/180 fps |
Recording Limit | Not Specified by Manufacturer |
Broadcast Output | NTSC/PAL |
IP Streaming | Yes |
Built-In Microphone | Stereo |
Interface | |
Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) |
Video I/O | 1x HDMI Output |
Audio I/O | 1x 1/8" / 3.5 mm TRS Stereo Headphone Output 1x 1/8" / 3.5 mm TRS Stereo Microphone Input |
Power I/O | 1x USB-C Input/Output |
Other I/O | 1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) |
Wireless | Wi-Fi, Bluetooth |
Mobile App Compatible | Yes |
Global Positioning (GPS, GLONASS, etc.) | No |
Monitor | |
Display Size | 3.2" |
Resolution | 2,100,000 Dot |
Display Type | Fixed Touchscreen LCD |
Secondary Display | Top: Status Display |
Viewfinder | |
Type | Built-In Electronic (OLED) |
Resolution | 5,760,000 Dot |
Eye Point | 21 mm |
Coverage | 100% |
Magnification | Approx. 0.78x |
Diopter Adjustment | -4 to +2 |
Focus | |
Focus Type | Auto and Manual Focus |
Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
Autofocus Points | Contrast Detection: 225 |
Flash | |
Built-In Flash/Light | No |
Maximum Sync Speed | 1/250 Second |
Flash Compensation | -2 to +2 EV (1/3 EV Steps) |
Dedicated Flash System | TTL |
External Flash Connection | Shoe Mount |
Environmental | |
Operating Temperature | 22 to 72°F / -10 to 40°C |
General | |
Battery Type | 1x BP-SCL4 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh (Approx. 510 Shots) |
PoE Support | Yes |
Tripod Mounting Thread | 1x 1/4"-20 Female (Bottom) |
Accessory Mounting Thread | 1x |
Material of Construction | Aluminum, Magnesium Alloy |
Dimensions (W x H x D) | 5.7 x 4.2 x 3.3" / 146 x 107 x 83 mm |
Weight | 2.0 lb / 920 g (With Battery) |
Packaging Info | |
Package Weight | 3.735 lb |
Box Dimensions (LxWxH) | 9.2 x 8.5 x 6" |
Offering identical specifications as the original SL2-S, this Reporter model features a highly versatile full-frame 24.6MP BSI CMOS sensor for outstanding imaging capabilities for both stills and video applications. Coupled with the Maestro III image processor, fast performance is ensured along with a wide ISO 50-100,000 sensitivity range. The sensor's BSI design also promotes especially clean and smooth color and tonal rendering, along with reduced noise when working at higher ISO settings. The sensor's design also omits a low-pass filter in order to maintain the highest degree of sharpness and resolution. Additionally, beyond sheer image quality, the processing power affords quick continuous shooting, up to 25 fps with an electronic shutter or 9 fps with a mechanical shutter, and a 4GB buffer enables near limitless burst shooting of full-resolution DNG or JPEG files.
An immensely capable video camera, the SL2-S offers both DCI and UHD 4K recording at up to 60p using either the full-frame sensor area or an APS-C/Super 35mm crop. Internal 10-bit 4:2:2 recording is supported for frame rates up to 30p, and 60p is available at 8-bit 4:2:0. When recording externally via the full-size HDMI port, 10-bit output is available at all frame rates for DCI and UHD 4K. Full HD recording is also supported with high-speed frame rates up to 180 fps for slow-motion playback. Additionally, there is no imposed recording limit at any resolution or frame rate, allowing for extended recording times.
Complementing the video quality, a dedicated Hybrid Log Gamma (HLG) mode and L-Log gamma profile can be used to for in-camera HDR output or for expand highlight and shadow detail and greater flexibility when color grading during post-production. There are also integrated viewing LUTs for improved color control and accuracy. Video recording can be split into 1-minute segments to avoid data loss, and a color bar provides reference for correct color grading and sound control in postproduction. Additionally, benefitting audio quality, support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
Video recording can be split into 1-minute segments to avoid data loss.
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Resilient and robust, the SL2-S Reporter camera body is covered and protected by aramid synthetic fibers, which are commonly used in aerospace and military applications. These tightly spun fibers offer excellent protection under the most difficult conditions, while also providing a significantly improved grip.
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Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
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The impressive EyeRes EVF is a high-resolution 5.76m-dot OLED finder offering a clear 0.78x configurable viewing magnification along with a smooth 120 fps refresh rate and 0.005 sec lag.
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Large 3.2" 2.1m-dot touchscreen LCD is a bright, clear means for live view shooting as well as playback and menu navigation. This screen also uses Gorilla Glass for a highly durable design.
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Separate photo and video menu systems eliminate the need to readjust settings when switching from photo to video modes, resulting in a more intuitive workflow, especially when mixing content types in a single shoot.
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In addition to the rear LCD, a 1.28" top status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off.
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Durable, weather-sealed magnesium-alloy construction is splash, dust, and freezeproof (IP54-rated) to accommodate working in harsh weather conditions and trying environments.
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Dual UHS-II-compatible SD memory card slots offer flexible image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
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A USB Type-C port allows for fast file transferring; tethering, with full support for Capture One 21 and Adobe Photoshop Lightroom; and high-speed in-camera battery charging. Additionally, a full-size HDMI Type-A port benefits video applications, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
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BP-SCL4 rechargeable lithium-ion battery is rated for approximately 510 shots per charge.
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Built-in Wi-Fi, when used in conjunction with the Leica FOTOS app for iOS and Android, permits sharing imagery directly to a linked mobile device and also enables remote control over the camera and remote shooting via a live view image. Additionally, Bluetooth LE helps to maintain a permanent connection between the mobile device and the camera, enabling remote waking of the camera and automatic connection anytime within range.
Helping to achieve the utmost sharpness when photographing handheld, 5-axis sensor-shift image stabilization compensates for a broad range of movement types to render sharper, clearer imagery.
Using sensor-shift stabilization technology, the SL2-S also features a Multishot mode to capture and compile eight separate exposure to create a single 96MP file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
For accelerated autofocus performance, a Leica Object Detection AF system quickly calculates the distance to subjects and adjusts the focusing position with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications through the use of a Body Detection mode. It also features 225 selectable AF areas, which provide excellent control over where the camera will focus, and Automatic Follow Focus offers three focus points for automatic focus shift during video recording.
Related Questions and Answers
Q: 1. do the leica S lenses can be used in the Leica SL?
A: You will need the Leica S to Leica L adapter: https://bhpho.to/3mvfw9a
Q: 2. How will this camera perform for startscape / Milky Way photography? I have an SL2 for landscape work but am considering adding either this or the Sony A7III for astrophotography.
A: This camera would be excellent for shooting a star scape or the Milky Way due to its high sensitivity.
Q: 3. Does the Leica SL2 use true uncompressed DNG storage for RAW files?
A: Leica uses lossless compression on the SL2's DNG files. There is some compression applied but the level is not significant enough to adversely effect image quality.
Q: 4. How long is the factory warranty?
A: You receive a 2-year warranty with Leica. This the direct manufacturer warranty.
Q: 5. Is this a 4/3 sensor?
A: No, the Leica SL2-S Mirrorless Camera uses a full frame sensor.
Q: 6. Does this camera use the same sensor as the Panasonic S1R?
A: Yes, the Leica SL2 Mirrorless Digital Camera, uses the same sensor as the Panasonic S1R.
Q: 7. Can you use the SL2-S as a webcam for livestreaming? I've heard that when the screen times out the auto-focus stops working?
A: You can use it for livestreaming. The autofocus not working while streaming was a bug the cameras had, but Leica have since updated the camera so that's no longer an issue.
Q: 8. If you use the SL2 camera with the adapter for the Leica M lenses will the camera shoot hi res pictures or will it only be able to shoot in the aps partial sensor mode? Also with the M series lens will the SL2 camera be able to autofocus?
A: The Leica SL2 Mirrorless Digital Camera uses a full-frame sensor and the Leica M-mount lenses were designed for use with a full-frame sensor. If you use the Leica M-Adapter L (Silver), B&H # LEMATS, to connect Leica M-mount lenses on the Leica SL2 Mirrorless Digital Camera, it would use the full sensor. Leica M-series lenses are manual focus lenses, so you would have to focus the lenses manually.
Q: 9. Will there be a new HG SL4 SL to go with it or will the original be the only grip to work with the new SL2 system?
A: There is a new Multi Function Handgrip HGP-SLC6 for the SL2 B&H # LEHGSCL6, Leica # 16061.
Q: 10. Do super-wide M lenses still color shift in the corners on this new sensor? I keep reading this quote about the SL2-S: "sensor stack fully compatible with Leica M-Lenses". I wonder what they're trying to say.
A: From testing and observation, there does not appear to be any color shifting in the corners of their new sensor designed for the camera. And as for the "sensor stack fully compatible with Leica M-Lenses" quote, they are referring to the fact that their M-Lenses are some of the best optical glass that they manufacturer, so the new sensor takes full advantage of that sharpness and color rendering to produce images that hold up to the Leica standard.
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