Elation Fuze Sfx Spot Fixture 300W White

Elation Fuze Sfx Spot Fixture 300w White

Product Code: eq107855
Availability: In Stock

$10,080.00 $14,716.80

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Description
Reviews (17)

This white Elation Fuze SFX Spot Fixture 300W Whiteis a new concept LED Spot FX fixture designed for various applications requiring a compact and powerful multi-purpose luminaire. The SFX can project tight beams to wide washes using a highly efficient optical design while providing over 12,000 lumens of output from its 300W white LED engine. Housing 18 carefully designed gobos and a 4.5 to 38° zoom, the FUZE SFX can create stunning mid-air FX as easily as precise image projections.

The SFX allows for even stage washes utilizing its variable frost filter, while a wide array of beautiful colors is possible from a seamless CMY color-mixing system plus a color wheel. Dual independent rotating and overlaying prisms plus a fast iris round out the comprehensive feature set. A truly remarkable compact powerhouse for any application, the FUZE SFX is sure to create amazing effects, outstanding projections, and beautiful bright washes on any stage.

406 LED, 300W Spot Fixture 6600K White LED Engine Zoom Range from 4.5 to 38° Spot and Effects Fixture

Key Specs
Fixture Type	Moving Head
Light Source	White LED - 3000 W
Colors	Red, Yellow, Green, Orange, Pink, CTO (Color Temperature Orange), Blue, Cyan, Magenta
Beam Angle	5 to 38°
Control Protocols	DMX512, W-DMX, RDM, Art-Net, sACN
AC Input Power	100 to 240 VAC, 50/60 Hz
Power / Current Consumption	432 W
Mounting	Floor Base, Omega Bracket
Light
Fixture Type	Moving Head
Light Source	White LED - 3000 W
Expected Lamp Life	20,000 Hours
Colors	Red, Yellow, Green, Orange, Pink, CTO (Color Temperature Orange), Blue, Cyan, Magenta
Photometrics	38°: 3216 fc / 34,612 Lux at 3.3' / 1 m 129 fc / 1384 Lux at 16.4' / 5 m 32 fc / 346 Lux at 32.8' / 10 m
Color Temperature	6600K
Lumen Output	12,135 Lumens
Beam Angle	5 to 38°
Field Angle	6 to 42°
Shutter / Strobe	Electronic
Iris	Yes
Focus	Motorized
Zoom Adjustment	Motorized, 5 to 38°
Dimming	16-Bit 0 to 100% with 6 Dimmer Modes
Prism	6-Facet Circular 6-Facet Linear
Performance
Operating Modes	DMX, Primary/Secondary, Standalone
Macros / Programs	4x Internal Program
Effects	Frost Filter Strobe
Gobos	8x Glass Gobo 10x Fixed Gobo
Gobo Size	Glass Gobo: Outer Diameter: 0.6" / 16.4 mm Max Image Size: 0.5" / 12.5 mm
Color Accuracy Index	CRI: 68
Refresh Rate	900 Hz to 25,000 Hz
Control
Control Protocols	DMX512, W-DMX, RDM, Art-Net, sACN
DMX Channel Modes	31-Channel
Display / Controls	LCD / 4-Button
Remote Control	No
Connectivity
Inputs/Outputs	1 x XLR 5-Pin DMX Input 1 x XLR 5-Pin DMX Output 1 x RJ45 Network Input 1 x RJ45 Network Output
Power
AC Input Power	100 to 240 VAC, 50/60 Hz
AC Power Connector	Input: 1x powerCON TRUE1 Output: 1x powerCON TRUE1
Power / Current Consumption	432 W
Physical
Environmental Resistance	Dust-Resistant (IP20)
Operating Conditions	14 to 113°F / -10 to 45°C
Mounting	Floor Base, Omega Bracket
Included Accessories	1x Power Cable
Duty Cycle	No
Exterior Color	White
Cooling	Fan (Variable Speed)
Certifications	CE, cNRTLus
Dimensions	23.4 x 14.3 x 9.2" / 59.4 x 36.3 x 23.4 cm
Weight	46.3 lb / 21 kg

12,000-umen fixture output
Spot and effects fixture
Zoom range from 4.5 to 38°
Variable CMY and 7-position color wheel
High CRI and CTO filter
8 rotating and 10 fixed gobos
Dual independent prisms for layering
Motorized iris
Variable wash frost filter

300W 6600K Bright White LED engine
20,000-hour average LED life

CMY variable color mix
7-position color wheel
High CRI filter, CRI 84
CTO filter, 3200K, CRI 77

2 gobo wheels
Wheel #1 with 8 rotating/interchangeable glass gobos
Wheel #2 with 10 static gobos

Motorized zoom
Remote focus
Variable frost filter
Dual independent prisms (6-facet linear and 6-facet round)
Motorized iris
Variable 16-bit dimming curve modes
High-speed electronic shutter and strobe

31 DMX channels
16-bit pan, tilt, and dimming control
DMX adjustable LED frequency
DMX, RDM, E-FLY Wireless, Art-Net, sACN protocol support
4-button touch control panel
Full-color 180°reversible LCD menu display
Locking 5-pin XLR connector in/out
Locking RJ45 ethernet connector in/out
IP65 locking power connector in/out
USB connection (firmware updates)
Wired digital communication network

Related Questions and Answers

Q: 1. What is the expiry date of the film currently for sale in your store or in your inventory?

A: We are unable to provide expiration dates for the film we sell online or in store. However, we do not sell film within 6 months of its expiration date.

Q: 2. Can this hold a conventional incandescent Edison bulb?

A: It holds up to a 60w lamp so if the lamp physically fits you could fit a standard Edison bulb. But 60w will not give a lot of output with tungsten and a led is recommended.

Q: 3. The description says "comes with your choice of lens" but someone answered the question with no does not include a lens. which is it?

A: This light includes one lens. (And it is your choice which) Once you add the light to your cart you will be be prompted to choose which lens you want to get at no extra cost. In addition to the one included lens that you select you can - if you choose buy any of the other lenses separately should you choose to do so.

Q: 4. Are you able to utilize both 3pin and 5pin outputs at the same time?

A: No. Unit will only transmit To Multiple Receivers On Same Radio Channel. Supporting Up To (15) DMX-512 Universes(15) Radio Channels only on1 DMX universe per channel.

Q: 5. does it include cables?

A: This PSU does come with connector cables. Please see the specs tab for the complete list.

Q: 6. Would this film work/be compatible with a vintage Spartaflex camera?

A: Yes, the Ilford SFX 200 Infrared 120 Black and White Print Film will be compatible with a Spartaflex camera, and other medium format cameras that use 120 type film.

Q: 7. What is the max height of the stands?

A: According to the mfr it is 2.4 meters or about 7.8'.

Q: 8. Does this come with the lens tube? if so what degree?

A: No, the ETC ColorSource Spot V Light Engine with Shutter Barrel (Black) does not come with a lens tube.

Q: 9. Weight ?????

A: This case has a shipping weight of 131lbs.

Q: 10. Is everyone using this at the standard ISO or are you pushing or pulling it? Is so what are the effects?

A: Ilford SFX 200 Black and White Negative Film (120 Roll Film) can be push-processed to ISO 400 or ISO 800. Ilford suggest using ILFOTEC DD-X or MICROPHEN (stock) developer when push-processing.

Cortina23	18/09/2024
[CRI: 68] Unlike many other infrared this film isn't as sensitive as others. What I mean is loading your camera you don't need to be in pitch black. I personally load it in a low light location. Beautiful pictures it takes and cool effects 5

Anonymous	11/08/2024
[1x Power Cable] I have not used the 120 yet, but I have used the 35 version which is he same. It does exactly what it promises. Without a filter, it behaves like a typical not-too-fast, not-too-slow B&W film with good grain. Put on a red filter and the infrared effect is quite good. I used it for landscapes and got good results. Highly recommended. Of course with the red filter you lose a few stops of exposure but since it is most appealing with skies in the shot, that may not matter. 5

Edward	28/07/2024
[6 to 42° ] Read online how to expose this film with R72 filter. Used a Mamiya 330 Pro S. Very first film developed prints came out great. Black sky with white foliage on the trees and black water. Used a Gossen Luna Pro SBC at 3 & 6 ASA. F16 at 2 or 4th of a second. Bright sunny day. That's 5 or 6 stops down. Thanks to everyone who suggested how to expose the pictures 5

Eric	13/07/2024
[20,000 Hours] This light was more than I imagined it would be. It looks great, and the light is bright for a smaller location (house, small gym). If you are planning on using it without DMX, keep in mind that you basically have two options: you can set the light on one non-moving setting, or you can set it to demo mode where it goes crazy with different colors, movement, and such. The demo mode is fun, but if you maybe want everything but the strobe light you don't have that option to turn off strobe. So if you are looking for some fun to spice up a DJ setup, go for it. However, it seems like if you have a DMX setup you can really take advantage of all the settings. I liked it so much I bought another! 5

Edmund	09/07/2024
[LCD / 4-Button] Needed a good ellipsoidal for field video work but didn't want to shell out big $ for it. This was the perfect fit. Plenty of punch, and it comes with a zoom lens so I can scale the pattern to fit the background properly. Love it! It's got a little bit of fan noise, but hasn't been a problem yet. 5

Frank	07/07/2024
[6 to 42° ] Was honestly so ecstatic to find these kinds as I've been trying to build up my lighting collection and found these at an extremely cheap rate. I was concerned when I first got them that there might have been a problem, but they perform so much better than I could have ever hoped! 5

Eugene	04/07/2024
[Moving Head] Excellent infrared film can be used with Red (R25A) filter, but for me it's best to be used with true infrared R72 infrared filter, I use about 6 stops compensation with very good result. I using Kodak HC-110 for processing, results are great 5

anyonymous	03/07/2024
[Moving Head] I needed a bright LED for front of house lights with a throw of 50-75 feet. This did the trick. It can be adjusted for a soft or hard focus and zoomed in for a spotlight. It acts like one of those great old incandescents that I miss so much since going down the LED highway. The one problem I have with the light is that it is pretty long and I wanted to hang it on a light tree in the audience and I am a bit uncomfortable with that. But this is not a problem with the instrument or B&H Photo who sold me the light. It was just something I didn't put into the mix. But I would buy this product again and I do anticipate many happy years of use. 5

Larry	28/06/2024
[1x Power Cable] I've been using this film for nearly 30 years and it never disappoints. It is the near Infrared film and I like it much better than the total IR film because it offers a wider tonal range while still delivering the IR look. 5