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Canon Cn-e 45-135mm T2.4 Lf Cinema Zoom Lens Ef Mount

Canon Cn-e 45-135mm T2.4 Lf Cinema Zoom Lens Ef Mount
  • Product Code: eq109369
  • Availability: In Stock

$65,997.00 $98,995.50

Expand your Canon CN-E 45-135mm T2.4 LF Cinema Zoom Lens EF Mountcine-style lens choices with the full-frame CN-E 45-135mm T2.4 LF Cinema EOS Flex Zoom Lens. This EF-mount lens is color matched to the rest of the EOS cine line, featuring a warm look with natural skin tones and accurate color rendition. The 45-135mm Flex Zoom and its 20-50mm counterpart both boast a fast T2.4 maximum aperture across their entire focal ranges, enabling low-light capture with the ease of a zoom lens.

Interchangeable EF and PL lens mounts make it easy to use the Flex zooms with a variety of cine-style cameras. Coated glass elements reduce chromatic aberration and block flares and ghosting, making this 3x zoom ideal for 4K to 8K cine-style HDR capture. An 11-blade iris produces soft, cinematic bokeh, and consistent .08-MOD gear placement and front diameter size suit the Flex zooms for use with industry-standard matte boxes and accessories.

Covers up to Full-Frame Sensor Size    T2.4 Constant Aperture, 11-Blade Iris    EF Mount    Canon EOS Cinema Color-Matching    114mm Front Diameter / 3'4" Close Focus    0.8 MOD Cine Gears, 114mm Front Diameter    Luminous Focus Marks in Feet & Meters

Key Specs
Focal Length45 to 135mm
Maximum ApertureT2.4
Lens MountCanon EF
Lens Format CoverageFull Frame
Filter ThreadNo
Image StabilizationNo
Electronic CommunicationYes
Parameters
Maximum ApertureT2.4
Lens MountCanon EF
Interchangeable MountYes
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Focus ScalesImperial, Metric
Filter ThreadNo
Zoom Ratio3x
Minimum Focus DistanceFrom Camera Sensor: 3.3' / 1 m
Diaphragm Blades11
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 300°
Electronic CommunicationYes
Camera Connection1 x LEMO 4-Pin (Cooke /i Technology Lens Data) Data
DiameterFront: 4.5" / 114 mm
Length9.7" / 24.6 cm
Weight7.5 lb / 3.4 kg
Packaging Info
Package Weight13.195 lb
Box Dimensions (LxWxH)21.1 x 13.7 x 13.4"

These zoom lenses produce the warm color balance and beautiful skin tones that are consistent across the Canon cinema line. Each lens is ideal for 4K-8K HDR capture with a tonal range that reproduces natural-looking images with reduced chromatic aberration and minimal flaring and ghosting.

Related Questions and Answers

Q: 1. Does Canon encodes the distortion data as well? Is it XD lens data?

A: Quoting the canon page on the lens data for the Canon CN-E 45-135mm T2.4 LF Cinema EOS Zoom Lens , "The Flex Zoom series lenses are compliant with a wide range of communication standards thanks to the versatile lens-to-camera communication function including Cooke /i Technology™ (PL mount) and EF mount. This will enable you to display or record lens metadata as well as utilize camera functions such as aberration correction, peripheral illumination correction and focus guide function with compatible cameras."

Q: 2. Are canon prime lenses available in focus metric system?

A: Lens markings on this lens are in feet. However, focus markings can be switched to metric labeling if you send the lens to Canon for modification.

Q: 3. Will this lens work on a Canon crop sensor 60D?

A: Yes. It will work on any full frame or aps-c canon camera.

Q: 4. How compatable is this lens with the 5D mark IV for stills?

A: This lens can be used for stills. However it will be completely manual, you will have to manually control the focus and adjust the Iris on the lens. You will not be able to control the lens on your camera.

Q: 5. All these lenses can be used with the red cameras? and the blackmagic cameras?

A: This is an EF mount lens. As long as the camera has an EF mount, it will work. With RED cameras you need to select an EF mount and with Blackmagic you will need to make sure the camera has an EF mount. So that we may best assist you finding the proper product for your needs feel free to email us directly at askbh@bhphoto.com.

Q: 6. Are the mounts interchangeable between the EF and the PL version?

A: Yes, the Canon CN-E 20-50mm T2.4 LF Cinema EOS Zoom Lens (EF Mount) features the ability to change the mount. "Interchangeable EF and PL lens mounts make it easy to use the Flex zooms with a variety of cine-style cameras."

Q: 7. What kind of horizontal distortion does this lens render on full frame around the top and bottom of the frame? Does it have barrel distortion, bulge distortion, pincushion distortion, or wave/ wiggle distortion? Do lines stay straight horizontally?

A: All extreme wide lenses exhibit some level of barrel, chromatic, and rectilinear distortion. If you wish to avoid these negatives while using wide lenses, do not get too close to your subject and cause barrel distortion or tilt and cause leaning lines. This Canon CN-E 14mm reduces all wide angle distortions to an absolute minimum. This is in keeping with the fact that this lens is meant for the Hollywood market where only the best will do. Final note: Wide and tele lenses have characteristics unique unto themselves. In the beginning of their camera career, people often look at these characteristics as negatives to be overcome. In time, the user knows what to look for and then exploits these characteristics to storytelling advantage.

Q: 8. do they make an anamorphic filter to fit the cn-e 35mm t1.5? THANKS!

A: You are in luck for yes they do make an anamorphic attachment that can be used with this lens. Letus35 AnamorphX-PRO 1.33x Adapter with Lens Support B&H # LEANXPRO13K1 $2,794.95. This will give you a 2.39 image with a 16x9 sensor. If your camera has a 4x3 sensor, get the Letus35 AnamorphX-PRO 1.8x Adapter with Lens Support B&H # LEANXPRO18K1.$3,599.95. This will result in a more oval bokeh and stronger flares.

Q: 9. What is the image circle?

A: Canon does not provide image circle specifications for the Canon CN-E 20-50mm T2.4 LF Cinema EOS Zoom Lens. However, They do say it has 8K Optical Performance and it is designed for Full Frame Cameras.

Q: 10. Does the 35mm CN-E lens have auto focussing?auto focus?

A: CN-E lenses are manual focus only

05/09/2024

[Yes] This is a really well constructed lens. It feels like it's worth every penny. The optics are crystal clear, no distortion of any kind that I can detect. The giant focus ring turns and turns - very nice for pulling focus. On the downside, at longer distances with the aperature wide open, the depth of field is razor thin, and the focus ring has increasingly less travel between steps at further distances. I realize this is physics, but I was personally surprised by how touchy focus is at 40-50' in lower light situations.

5
25/08/2024

[T2.4] I had the original set of these cine lenses...then cometed my set with this 35mm. What a fantastic lens. The quality and build is superb. I picked these over the Ziess set...and I'll never look back!

5
13/08/2024

[T2.4] One the most-used lenses on a super 35mm sensor, the 35mm CN-E from canon has been long in coming. I think it was worth the wait. This lens ads the mechanics and housing of a true cinema lens, and improves noticeably in terms of contrast, sharpness and chromatic aberration compared it's still-camera-L-series cousin. Contrast is excellent wide open, and corner sharpness is exceptional throughout the range. The small amount of CA is largely limited to the extreme corners on a full frame camera, and is essentially negligible on super35 or other cropped sensors. I only wish the 50mm was this good.

5
02/08/2024

[Canon EF] When I moved over into the Canon Cinema camera line, due to costs, I decided to go with the Rokinon cinema lenses. Initially, I thought they worked great and it was a definite upgrade from my previous setup. However after shooting with these lenses I can't even believe the difference. The color and clarity are unmatched – I even rented other lenses to compare (Zeiss, Xeen) and IMHO these Canon lenses blew them all away. They make skin tones just come to life and are sharp but not overly harsh. Worth every penny!

5
28/07/2024

[13.195 lb] This is my prime go-to lens on my Canon C-300. On the set of my short film, Jupiter's Legacy, my DP and I came back to this lens again and again. Coupled with the C-300's low light capabilities, the 1.5 allowed me to shoot primarily in lovely candlelight and torchlight. We successfully lit one scene with a single 15 watt Christmas Tree bulb. This lens is tack sharp and has great contrast. I love it. The first AC loved working with the smooth focus mechanism.

5
21/07/2024

[T2.4] This lens is a beast! Shooting wide open is tack sharp, the size is huge - and night shots are unlike anything Ive ever seen. We shot with it on a C100 Mk II, C300 Mk II, and RED Dragon and when comparing the footage it was hard to tell the difference from the 100 vs 300. This lens will make your camera shine, especially if its a Canon Cinema series. That and on-set our clients have noticed it and are very impressed. This will elevate your productions to another level.

5
16/07/2024

[Yes] This is the gold standard for 35mm on a Red Komodo

5
06/07/2024

[Full Frame] I also own CN-E 24 mm. 35 mm version is sharper and creates very pleasant image. I see myself using it much more than 24. I should add that the whole line Canon cine primes is a very good alternative to other sets of primes from other manufacturers including Zeiss Compact line which are more neutral and lifeless.

5
17/06/2024

[T2.4] I am in production now, using this lens and it's amazing, solid, sharp, yet naturally soft. I'm using it with the EOS C300 Mark II so in combination with the camera, it produces such a beautiful aesthetic straight out of the box. The lens is so well crafted. No breathing at all. It has a great weight to it. My first Canon Cine Prime Lens purchase and thus far, am totally satisfied. I will definitely be investing in more. The 35mm is a great choice for a first purchase as you can use this prime for so many applications. You could shoot an entire feature with just a 35mm if need be. I don't scoff at the price either. Artist's tools do cost. I'm a firm believer that you truly do get what you pay for.

5
21/05/2024

[T2.4] We produce travel and tourism footage and had been working with the canon cine 14, 24, 50, 85, and 135 for about a year. Just picked up the 35 and it has become our main workhouse lens. Most of our shots are a couple enjoying a scenic location and this lens sure is a beauty. Highly recommend this lens and the Canon cine primes.

5

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