The Rokinon XEEN Meister 85mm T1.3 Cine Lens PL Mountfrom Rokinon XEEN Meister 85mm T1.3 Cine Lens PL Mountis a cine-style prime lens offering excellent low-light capture with full-frame coverage. This tighter PL mount lens is suitable for up to 8K-resolution cameras, future-proofing your lens kit while producing rich, detailed images with controlled flare and ghosting. A 13-blade iris creates soft, oval bokeh, and the luminous focus and iris marks enable easier use in darker environments.

Each XEEN Meister T1.3 lens features 300° of rotation for precise focus pulls, a common 114mm front diameter compatible with most pro matte boxes, and a durable metal build with a titanium front. This PL mount lens provides Cooke /i Technology for displaying and/or recording metadata like focal length, aperture, and focus distance.

Covers Full-Frame Sensors    Suitable for 8K Image Capture    Super-Fast T1.3 Maximum Aperture    Cooke /i Technology Metadata    13-Blade Iris, Oval Bokeh    Luminous Focus/Iris Marks on Both Sides    Wide 300° Focus Rotation    X-Coating for Controlled Flare, Ghosting    0.8 MOD Focus and Iris Cinema Gearing    114mm Front Diameter

A 43.2mm image circle covers full-frame sensors and supports camera resolutions up to 8K

Related Questions and Answers

Q: 1. Whats the deference between this and the Rokinon Xeen ?

A: These are newer, improved Rokinon Xeen lenses. They have optics designed to work with Full Frame Cameras up to 8K in resolution.

Q: 2. Its Macro or Makro lens?

A: he Rokinon XEEN CF 50mm T1.5 Pro Cine Lens is not a macro lens.

Q: 3. How much purple fringing is there with this lens (at each aperture)?

A: I'm sorry to say we are not aware of any testing done with that lens which would go in to such specific details regarding the look at every aperture.

Q: 4. I just want to know what's the difference between Rokinon Xeen 50mm T1.5 Lens and Rokinon Xeen 50mm T1.5 Pro lens. Why is the pro so expensive.

A: Difference Weight 32 oz vs 40.9 oz plus precise angular rotation of focus and Iris

Q: 5. I know this lens is built for full-frame but I'm curious about the coverage if adapted to the Fuji GFX mount. Extreme vignette?

A: Full frame lenses like the Rokinon XEEN CF 50mm T1.5 Pro Cine Lens (EF Mount) would have a bad vignette when mounted to a medium format camera like the Fuji GFX, as the image will not full cover the sensor.

Q: 6. Do these lenses have a filter thread? If so, is it 95mm like the front diameter?

A: Unfortunately not. Filters will need to be mounted through a matte box.

Q: 7. does this cover 8k resolution?

A: Rokinon Xeen 24mm T1.5 Lens for Canon EF Mount have sensor coverage of up to full frame. Please review the chart below to see if your sensor size is supported. We also suggest the Rokinon Xeen CF models which do support 8k sensor sizes. Rokinon XEEN CF 24mm T1.5 Pro Cine Lens (E-Mount) BH #ROCFX24NEX Specs and coverage: https://www.bhphotovideo.com/lit_files/543170.pdf

Q: 8. I just purchased a XEEN CF 50MM T.15 Ef Mount for my Red Gemini 5k. However, the lens ins't recognized by the camera so I don't get access to Aperture on the monitor nor do I get my focal points. Any suggestions or recommendations?

A: This is a fully manual lens. It does not communicate electronically.

Q: 9. Will the tilta mirage 95mm mattebox fit on this lens seeing as the front diameter is also 95mm?

A: Yes, the Tilta Mirage has a 95mm clamp that will allow it to attach to lenses that have a 95mm outer diameter.

Q: 10. Why are these Rokinon lenses costing almost 10x as much as the Canon mount versions?

A: That is a fair question.The difference between consumer and pro level cine style lenses comes down to functionality on set. In order that the exacting work of movie making be as efficient, reliable, and consistent as possible, there need to be certain design parameters. 1. Excellent resolution, color and contrast image quality that all lenses in the line match. This is so you can cut between them in editing and not waste time making sure each lens seamlessly has the same look.2. A big barrel is needed by the 1st Camera Assistant for precise focus control.3. A common size front diameter is desired so the matte box fits all of the lenses quickly, without fiddling with adapters. The placement of the gears on the lens must be in the same place so less time is used on set adjusting follow focus devices and remote motors for focus and iris. Finally, similar weight lenses mean less time balancing MoVI, Steadicam and other stabilizing devices.4. The DS line has 8 iris blades which is good for bokeh. The Xeen line has 11 blades which is better.All of these parameters cost money. As you go in the filmmaking world, you will see the benefits they provide.