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Freelensing Cine Lens Tilt Shift Swing System

Freelensing Cine Lens Tilt Shift Swing System
  • Product Code: eq111425
  • Availability: In Stock

$77,409.57 $112,243.88

The Freelensing Cine Lens Tilt Shift Swing Systemleaves your lens virtually suspended in front of your camera sensor, enabling you to create fast and intuitive shift and tilt movements. This system enables shifts both parallel and perpendicular to the focal plane, rotation of the optical center, and a combination of both pan and tilt movements. Designed for use with cine-style video cameras, it enables focal plane control, including the choice of where to place the focal plane in the frame, either to increase the depth of field or minimize it.

Current compatible cameras include the ARRI ALEXA 35, Mini, and Mini LF, the RED V-RAPTOR, V-RAPTOR XL, and DSMC2 models, and the Sony VENICE and VENICE 2, with each camera having has its own characteristics.

For ARRI ALEXA 35/Mini/Mini LF    For RED V-RAPTOR/XL, DSMC2    For Sony VENICE, VENICE 2    Suspends Lens in Front of Camera Sensor    Combination Pan & Tilt Movements

General
CompatibilityARRI ALEXA 35, Mini, Mini LF
RED V-RAPTOR Standard, XL
RED DSMC2
Sony VENICE 1, 2
Lens Shift (Offset)X-Axis: +/- 1" / 25 mm
Y-Axis: +/- 1" / 25 mm
Z-Axis: PL Mount: 2" / 52 mm
Gas Spring SystemBlue: 4.4 lb / 2 kg
Red: 6.6 lb / 3 kg
Black: 8.8 lb / 4 kg
Gear Standard0.8 MOD
Operating Temperature32 to 72°F / 0 to 40°C
Storage Temperature14 to 122°F / -10 to 50°C
Physical
Mounting1x ARRI PL Lens Mount
1x 19mm Studio Rod Bracket
Load Capacity8.8 lb / 4 kg
DimensionsNot Specified by Manufacturer
WeightNot Specified by Manufacturer

Use this tilt/shift/swing lens system to add eliminate or reduce perspective distortion and to add creative, selective focus effects to your video capture.

Related Questions and Answers

Q: 1. If use use this lens using shooting live lcd screen to you actually see the exact tilt shift image?

A: Yes, you can view the Canon TS-E 24mm f/3.5L II Tilt-Shift Lens perspective as you tilt and shift the lens while in live view.

Q: 2. Will this work on the OM Systems OM-1 v2?

A: Yes, the 7artisans Photoelectric 50mm f/1.4 Tilt-Shift Lens (Micro Four Thirds) will work on the OM System OM-1 Mark II Mirrorless Camera.

Q: 3. Can this be adapted for use on a Fujifilm T4?

A: The Fringer EF-FX Pro II Lens Mount Adapter for EF- or EF-S-Mount Lens to Fujifilm X-Mount Camera, BH # FRFX2 can be used to attach the Canon TS-E 90mm f/2.8 Tilt-Shift Lens to the Fujifilm X-T4.

Q: 4. Can Canon Tilt-Shift lenses such as this one be adapted to work on full-frame Sony cameras such as the A1 or A7rIV ? ?

A: Yes, from our testing, the TS-E 24mm f/3.5L II and other TS lenses have worked with the A7R IV, A1, and other E-mount cameras using adapters.

Q: 5. Will this lens work with mirrorless cameras. I understand that an adapter would be needed.

A: Yes it will work with an adapter on a mirrorless camera.

Q: 6. Is it possible to order this lens so that the shift and tilt mechanisms are parallel, rather than perpendicular, to one another? I understand that this modification normally requires sending it to a Canon service center after initial purchase, which seems needlessly complicated (unless one is willing to undergo the risk of doing it yourself).

A: As Canon only manufactures one version of this lens with one manufacturer number, if you need the lens modified, you would have to contact Canon directly for assistance with your inquiry, as the lens is only offered to dealers and retailers in the standard configuration as described in the lens' instruction manual. You would have to contact Canon at 1-800-652-2666 or carecenter@cits.canon.com for assistance with your inquiry.

Q: 7. I was wondering if anyone has any experience using this this lens with the Canon Extension Tube EF 12 II. Does it affect tilt/shift function? Basically, I am looking for some macro functionality with tilt/shift. Thanks.

A: You can use the 45mm Tilt and Shift lens with the extension tubes but you will lose some tilt and shift functionality.

Q: 8. What is the best lens for product photography?

A: This is a superb lens for product photography. I am a professional product photographer. I have used many lenses, and still do for certain things, but this my go-to lens for nearly everything. It is extremely sharp, and the tilt-shift feature is essential for placing the plane of focus right where you need it. With an extension tube it becomes a great TS macro lens, too. I give it five stars!

Q: 9. Can you use this lens with an adapter for Sony A7II?

A: In order to use the Canon TS-E 24mm f/3.5L II Tilt-Shift Lens on the Sony a7II you would need a Sony E mount to Canon EF mount adapter.

Q: 10. will this lens work on a Canon 77D SLR?

A: Yes, the TS-E 24mm f/3.5L II Tilt-Shift Lens is compatible with the Canon EOS 77D.

17/08/2024

[0.8 MOD] This is simply a magnificent piece of glass. Can be used as a 17mm prime lens and performs better than any other wide angle prime in the Canon lineup. Great quality, no chromatic aberration, solid build. As an architectural lens, it cannot be matched. Shooting European cathedrals and basilicas is very challenging and this lens changes the game. Top to bottom, front to back captures, both portrait and landscape. Replaced the old 24mm standby and the improvement is enormous. Pricey, both worth it.

5
17/08/2024

[0.8 MOD] Exceptional wide angle tilt/shift lens is great fun in cities or other tight spaces. Image quality is exceptional unshifted, but stop down to f/11 for a full shift. Image quality ranges from outstanding wide open over most of the unshifted frame to just good at the edges of the shifted frame at f/11. Fully shifted, image quality not acceptable until f/8. Flare control is outstanding, and mechanics are excellent, and build is superior to Nikon tilt/shift lenses. This lens is unique for its outrageously wide angle view, nearly a fisheye when fully shifted. In that context, it is unequalled by any other T/S lens. Look to the 24/3.5L II for another excellent choice. Be careful with the front element!

5
14/08/2024

[0.8 MOD] These two photos was taken in one frame shot - not in five frames then stitch later. It was taken around 5:30PM in Long Island NY. I am challenging myself into taking my photographs AS IS, without heavy editing in the end of the shot (only touched contrast, exposure and thats it). This lens performs well for me, and in the long run this lens will save me a lot of time editing for i can correct distortions in the field immediately. I heard there are people using this lens for portraitures and landscape and they produced amazing work. The price will compensate the use in the long run and the lens was built to last. I advise people to have external monitor for composing for the built-in camera monitor is getting smaller every year. The lens is a prime lens, a mechanical equipment manual all the time, i consider this a machine built with metal and glass - not automatic/electronic lens. This lens moves in three different directions, tilt, shift, and rotate --X, Y and Z axis, in aviation roll, pitch and yaw. The thing negative is it doesnt come with hood for protection in the field you have to be very extra-careful for the glass protrudes out of the barrel. When i go out for shoot the positive effect is the lens is so obviously protrudes and the people respect you immediately for they think you are a living legend in photography, LoL. You can actually hear people from the background say "shht move back the guy is serious look at the lens. Is that a lens?" the bleeding wallet will heal right away. The lens cap was poorly designed for an expensive lens. The lens is remarkably beautiful, engineered and well-built to last.

5
03/08/2024

[0.8 MOD] This is my favorite lens for interior photography, whether I'm shooting expansive or closet-size spaces. The price is steep, but it's an investment with high yields. Using this lens cuts down on constantly having to adjust the height of the tripod. With my tripod fully extended to 72 inches I can include soaring ceilings as well as the floor. In kitchens, I can have the tripod high enough so you can't see under the unfinished underside of cabinets, yet still show lower cabinets, ovens, flooring. After using it for two years, I had it serviced, and while it was gone I realized how much I missed it. I used my 16-35, a frustrating experience that worked, but to get verticals vertical, I had way too much ceiling, so I ended up shooting almost everything at 16mm and cropping the ceiling and sides down in post to retain aspect ratio, adding unnecessary time to my workflow. I am so happy I spent the money, the results are fabulous, not only in workflow, but in beautiful photos.

5
07/07/2024

[0.8 MOD] This lens defines the word sharp.

5
07/07/2024

[0.8 MOD] Great lens. Clean, sharp and very wide. I thought I would miss not having auto focus but I haven't. All of the tilt / shift knobs have lots of range and are easy to control and lock. No issues.

5
08/04/2024

[0.8 MOD] Great lens that requires some training. The exposure changes as you adjust the tilt/shift which takes some getting used to. The lens protrudes past the end of the housing making it very prone to damage. You can not install any filters but the results are GREAT!

5

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