Arturia Korg Ms-20 Analog Synthesizer Virtual Instrument Download

Product Code: eq112311
Availability: In Stock

$597.00 $799.98

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Description
Reviews (6)

Musicians and producers in search of aggressive synth sounds will be thrilled with the Arturia KORG MS-20 V, a virtual instrument that captures the meaner side of analog. Expect punchy analog textures to abrasive, screaming sounds. This flawless emulation of a primal instrument is overflowing with attitude and streamlined for modern production.

Explore the darker side of analog and effortlessly immerse your mix in the unearthly sounds of a machine that takes no prisoners—shuddering detuned basslines, snappy resonant thuds, and howling hard-sync melodies await.

Recreation of Korg MS-20 Synthesizer Dual VCOs with Noise, PWM, Ring Mod, Hard-Sync and Frequency Modulation Modelled High-Pass and Low-Pass Filters LFO, Dual Envelopes, Envelope Follower Semi-Modular Patchbay, 6-Voice Unison Integrated SQ-10 Sequencer 4 FX Slots with 16 FX, MPE Mac, Windows (64-Bit) AAX Native, AU, VST3, NKS, Standalone

General
Delivery Method	Download
License Type	Standard
Sound Type	Effects and Sound Design, Synthesizer
Supported Plug-In Formats	AAX (Native), AU, NKS, VST3
Standalone Operation	Yes
Visual Impairment Support	No
System Requirements
OS Compatibility	Windows 10 or Later macOS 10.13 or Later
Memory Requirement	Windows, Mac: 4 GB
Storage Requirement	Windows, Mac: 3 GB
CPU Requirement	Windows, Mac: 3.4 GHz Quad-Core and Faster
Internet Connection Required	Yes
OpenGL Graphics Requirement	2

Virtual Instruments playable in a DAW (Live, FL Studio, Logic, etc.) or standalone with a MIDI keyboard
Software emulation of original MS-20 designed in partnership with KORG
Dual VCOs with noise, PWM, ring mod, hard sync, and frequency modulation
High-pass and Low-pass filters modeled on KORG IC-35 and OTA chips
Modulation generator LFO with morphing waveforms
Dual envelope generators with looping/snappy modes
External Signal Processor module with envelope follower and sidechaining
Patch bay for semimodular signal customization
Built-in 3-channel 12-step sequencer based on KORG SQ-10
16 FX across 4 slots, configurable in series or parallel
Expanded 6-voice polyphony with Unison mode
MTS-ESP microtuning compatibility
MPE compatibility

If raw energy had a sound, this would be it. KORG MS-20 V channels the high-voltage sound and hacked-circuit quality of an iconic beast of a synth, and the resulting sound is every bit as primal and fearsome as it always was. Do you dare tame it?

A machine that's remained unchanged since its release four decades ago, yet remains a production go-to for screaming leads, seismic wobbling basses, and edgy pulse-width textures. KORG MS-20 V virtualizes this ageless analog monster for your DAW workflow.

KORG MS-20 V already sounds impressively gnarly from the first note; but when you patch into its circuitry and manipulate its signal path, you'll unleash its true mind-bending potential. Twist, transform, and torment its sound by creating your own connections.

Korg didn't stop at making the most authentic MS-20 emulation possible; this instrument has been retrofitted with modern functionality, including 6-voice polyphony with unison, a built-in sequencer, expanded voicing, and FX, perfectly suited to contemporary EDM, urban, and pop production.

Many analog synthesizers are known for their warm, organic response. Semi-modular machines are often associated with sound-design flexibility.
KORG MS-20 V’s namesake ancestor combined both with surprising results: a signature red-hot sound that refused to get old.

Enjoy an expertly crafted selection of 200 presets spanning vintage synth patches to cutting-edge sounds for modern production, giving you creative results in a few clicks.

KORG MS-20 V goes beyond just adding 6-voice polyphony to the mix: its expanded features give you the modern softsynth flexibility you need without compromising the classic elements of its sound.

Sequencer: Arturia went several steps further and modeled the original KORG SQ-10 sequencer, letting you craft perfect melodies, basslines, and rhythmic components without ever leaving the instrument's interface. With 3 tracks of 12 steps and a series of authentic controls, this sequencer can be routed via the patch bay to animate almost any aspect of KORG MS-20 V.
Effects: This machine's sound is mighty as it is, but the addition of 4 FX slots, in series or parallel, lets you elevate it even further. Whether you want mix-smoothing refinement or total destructive processing, choose from 16 FX to turn your sound into a finished product.

Related Questions and Answers

Q: 1. how long is the EC-5 pedal?

A: About 20 inches

Q: 2. What is its weight?

A: The Korg nanoKEY Studio - Mobile MIDI Keyboard weighs 1.04 Lbs. without batteries.

Q: 3. What's the different between the korg pa300 and the pa600

A: Some of the main differences for the Korg PA300 vs PA600 would be as follows: 5 vs 7 touch screen. No audio outputs/inputs, MIDI via USB only. 310 vs 360 factory styles, Limited sound/drum kit editing functionality, smaller built in amplifier 13 vs 15 watts.

Q: 4. It looks like you can split sounds on the keyboard. Can you also layer the sounds. i.e. layer piano & strings? I see a split control but no dual control.

A: The PA300, all Korg Professional Arrangers, give you three upper sounds and one lower sound, in addition to the backing accompaniment tracks. The three sounds are accessed from the touch screen, and there is a Mute/Play toggle for each. In addition to the Mute/Play toggle, you can also access the volume control for all tracks.

Q: 5. is USB in on this mixer just input? or will this send tracks to a computer?

A: No it is not like an interface. It's like a USB mixer you can send 2 tracks via USB out of the mixer to USB in on your computer. There is no multi track recording with this desk.

Q: 6. hi! i want to know if this is compatible with 220v? or only 110

A: The voltage range is 100-240V, 50-60Hz, so you can use pretty much everywhere on earth

Q: 7. how much does the pa300 weight? how about the pa600?

A: The PA-300 weighs 18.4 lb (8.4 kg), the PA-600 is 24.2 lb (11 kg). The product specifications can be viewed by clinking the SPECS tab below the product image on each product page.

Q: 8. What are the power options? Does it operate on USB power?

A: The Korg nanoKey Studio can be powered by AAA batteries or bus powered via USB.

Q: 9. Would Aktiv 6 be appropriate for Sony A7s3 and Sony 100-400 lens and maybe a small monitor on top? I'm debating between Aktiv 6 and Aktiv 8, but would hope to spend less on Aktiv 6.

A: Absolutely, the Sachtler aktiv6 has a load capacity of 0 to 17.6 lb / 0 to 8 kg.

Q: 10. Can this hold a 12LBS isolation filter shield without a danger of tipping over?

A: I have not used any isolation filters, yet. However, as I do own this Atlas MS25 microphone stand, I am absolutely confident that it would support both a 12 lb isolation stand and a heavy condenser mic simultaneously ! I feel reasonably confident that it would also support the isolation filter extended on a boom as long as your boom is heavily counter weighted. It's a great heavy duty stand. I suspect you may have some difficulty moving the stand, with an additional 12lbs mounted, around the room. I love the one I have and intend to buy another.

avanburen	29/09/2024
[Yes] Great affordable analog synth to get the basic understanding of how a synth works. 5

Julian	29/09/2024
[Standard] If you're at all interested in Elysion just get it when it goes on sale. It's awesome. 5

cr73	24/09/2024
[Yes] The Minilogue is a really fun to use synthesizer, with an immediate interface to tweak and a great sound, while also affordable. At first I wasn't so sure about its sound, but had a test drive and it really impressed me (all 3 times in consecutive days). Even as an affordable synth, it has its own thing and can sound amazing. Been using it mostly for pad and keyboard(ish) bell sounds, and it is great at it. Throw in an external delay pedal and you're good for days. Sound-wise, it doesn't have the aggressively low end you find on other synths, but it is very good at mid-range. I love the filter tonality, and while not the most versatile beast, it is certainly capable of doing some impressive things. The hardware is also very well made for what you pay... good metallic plate on top, mini-keys that are way better than traditional ones, all necessary tools for customizing simple and complex sounds (although limited in terms of modulations), nice knobs and switches, ideal size (love this small footprint). There's a single thing I don't enjoy much: the pitch bend lever. I'd rather have a single modulation one... this aside, an amazing little synth. 5

anyonymous	17/08/2024
[Download] I guess Hive is and will mostly be used in Trance music productions, but its absolutely stellar sound quality would be a waste if not used in most of any other genres of electronic or electronic-acoustic music productions as well. I highly recommend it! 5

anyonymous	23/05/2024
[2 ] This program was a long time coming. I had been an owner of one of the original mid 1960s Compact Combos for many years, until things started to break down. And of course, next to impossible to find parts. Or people that are able and willing to repair them. Some of the modern keyboards do have some of the Farfisa sounds, but in reality, only a small amount of them(like maybe 2 or 3 of them). In reality, there is more of a diverse amount of tones that the Farfisa produced. Even resorted to buying one of the Electro-Harmonix C9 organ emulator pedals, but that still wasn't enough of these particular kinds of tone for me. Then Arturia started coming out with these new virtual instrument programs. The dealers that I normally buy from carried the similar type of Vox Continental program(which would have probably worked fine, and would have settled for it) but knowing that the Farfisa program was also being made, I had to search to see who carried it. No regrets here. All the sounds that I was familiar with, and where they were situated on the virtual keyboard screen. What was interesting that they had the option of effects pedals in this program......and I would always run my Farfisa through a Phase Shifter and/or a Flanger when I had it. Also learned a few things that I did not know about my original instrument. There used to be this one controller that stuck out of the bottom, that you controlled with your knee. When I bought my original Farfisa(used, back in the mid-70s), that knee controller was missing, and it was something I never noticed. So, a bit more historical and technical information on the instrument you played regularly---but didn't know about. It's easy to get a keyboard that has the piano, Rhodes, and Hammond sounds, to name a few......but nobody seemed to get the Farfisa sounds right. Until now. Great timing, on the part of Arturia! 5

Thomas	13/05/2024
[Yes] The Arturia Mini V3 is incredibly cool. There is truly sooo much you can do over a standard Model-D from an extra LFO that doesn’t eat up oscillator 3 to velocity as a modifier to varying actual pulse widths static or modulated to individual amounts of any modifier on each oscillator all made possible by the eight slot mod matrix. The major failing that I take no points off from this synth is that it does not have the natural drift of the original Model-D. I’m pretty sure I have heard & seen oscillator drift in soft software synths so I’m not sure why it’s omitted here but as long as you detune your oscillators to taste you get a rich sound that in context will surpass a Minimoog in terms of sheer flexibility & enhancements every time. The built in chorus & delay sound good but really aren’t necessary for most patches. I never found a use for the vocal filter as I would have preferred female articulations or the motion recorder as it always restarts with each note press & isn’t free running like say a Moog 1125 which would have been an ingenious touch. Maybe in a future update. For sheer flexibility from enhancements such as polyphony & velocity to being able to automate sequences & performances to never needing to service your instrument the Arturia Mini V3 delivers in spades. I literally sold my vintage Model-D because the Mini V3’s features made me feel the vintage instrument is more of a collectors piece & not forward thinking. I see myself using the Mini V3 for a long time to come. 5