[Full Frame] I purchased a trio (24, 35, 85) L mounts, as a test for Lumix full frames before jumping to Red ecosystem. This was really great for moving me into cinema lenses and learning to smoothly focus as a 1 person shooter in most cases. I LOVE the 85mm, and even though we primarily use Canon CNE primes and the 30-105mm, Im not afraid to mix in the 85 mounted on a S1H at 6K for a 3rd shot angle..extremely pleased

[11] Beautiful shots and you can't beat the price.

[Canon EF] This lens is an excellent entry into the world of cinematic filming. Great reproduction of color. Focus takes a little getting used to with the amount of focal range. Overall great lens!

[135mm] It does its job. Cool cine lens that you can use on your Canin R Series with an nd adapter. Did a music video with it a couple of days ago and came out great!

[45.0 mm] Beautiful chunk of hardware. Combining the 85, and 35 from this set has been an absolute blast. I will probably pick up the 16 next

[T2.4] This glass is has little CA , is built well and neutral so you can use these lenses in the real world... the DZO vespids are smaller and have a full set already...true!(as of writing only the 35mm,50mm,85mm and soon the 24mmare avail) But for about the same money you get lenses that are marginally softer and I mean barely... but but THE lack of CA cant be understated... the size and weight is small for cine not as small as dzo but I LIKE the fact they dont look like toys on my Red Gemini... I have all the current PL 35-50-85 and I used recently on Green screen all 3 performed brilliantly... these are the best BUDGET cine lenses I have ever used and Meike is straight forward about how they are able to that. Personally I can manage with just the 35 50 and 85 for most corp stuff etc but my cine work I am waiting on them to release 16mm Hopefully the 24mm ships in Nov but times are tuff.... Anyway- I cant belive the IQ and Build Q at this price - I have NO issues with filter threads as another reviewer mentioned however a good basic matte box for these on the cheap is the Tiltaing Mattebox that takes 1 4x5.65 if you just need a solution -note-you need the 85mm outer adapter for the Tilta to work in clamp on mode*its in accessories I think... anyway this is a fantastically clean lens that gives me build and mechanics needed to work in the real world...so long sigma art photo glass. !!!

[135mm] I seriously LOVE what these lenses do as an intro set of Cine glass. As a long time Sigma Art series user I didn't realize how much of an upgrade this was going to be from Photo glass. I'm super happy with the money i spent on this and also the 35mm. I will be getting the 24mm and 85mm ASAP!

[T22] Super happy with the image from this sub $1000 lens. Great focal length when paired with the 24mm,35mm, and 50mm.

Hope to get a lot of life out of this!

[Full Frame] Love how this lens renders colors. It leans more to the warms side which I like a lot. The focus throw is a bit longer than I'm use to, but It will take some time getting use to as solo operator. My first AC is fine with it. It's a very sharp lens wide open. Flares are okay, wish it flare with a circular or onion ring tho. Overall good lens for the price, I will try out the 24mm and 35mm. I hope they matched with the 16mm in terms of colors. I have seen reviews where they say the line up doesn't match. I hope they fixed that issue.

[11] This is a perfect step up from photo lenses into Cine lenses. If your wondering if you will see a difference between a set of Sigma Art glass and this... You will! I personally think the falloff and flaring on these lenses are perfect for the Modern/vintage blend with a slightly warmer tone then DZO Primes I find these to be a little more welcoming to skin tones.

If you're wondering if this is worth the price tag. I'd say so!