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Tokina 21mm T1.5 Cinema Lens E-mount Feet

Tokina 21mm T1.5 Cinema Lens E-mount Feet
  • Product Code: eq113390
  • Availability: In Stock

$22,497.00 $26,996.40

The Tokina 21mm T1.5 Cinema Lens E-Mount Feetwith a Sony E-mount and focus scales marked in feet provides an image circle that more than covers full-frame sensors, and it is designed to provide sharp images even when recording images at 8K resolution. This 21mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation.

It features a maximum T stop of 1.5, which is useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth of field look. The 9-bladed iris provides round, out-of-focus highlights for a natural-looking bokeh. The Cinema Vista Prime lenses are designed to minimize focus breathing and feature geared, manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.

Covers Full-Frame Sensor Size    45.6mm Image Circle    Suitable for 8K Image Capture    Internal Focus Design    Virtually No Lens Breathing    T1.5 Aperture, Clickless 9-Bladed Iris    114mm Front Lens Diameter    Focus Marks on Both Sides of Barrel    Integrated Lens Support Foot

Key Specs
Focal Length21mm
Maximum ApertureT1.5
Lens MountSony E
Lens Format CoverageFull Frame
Filter Thread112 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT1.5
Minimum ApertureT22
Lens MountSony E
Interchangeable MountNo
Lens Format CoverageFull Frame
Image Circle45.6 mm
Focus ScalesImperial
Optical Design19 Elements in 18 Groups
Filter Thread112 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 14.17" / 0.36 m
Maximum Magnification Ratio1:9.38
Diaphragm Blades9
Image StabilizationNo
Lens Mounting1x 1/4"-20
Gear Standard0.8 MOD / 32 Pitch
Electronic CommunicationNo
DiameterFront: 4.5" / 114 mm
Length7.4" / 187 mm
Weight5.5 lb / 2.5 kg

The 21mm T1.5 Sony E-mount prime lens focuses images on a sensor with full 8K-resolution and features a 45.6mm image circle, which easily covers standard-sized full-frame sensors.

The use of a 9-blade iris produces a smooth, round appearance to out-of-focus specular highlights. The iris also produces a pleasing bokeh, referring to natural-looking out-of-focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.

The lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.

The lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient.

It is designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.

The lens features threading on the front of the lens to accommodate 112mm screw-on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.

Related Questions and Answers

Q: 1. Does this lens come in a EF mount?

A: Yes, it does. Tokina Cinema Vista 16-28mm II T3 Wide-Angle Zoom Lens (EF Mount, Focus Scale in Feet) B&H # TOKPC1016EF

Q: 2. Hi. Can you confirm this lens has an interchangeable mount and if you have the either EF or PL mount kit available?

A: No, the Tokina Cinema AT-X 100mm T2.9 Macro Lens (Canon EF Mount) does not have interchangeable lens mounts.

Q: 3. weight?

A: The Tokina 25-75mm T2.9 Lens (PL Mount) weighs 2kg.

Q: 4. this lens can covered super 35 sensor without vigen image?

A: The Tokina 35mm T1.5 Cinema Vista Prime Lens (PL Mount, Feet) supports up to full frame sensors. It would not vignette when using Super 35 sensors.

Q: 5. Works Covering Sony fx6 sensor?

A: no it does not. This lens's sensor coverage is larger than super 35mm but smaller than Full Frame. It is ideal for cameras like Red Komodo (which has a slightly larger than Super35mm sensor) and is only compatible with Full Frame Cameras like the FX9 when using the crop mode. Therefore we do not recommend this lens for the FX6 as it will not cover the camera's Full Frame Sensor.

Q: 6. Has anyone compared the Sigma Cine Primes vs Canon Cine Primes? Would love to hear if the canon is a better choice or the sigma

A: Both Canon and Sigma Prime lenses will offer fantastic images.

Q: 7. Is the image correction rectilinear?

A: While the term rectilinear is not used for this lens by Tokina it does offer Aspherical Elements and Super-Low Dispersion Glass which reduces distortion and increases Optical Performance.

Q: 8. The Zoom RIng at wider end feels to be a bit tight and also makes some noise... (The front element physically moves- with in the housing though). Is this normal? or do i have to send it for servicing?

A: We are sorry for any issues you are facing. For help with your specific order please email us directly at cs@bhphoto.com.

Q: 9. does this lens has any tripod mount capability?

A: This lens, like any similar cinema lens, is not normally tripod mounted. There is a 1/4-20 mounting foot but that is meant to be supported by a rod system that is attached to a camera. This provides necessary triangulated support. We strongly advise using the lens in this manner. We say this because if you attach the lens to a tripod with the foot directly and then mount a camera, ever a small one like a mirrorless, you will likely strain the lens and possibly damage it.

Q: 10. What is the difference between this "Vista Cinema Prime" versus the "Vista One" versions of the same lens?

A: Vista prime are involved in a more sophisticated quality control standard Vista Prime lenses will have the front element, and mechanical parts changed to Vista One single-coated elements and premium space grey mechanical parts. The lenses are calibrated to factory specifications and checked for optimal performance.

26/09/2024

[T22] I needed something longer than my 55 but shorter than my 85 so this is just right for me. Amazing wide open but I recommend a large production monitor to stay on top of the focus, DoF this shallow is gorgeous but you can't take your eye off it for a second.

5
22/09/2024

[T1.5] In over 40 years of industrial and feature film making, the Irix primes are my favorite series of prime lenses, favored over the big name lenses that cost 4-5x. They are fast, sharp, have very natural-looking out-of-focus highlights, and the sealing is a bonus for those like us, who shoot a lot of exteriors. Hopefully Irix will soon offer something in the 65mm-85mm range so we can relegate our current short telephoto to the B camera lens set.

5
16/09/2024

[T1.5] I purchased this lens for my sony FX9 and I shoot with the raw extension. I mostly use the 28/135 F4 sony cine zoom lens. I needed something a bit more wide with a fastest aperture. My dream came true. this lens is excellent, extremely sharp and delivered stunning results. I have tried also the sony 16/35 GM master f2.8.. . but sometimes a real cine lens is better when autofocus(es) has their limitations and when manual focus is required for creativity. highly recommended

5
24/08/2024

[T1.5] The only thing holding this lens back is the weight, but if you're used to using a heavier setup or ok with the lens possibly being heavier than the camera, this is an incredible lens. 16-28 is a nice wider angle range and it covers full frame cameras. Crisp all the way through.

5
17/07/2024

[9] My second Meike MFT lens, possibly even better than the first. Nice solid lens. Bokeh is smooth, but unobtrusive, as seen in the two photos from a Panasonic GH5S, one with focus point @ 2.5 meters, the other at 5 meters. Focus scales seem to be more accurate than the Zeiss CP 2 prime I've had for years.

5
17/06/2024

[45.6 mm] This lens is truly a gem. Superb craftsmanship, sharpness and color rendition., it's a wide angle lens with very little distortion. Pulling focus is a breeze with this lens. With added accessories it has turned my BGH1 into a full-fledged cinema rig.

5
01/05/2024

[21mm] Second to none, will take your production to next level

5

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