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Canon Cine-servo 15-120mm T2.95-3.9 Zoom Lens Ef Mount

Canon Cine-servo 15-120mm T2.95-3.9 Zoom Lens Ef Mount
  • Product Code: eq114624
  • Availability: In Stock

$92,997.00 $115,316.28

Capture up to 8K optical performance with your EF mount camera and the Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens EF Mountfrom Canon. This HDR-compatible, ENG-style zoom lens' 15-120mm focal length can easily be increased to 22.5-180mm for longer shots using its built-in 1.5x extender. Optimized lens coatings and 8K-compatible chromatic aberration correction help to reduce flares and ghosting, so your images remain clear and saturated. Compatible with both Super35 and full-frame sensors, the CINE-SERVO 15-120mm shares the warm colors and lovely skin tones of the rest of the Cinema EOS line and features an 11-blade iris for creamy bokeh effects.

Measuring just over 11.6" long and weighing only 7.49 lb, this compact, lightweight lens is suitable for narrative, ENG, sports, and documentary use. Lens data is transmitted through the EF mount using Canon Cinema EOS communication. The detachable, enhanced servo drive unit is compatible with industry-standard lens controllers and can be removed for cine-style camera setups.

Super35 & Full-Frame Sensor Coverage    EF Mount, 8K Optical Performance    T2.95 to T3.95 Aperture, 15-120mm Zoom    22.5-180mm with Built-In 1.5x Extender    11-Blade Iris for Creamy Bokeh    Detachable, Enhanced Servo Drive    8x Zoom, HDR Compatibility    Compatible with Servo Lens Controllers    Separate Focus, Iris & Zoom Rings

Key Specs
Focal Length15 to 120mm
Maximum ApertureT2.95
Lens MountCanon EF
Lens Format CoverageFull Frame
Image StabilizationNo
Electronic CommunicationYes
Parameters
Maximum ApertureT2.95
Minimum ApertureT3.95
Lens MountCanon EF
Interchangeable MountNo
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Zoom Ratio8x
Image StabilizationNo
Gear StandardNot Specified by Manufacturer
Electronic CommunicationYes
Dimensions (W x H)7.35 x 5.19" / 18.67 x 13.18 cm
Length11.61" / 29.49 cm
Weight7.49 lb / 3.4 kg
Packaging Info
Package Weight13.9 lb
Box Dimensions (LxWxH)54 x 33.5 x 14.3"

Offers 8K optical performance including chromatic aberration correction and reduced ghosting and flaring throughout its entire zoom range

Related Questions and Answers

Q: 1. Are support rails needed for a Black Magic Ursa Mini Pro?

A: Yes, we recommend using a lens support system when working with larger lenses like the Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (EF Mount).

Q: 2. Would this lens be limited on a Canon R5C in any way?

A: The Canon Cine-Servo 17-120mm T2.95-3.9 Lens (Canon RF) is made to be used on Super35mm cameras, so when it is used on the Canon EOS R5C Mirrorless Cinema Camera it must be used in the super35mm or super16mm modes to not encounter vignetting.

Q: 3. Does it have image stabilization, and if so how many stops?

A: No, the Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens with 1.5 Extender (EF Mount) does not have image stabilization support built in.

Q: 4. Does the autofocus work in PL mount version too?

A: Manufacturer assures the following autofocus functions: (Continuous AF, One-Shot AF, Focus Guide)

Q: 5. If I were to use this Super 35 lens with a Red V-Raptor I would be limited to shooting in 6k mode due to that camera's 8k full frame sensor. But, if I were to engage the built-in 1.5 extender on this lens it would sufficiently cover the 8k sensor. My question: wouldn't the FOV of the image that is recorded be equivalent to shooting a camera with a Super 35 sensor without the 1.5 extender. By that I mean, the 1.5 extender causes the FOV to narrow, but since it's a full frame sensor, it would have an equivalency that is similar to a Super 35 sensor WITHOUT the 1.5 extender. In other words it's a trade off. Am I right?

A: Forget crop factor and calculate FOV based on the size of the sensor and the mm of the lens after engaging the 1.5x extender.

Q: 6. Does this new 15-120mm lens have the macro feature of its predecessor the Canon 17-120mm? Or does it only have the extender feature?

A: The Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens with 1.5x Extender (PL Mount) (B&H# CAE15120PL) does indeed feature a macro function.

Q: 7. How would this lens be powered with a Red V-Raptor?

A: You could power the Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens from a d-tap source using the IDX System Technology C-ZLPRO D-Tap to Hirose Cable for Canon CINE-SERVO Zoom Lenses, (BH #IDCZLPRO). See: https://bhpho.to/36Nlahv

Q: 8. The 15-120mm focal range is on full frame sensor or super 35 sensors? If so , when using the extender, will it give you even more reach than the 22-180mm if using it on a super 35 camera ?

A: The Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens Kit with SS-41-IASD Servo (PL) is a full frame lens. Using it on a Super 35mm will make the lens around 1.4 times longer. And using the built in 1.5x teleconverter with that lens on a Super 35mm sensor will add another 1.5 times magnification to the lens.

Q: 9. Does this lens support DPAF with a C300 MKIII or C500 MKII?

A: No, the Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens with 1.5 Extender (EF Mount) does not support dual pixel auto focus.

Q: 10. can this lens be used on Sony Fx 6 ?

A: Yes, the Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens with 1.5 Extender (EF Mount) can be adapted to the Sony FX6 with a Sony E-Mount to a Canon EF-mount lens adapter.

21/08/2024

[Yes] perfect did not see anthing wrong on this zoom

5
09/07/2024

[Canon EF] As a documentary cinematographer, I'm always on the lookout for the ideal lens that can handle any situation. Traveling light is essential since we typically operate with a small crew. Previously, I used the Canon 15.5-47mm and 30-105mm lenses and often found myself stressed about selecting the most suitable lens for unpredictable documentary scenes. I was tempted to pickup a used 17-120 given the low price point, but when renting one, I found the 17mm just not wide enough for certain situations and often switched back to my 15.5-47mm. The new 15-120mm lens has been a revelation. The additional width at the wide end is transformative, yet it still offers significant telephoto capability. This lens handles everything from vérité-style shooting and B-roll to interviews, providing comprehensive coverage.

The build quality and weight of the lens are ideal for shoulder mounted shooting, and it performs well even when shooting from the hip. I use it with my Canon C300 Mark III, and it's safe to say I've found a perfectly balanced rig that's ergonomically satisfying and well-suited for my needs. I recommend having the lens calibrated at a Canon Cine Service Center. While it arrives in spec from B&H, the Canon techs can further calibrate its center sharpness. This lens is a game changer for documentary filmmaking.

5
18/06/2024

[Canon EF] I do a lot of documentary shooting and this lens is all I need. It's incredibly built and extremely sharp! I use this with my C300 mkii and it's a beaut. Yes, it does add to the weight of your rig, but keeping in mind the end result. If I need anything longer, I'll have my 70-200L II ready to go. But for my needs, this lens is fantastic.

5
07/06/2024

[13.9 lb] I've had this lens for a while now and can say it's my favorite lens. Canon fixed the biggest issue I had which was a warm color shift on the 17-120. No color shifts on this lens! Flip on the built in extender and the lens can be ready for full frame. It's really the perfect lens for reality, sports, doc and most everything else.

5
11/05/2024

[Yes] Get over the price, it is worth it. Paired with my C300ii this lens wonderful. All functions work through the EF mount including autofocus (when needed). Powered via DTap to a Vmount. Has not left my C300ii body since mounted, except for a firmware update. Really has become a all in one lens for us. Great on the shoulder ENG. Great out sticks for interviews. Even does well on a dolly remote zooming.

5
04/04/2024

[13.9 lb] We do a lot of Cinema and Broadcast style shooting and this lens does both. We were concerned initially with the 180 degree focus rotation, but we got used to it fast. The macro function is amazing! We are using it with the Sony F55. When we use the 2K center crop setting, the lens FOV essentially becomes a 35-240mm lens. It's light and don't notice a lot of breathing. I can't recommend this lens enough. With the F55 it powers the servo without any additional cables and passes meta data.

5
01/04/2024

[T2.95] I am a huge fan of this lens for field docu work. Great all around piece of glass for wildlife and longer lens applications while retaining a lightweight kit one person can carry tripod and sticks.

5

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