Neumann Tlm 102 W Large-diaphragm Condenser Microphone
- Product Code: eq115325
-
Bundled with a vibration-reducing shockmount and a compact stand mount, the limited edition white Neumann TLM 102 W Large-Diaphragm Condenser Microphonelarge-diaphragm condenser microphone brings renowned Neumann sound quality to a price point that's inclusive to home producers, working musicians, and independent singer-songwriters. The capsule's high SPL rating of 144 dB permits the recording of percussion, drums, amplifiers, and other loud sound sources clearly and without distortion. With its 8 to 12 kHz treble boost, the TLM 102 imparts a silky vocal presence while avoiding pronounced sibilance.
The mic utilizes a cardioid polar pattern to provide directional sound pickup in front of the capsule and strong rejection behavior behind it, yielding less background noise than most other polar responses. The integrated pop shield reduces breath noise and vocal plosives, though external pop filters are available for even more control. The TLM 102's transformerless output stage aids the mic in achieving a clean character with plenty of reach in the bass range, and it delivers resistance to electromagnetic interference.
For Vocal and Instrumental Recordings Cardioid Pattern Lowers Background Noise Handles up to 144 dB SPL Distortion-Free 8 to 12 kHz Treble Boost for Brilliance Large-Diaphragm Condenser Capsule Transformerless Output Stage Resistant to EMI Shockmount and Stand Mount Integrated Pop Shield 48V Phantom Powered
Key Specs | |
---|---|
Polar Pattern | Cardioid |
Element Type | Condenser |
Controls | No |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 144 dB (.5% THD) |
Analog Output | 1x XLR 3-Pin Male |
Power Sources | Phantom Power |
Microphone | |
Polar Pattern | Cardioid |
Element Type | Condenser |
Sound Field | Mono |
Orientation | Side Address |
Controls | No |
Pad | No |
Circuitry | Solid-State |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 144 dB (.5% THD) |
Equivalent Noise Level | 21 dB (CCIR) 12 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x XLR 3-Pin Male |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V (Phantom Power) |
Physical | |
Color | White |
Dimensions | ø: 2 x L: 4.6" / ø: 5.2 x L: 11.6 cm |
Weight | 0.46 lb / 210 g |
Packaging Info | |
Package Weight | 2.15 lb |
Box Dimensions (LxWxH) | 11 x 7.6 x 4.3" |
Neumann developed the TLM 102 as a universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kHz which is crucial for human voices. The recordings get a silky elegance typical of large-diaphragm microphones; the voice gets a noble presence in the overall mix. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants, thanks to the integrated pop shield.
The TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. It reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of about 4") with great clarity: open, detailed, with powerful bass and refined treble.
The TLM 102 stands for legendary sound on a budget. Neumann remodeled the production and omitted non-vital functions such as pattern, pad, and low-cut switches. When you hear the TLM 102, you'll immediately notice what they did not omit: the Neumann sound, which remains faithful to its big role models.
The TLM series works with a transformerless output stage to enable a clean and direct sound, very "close" to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.
- Easy handling for vocal and instrumental recordings
- Distortion-free sound even at extreme sound pressure levels up to 144 dB
- Slight treble boost for silky vocals (independent of music genre)
- Built-in pop shield reduces vocal plosives
- Cardioid polar pattern lessens background noise
- XLR 3-pin output
- Requires 48V phantom power
- Includes stand mount and vibration-reducing shockmount
Related Questions and Answers
Q: 1. I am updating my Samson MTR 231, what differences should I expect between both mics, please?
A: In comparison, the Sennheiser is the more feature rich. 3 step low cut filter and 3 step pad. You are also getting more selectable pickup patterns. These allow you to more precisely tailor the mics performance to a specific application. Comparatively the mic are similar in self noise, however the Sennheiser offers better specs in dynamic range as well as signal to noise ratio. Regarding frequency response, the Sennheiser is relatively flat, with the Samson featuring a slight boost in the higher frequencies. This will generally be interpreted as the Sennheiser having a warmer sound.
Q: 2. Can I use this mic for rap vocals or any type of music vocals??
A: This mic is great for rap vocals. It has great clarity and sound.
Q: 3. Is this the best mic for recording a quartet or small choir or group of instrumentalists where the microphone will be 5 to 10 feet way from the performers?
A: This is an excellent microphone for the price and well suited for your stated application.
Q: 4. What is the Dynamic Range of the Rode NT1 Signature Series?
A: The manufacturer has not provided a specification for the dynamic range of the RODE NT1 Signature Series Large-Diaphragm Condenser Microphone.
Q: 5. Does it say Polsen on the pop filter or is that just in the photo?
A: Yes, there is a "Polsen" logo on the pop filter of the Polsen RM-650 Large Diaphragm Condenser Microphone.
Q: 6. Could this mic be used in it's Figure 8 pattern along with a Senn 416 for M+S recording?
A: Yes absolutely.
Q: 7. The specs says : Output Connector 1 x XLR 3-Pin. How can I connect this mic to my pc?
A: This microphone has an XLR analog connector and will not plug directly in to your computer. In order to use this microphone with your PC you will need to use an Audio Interface. A simple solution for a one-mic set up is the MXL Mic Mate. You will need a short XLR to XLR cable to connect the mic to the interface. https://www.bhphotovideo.com/c/product/576806-REG/MXL_MIC_MATE_PRO_MicMate_Pro_USB.html https://www.bhphotovideo.com/c/product/845507-REG/Kopul_m4006_Kopul_Studio_Elite_4000.html Alternately, if you intend to use the microphone only with your computer, you may want to consider a USB microphone. The Samson Satellite is a good choice because it can be used with Mac, PC, or iOs devices, and it has features that are important when recording or streaming. https://www.bhphotovideo.com/c/product/1471366-REG/samson_sasat_satellite_usb_ios_broadcast_mic.html I would encourage you to give us a call at 800-606-6969 and a Pro Audio specialist will be happy to assist in choosing the right mic for you.
Q: 8. Is the SMR shockmount better?
A: The new SMR offers a new, more advanced design that is easier to set-up and use and will offer superior performance in many applications over the SM6 included in this kit..
Q: 9. Does this mic have an on/off switch??
A: Like most large diaphragm condenser mics, the RODE NT1 Signature Series Large-Diaphragm Condenser Microphone does not have an on/off switch.
Q: 10. Would this mic work in a large group of 15 people arranged in a circle with this mic in the center of the circle? Or do the players have to be within a foot of the mic?
A: While this mic has an omni-directional pickup pattern option and could pick up sound 360 degrees around it, however distant those people are from the mic is how it would sound. As well, you would certainly pick up a large amount of room noise. Typically, for a quality recording you would want the source of the audio to be no more than 12'' from the mic itself.
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