Fujinon Ua23X7.6Berd-S10 4K Tele Lens With Servo

Fujinon Ua23x7.6berd-s10 4k Tele Lens With Servo

Product Code: eq116413
Availability: In Stock

$122,970.00 $150,023.40

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Reviews (20)

The Fujinon UA23X7.6BERD-S10 4K Tele Lens with Servofrom Fujinon UA23X7.6BERD-S10 4K Tele Lens with Servois a 7.6 to 175mm servo zoom lens designed to provide 4K+ compatible images. This lens has a 23x zoom ratio, and its integrated 2x extender effectively doubles the focal range to 15.2 to 350mm. Image distortions are suppressed even at the ultra-wide 7.6mm focal length, and its high-resolution imaging remains consistent with the periphery of the frame. This lens has been updated with the latest S10 digital servo drive that features enhanced performance and FIZ performance data output for precision position detection in virtual production.

An internal focus design minimizes the effects of lens breathing, and a handheld-style focus/zoom servo is included. The nine-blade rounded iris helps produce natural-looking "bokeh" (out-of-focus highlights). The UA23X7.6BERD-S10 incorporates 16-bit encoders for compatibility with virtual systems, and its QuickZoom feature enables a one-push zoom-in for focus checking.

7.6 to 175mm Lens for 2/3" Cameras Updated S10 Focus/Zoom Servo Drive 4K+ Compatible Resolution 23x Zoom Ratio and 2x Extender Fast f/1.8 Max Aperture at 7.6 to 119mm 16-Bit Encoders for Virtual Systems QuickZoom Focus Check Feature

Parameters
Sensor Compatibility	2/3" (16:9)
Focal Length	7.6 to 175mm With Extender: 15.2 to 350mm
Built-In Extender	2x
Zoom Ratio	23x
Angle of View	16:9 Wide: 64.5 x 39° (H x V) Tele: 3.1 x 1.8° (H x V) 16:9 With 2x Extender Wide: 35 x 20.1° (H x V) Tele: 1.6 x 0.9° (H x V)
Maximum Aperture	f/1.8 to 2.6
Filter Thread	M95 M107
Macro	No
Minimum Focus Distance	From Front of Lens: 2.6' / 0.8 m
Optical Image Stabilization	No
Dimensions	3.9 x 8.7" / 100.0 x 221.4 mm (ø x L)
Weight	4.3 lb / 1.95 kg
Packaging Info
Package Weight	7.45 lb
Box Dimensions (LxWxH)	15.1 x 12 x 10.3"

Zoom lens for 2/3" cameras, with 7.6 to 175mm standard range and 15.2 to 350mm with 2x extender

23x zoom ratio with built-in 2x extender

Higher than 4K-compatible resolution is maintained at the wide end and to the periphery of the image

Fast f/1.8 maximum aperture at 7.6 to 119mm and f/2.6 at 175mm

Digital servo for focus and zoom; 16-bit encoders for use with virtual systems

The QuickZoom feature zooms into the telephoto end with one push for focus checking

Related Questions and Answers

Q: 1. What cable is needed to control the servo ? How many pins? Can a vinten remote head control servo?

A: This lens has an RM lens control type. RM is Fujinon's Zoom Servo and Focus Manual type. For Zoom Servo control, 8-pin cables are compatible and for focus manual control, a focus manual module and 6-pin cable is needed. Here is Fujinon's 2021 Television Lenses & Cine Lenses Brochure. The Lens Accessory Guide is on page 10: https://bit.ly/3I7htju

Q: 2. CAN THE ZOOM AND FOCUS BE CONTROLLED BY ATEM SOFTWARE?

A: ATEM softare will not allow for control of focus and zoom on this unit.

Q: 3. Between this les and the canon 70mm to 200 servo lens which one handles low lighting better at full zoom ?

A: The Fujinon LA16X8BRM-XB1A 2/3" 4K Lens with Servo for Blackmagic URSA Broadcast would be better in low light settings as the aperture will be able to open up to a f/2.8 when zoomed all the way in, where as the Canon CN-E 70-200mm has a constant aperture of f/4.

Q: 4. IS THIS CONSIDERED A B4 LENS?

A: Yes, that is indicated by the '2/3"', which is the sensor size for cameras with a B4 mount.

Q: 5. Is it possible to use this lens with Grass Valley LDX 98 and fujinon MS-01/X1?

A: Yes, the Fujinon LA16X8BRM-XB1A 2/3" 4K Lens with Servo for Blackmagic URSA Broadcast can mount to the 2/3 bayonet mount on the Grass Valley LDX 98, and the Fujinon MS-01/X1 Semi-Servo Lens Control Kit for XA16sX8BRAM Lens can control the lens.

Q: 6. Can this lens be used on a Sony FS7 with an adaptor and what about power?

A: When using the Sony LA-EB1 E/B4 Mount Adaptor for Sony FS7/FS7II Cameras https://bhpho.to/3N70sc7 power could be supplied to the lens when using the Sony XDCA-FS7 Vmount battery adapter https://bhpho.to/3M16UzZ

Q: 7. What makes this lens specific to an URSA Broadcast?

A: This Fujinon LA16X8BRM-XB1A 2/3" 4K Lens with Servo for Blackmagic URSA Broadcast lens is sold exclusively as a part for the URSA camera. It is not sold with other cameras.

Q: 8. Is this lens good enough for 4K acquisition? On say a Sony PXW-z750.

A: The Fujinon HA23x7.6BERM-M6 ENG Lens is compatible with all types of resolution as this matter relies on the camera body's supported formats.

Q: 9. how to control aperture on this lens?

A: This lens is normally on an ENG type of camcorder. The camcorder can control the aperture electronically. Or the camcorder is connected by a cable to a CCU or Camera Control Unit . Then a person, usually a video engineer, controls the aperture particularity in a studio. Finally, the aperture can be set manually for there is a aperture ring on the lens.

Q: 10. Are there any extenders that work with this lens and would still have the zoom/focus demand functionality?

A: No, There are no extender options for the Fujinon LA16X8BRM-XB1A 2/3" 4K Lens.

Scott	28/09/2024
[2x] Saw this in Africa recently on a BBC truck on the same Canon CN20x50 Cine Lens. Mine at home did not have the handle that is made in Germany. So I called the company and they said I could get it at B&H. Wow not really a surprise since B&H has everything! Anyway this handle is a quality piece of gear for the lens. Screws are included along with simple instructions. Makes the lens much easier and, more importantly, safer to handle. Like I said, a must! 5

Edward	15/09/2024
[7.45 lb] Yes, if fits the 35mm 1.4 and is a good alternative if you lost or broke (my case) the 35mm 1.4 original lens hood. There is no way you can find an original replacement for that lens, so if you want one the 18mm lens hood is the only original option. Only one warning: the lens hood front is smaller (a little bit), so the 35mm 1.4 lens hood cap won't work with the 18mm hood. 5

Cameron	26/08/2024
[2x] This lens is a huge value. It's sharp, it's versatile, and it comes at a great price point. We have it on a Sony 1500 running 1080i 59.94 and are very pleased. Rarely have to engage the doubler but so glad it's there. Highly recommend this lens with the MS-01 controls. 5

Kenneth	26/07/2024
[2x] Replaces the original lens pen that I've had for years. Looks like exactly the same item with a Fujifilm logo. Works great and easily fits in my binocular case. 5

anyonymous	26/07/2024
[2/3" (16:9)] This works pretty durn well. This lens ain't goin' nowheres and that's a rad feeling. 5

Karri	25/07/2024
[f/1.8 to 2.6] This does an excellent keeping the my lens in place (Sony 28-135mm with A7S). You have plenty of vertical adjustment and the elastic band will work one most lenses. 5

Tim	24/07/2024
[7.45 lb] I use these little pens all the time for dust and smudges on my lenses, they work great. 5

Jason	22/07/2024
[2/3" (16:9)] I've used this lens on a variety of shoots, and it's incredible. Very lightweight. Relatively low profile. Very smooth focusing with zero breathing. Some people have bashed it for being a T2.9. If there's a person in the world who can run-and-gun a doc shoot at T1.4 without a focus puller, AC, etc., then I want to meet that person post-haste and get some tips. For the rest of us mortals, T2.9 will do just fine. Especially if you're filming with an Fs5 or 7, which are already great in low light as it is. I always love the question in Q&A's, How did you make it so both people are in focus at the same time. Try stopping down to 4.5 or 5.6. That's where this lens gets awesomely sharp, and pulling focus is a total breeze as a one-man-band. It's not for everyone. It's definitely a lower-contrast lens, a look that I happen to like, but looks different than Zeiss CP glass (or the 21-100 Zeiss zoom). The bokeh is beautiful on the MK. Even though having to change lenses (and buy the other) is a bit inconvenient, they're par focal, which makes things easier, and they're extremely light-weight, but seem to have good build quality. I rented, didn't purchase, so it's hard for me to comment on long-term durability. For what I do, higher-end documentary features and shorts, this lens is perfect. 5

anyonymous	12/07/2024
[f/1.8 to 2.6] I bought this to support my heavy Rokinon Cine lenses when attached to my Sony a6000 to eliminate wobble when using the follow focus. It's perfect and works great. I was afraid that the center support piece was plastic because it looks that way to me in the photo, but this is all machined aluminum. The rubber strap is sturdy and hold down the lens extremely well. I highly recommend getting one to stabilize your lenses when using a follow focus. 5