[16:10] This monitor worked great for use as an on-camera preview monitor. We used it with an SDI cable for a VariCam35 and the client and the camera operator was able to see the composed shot, which looked great on the screen. We had to use a different arm for the monitor, though, this only comes with a hot shoe mount, which we could not use on our camera.

[18 W] We needed a monitor for our production team because we were using an old TV for awhile instead. It works great, especially for when filming outside.

[1280 x 800] I'm extremely happy and amazed with the quality of this product. I was going to spend a few grand then can across this unit right before pulling the trigger. I'm so amazed by the quality that I will be ordering two more and be under the cost for three vs one.

[215 ppi] This monitor works very well and has all the features I wanted and more. Each monitor can be controlled individually with on/off switches, headphone monitors, menu and more. I use the Triple for monitoring each camera connected to my switcher and it works superbly. I only wish there was a version of this monitor that had 4 monitors even if they were a bit smaller. So far I've been really happy with FeelWorld monitors.

[18 W] If you are doing multi cam broadcast or complex routing this is a great device. I have it routed as the first stop for my inputs it displays the incoming and then reclocks the signal and loops it out to the switcher and I do the same with the outputs as well. The audio waveform display has saved me in troubleshooting many times.
This is a great product and functions perfectly.
The little screens don't look amazing color wise but thats not what they are for this is a confidence monitor / reclocker.

[6.9 lb] very economical way to use v mount batteries

[800:1] This monitor is feature packed for the price. We are using it for an on set production monitor which works very well. It has everything you would want including audio monitoring at the monitor. Focus peaking is very nice and the wave form is handy too. We use the NP-F970 batteries and we yet have to change batteries during a shoot. I was also very pleasantly surprised when the monitor arrived in a very nice metal case. The only negative is the menu navigation is a bit clunky but is alright once you get used to it. Bottom line... You'll have to pay more than twice the money for a monitor with the same features and quality. Highly recommended for low budget and student film programs.

[800:1] Only have had it for a month or so, but I believe its a better solution than the BMD dual 7-inch panel (not the higher res version - standard def version). Because you 3 monitors in a 2u space that can all be controlled separately. Color accuracy is a hit of miss, so I don't really use it for that. But for simply having an idea of what you are looking to doing with you switcher it is great. I use the left for multi-view, the middle for aux/preview, and the right for live/program

[1280 x 800] I am an independent producer, shooter, editor, scriptwriter, etc. I shoot a great many interviews and have, as of late, been reducing the size and weight of the gear I have to lug around. For the last year, I have been lugging around a TV set I bought@. It was cheap and I really only needed it for positioning of the interviewee. I had to bring power blocks and stingers to run the TV set. Now, with this hot little monitor, I not only get great positioning, outstanding quality of image, and other features (some of which I don't use), it also runs forever on batteries. Before I purchased it, I read some of the reviews. I must say that I could find none of the problems other people say they had. I think most of those other reviewers preferred to open the package, turn everything on, and, then, when it wasn't exactly what they expected, tried to read the instructions. I read them first and the unit is great. I have compared it with other units that cost four times as much and I can't tell the difference.

[215 ppi] good little monitor. no issues so far