Protect your field mixer or digital tape recorder with the teenage engineering Small Bag, which is designed to carry and protect the TX-6 Field Mixer or TP-7 Digital Tape Recorder from the rigors of on-the-road wear and tear. The shell fabric is made from tear and abrasion-resistant nylon that's been treated with fire retardant and provides protection from water.

The bag features hook-and-loop fasteners that allow the strap to be used in a variety of ways including: across the body, over the shoulder, or on the waist. The custom-designed hardware is made from aluminum alloy.

For TX-6 Field Mixer    For TP-7 Digital Tape Recorder    Fits Mixer and Smaller Accessories    Fits Recorder and Smaller Accessories    Suitable for Transport or Storage

Related Questions and Answers

Q: 1. Is there a plug in to record MP3 for transcription

A: No, there is no plug-in to record MP3 on the Sound Devices 833 Field Recorder. The 833 records audio in WAV format.

Q: 2. What does it mean when all of the channel LED rings are flashing yellow, and it won't allow me to record?

A: Regarding the Sound Devices 833 8-Channel / 12-Track Multitrack Field Recorder, when all of the channel LED rings are flashing yellow and won't allow you to record, that means your sync reference is set to "external", but there is no external source. You would just need to set your sync reference to "internal".

Q: 3. Does this thing still get super hot?

A: The Sound Devices 833 8-Channel / 12-Track Multitrack Field Recorder uses powerful FPGA chips within its heat-sink frame and is subject to heat with use, especially in warm environments.

Q: 4. Is there any noise on the line out as it was with F6? I am thinking to use it to connected XLR mics to Canon R5.

A: We have not yet had the opportunity to test the Zoom F3 Recorder but we certainly will once it is available in stock. There are no specs listed for the noise level of the recorder's outputs, but the spec for equivalent input noise is very low at ≤-127 dBu which does aid in the recorder's ability to deliver audio with low noise.

Q: 5. what orca 280 can for mixpre 10 ii ?

A: The ORCA OR-280 Audio Bag for MixPre-10 Mixer is compatible with the MixPre-10 ii.

Q: 6. Will this bag allow for both Sound Devices 833 in combo with the SL2?

A: No, the K-Tek Stingray Junior X Audio Mixer Recorder Bag will not accommodate both the Sound Devices 833 Multitrack Field Recorder and the Sound Devices SL-2 Dual SuperSlot Wireless Module for 8-Series Mixer/Recorder at the same time. As a better option, K-Tek recommends using the K-Tek Stingray Small-X Audio Bag for Sound Devices 833, 888, and 633 Recorders (B&H # KTKSTGSX).

Q: 7. Will the OR-280 work with the TASCAM DR-680MK II?

A: Yes it will fit the Tascam recorder: Orca bag: Dimensions: Interior: 9.4 x 4.5 x 7.9" / 23 x 11.4 x 20 cm Exterior: 12.2 x 9.8 x 8.7" / 31 x 25 x 22 cm Tascam recorder: Dimensions (W x H x D) 8.5 x 2.2 x 7.4" (216.4 x 56.0 x 188.4 mm)

Q: 8. Is there a d tap to usb c cable that can lower the output to 5v to power the F3?

A: Yes, there are cables such as BH #INGP5DT3 IndiPRO Tools D-Tap to Regulated Right-Angle USB Type-C Cable, which could serve the purpose of powering the Zoom F3 2-Input / 2-Track Portable Field Recorder via D-Tap to USB-C with 5V attenuation: https://bhpho.to/37VT8jZ

Q: 9. When SDHC or SDXC cards are formatted in the F3, what format are they in? FAT32 or something else? I can't find this spec in the manual, just want to make sure that card can be read by a computer after removing it from the F3.

A: The format protocol implemented within the Zoom F3 2-Input / 2-Track Portable Field Recorder depends on the type of memory card used. SDHC cards are formatted using FAT 32 and SDXC cards are formatted using exFAT.

Q: 10. what does 32-Bit (A/D Conversion) mean on the spec list, does it mean If I want to record 32-bit, I will need to connect it to computer?

A: The 32-bit specification refers to the amount of audio information the Sound Devices 833 8-Channel / 12-Track Multitrack Field Recorder is capable of capturing while recording in reference to bit depth. 32-bit recording captures more information mainly due to its floating-point format versus traditional fixed-point bit depths of 16 and 24 bit. This, in essence, allows for a much wider dynamic range to be captured and makes it hard to record clipped or distorted signals. Sound Devices publishes a useful article on their site that explains this in depth and can be found here: https://bit.ly/3SGcsE5