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Panasonic Lumix S5 24-105 Lens Cine Kit

Panasonic Lumix S5 24-105 Lens Cine Kit
  • Product Code: eq120224
  • Availability: In Stock

$10,214.88 $12,564.30

Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 24-105 Lens Cine Kitmeshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.

In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.

Lumix S 24-105mm f/4 Macro O.I.S. Lens    Atomos Ninja V 5" 4K Recording Monitor    Power Kit    Monitor Mount    HDMI Cable

Key Specs
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) CMOS
Image StabilizationSensor-Shift, 5-Axis
ISO Sensitivity RangePhoto
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Continuous ShootingMechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Internal Recording ModesH.264/MOV 4:2:2 10-Bit
3328 x 2496 at 23.98/25/29.97 fps [150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MOV 4:2:0 8-Bit
3328 x 2496 at 23.98/25/29.97/50 fps [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 28 Mb/s]
H.265/MOV 4:2:0 10-Bit
3328 x 2496 at 50 fps [200 Mb/s]
UHD 4K (3840 x 2160) at 50/59.94 fps [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
External Recording Modes4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) up to 50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
3536 x 2656 at 23.98/25/29.97/50 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1x Micro-HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x USB-C Input
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
WirelessWi-Fi, Bluetooth
Display TypeArticulating Touchscreen LCD
Battery Type1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 440 Shots)
Imaging
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) CMOS
Sensor Crop (35mm Equivalent)Crop Factor: 1x
Additional Modes: 1.5x
*Additional Crop Occurs in Select Video Modes
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNo
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter SpeedMechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO Sensitivity RangePhoto
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Metering MethodCenter-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 18 EV
White BalancePresets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Continuous ShootingMechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 Raw
24 MP (6000 x 4000)
4:3 JPEG
21.5 MP (5328 x 4000)
10.5 MP (3792 x 2848)
5.5 MP (2688 x 2016)
3:2 JPEG
24 MP (6000 x 4000)
12 MP (4272 x 2848)
6 MP (3024 x 2016)
16:9 JPEG
20 MP (6000 x 3368)
10 MP (4272 x 2400)
5 MP (3024 x 1704)
1:1 JPEG
16 MP (4000 x 4000)
8 MP (2848 x 2848)
4 MP (2016 x 2016)
65:24 JPEG
13 MP (6000 x 2208)
2:1 JPEG
18 MP (6000 x 3000)
Aspect Ratio1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File FormatJPEG, Raw
Bit Depth14-Bit
Video Capture
Internal Recording ModesH.264/MOV 4:2:2 10-Bit
3328 x 2496 at 23.98/25/29.97 fps [150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MOV 4:2:0 8-Bit
3328 x 2496 at 23.98/25/29.97/50 fps [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 28 Mb/s]
H.265/MOV 4:2:0 10-Bit
3328 x 2496 at 50 fps [200 Mb/s]
UHD 4K (3840 x 2160) at 50/59.94 fps [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
External Recording Modes4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) up to 50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
3536 x 2656 at 23.98/25/29.97/50 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
Fast-/Slow-Motion SupportYes
Gamma CurveHDR-HLG, Panasonic V-Log
Recording LimitUp to 30 Minutes
IP StreamingNo
Built-In MicrophoneStereo
Audio Recording AAC Audio
LPCM Audio
Interface
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1x Micro-HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1x USB-C Input
Other I/O1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
WirelessWi-Fi, Bluetooth
Mobile App CompatibleYes: Android & iOS
App Name: Panasonic LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, Setup, View Live Feed
Global Positioning (GPS, GLONASS, etc.)GPS
*Via Connected Smartphone
Monitor
Display Size3.0"
Resolution1,840,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Resolution2,360,000 Dot
Eye Point20 mm
Coverage100%
MagnificationApprox. 0.74x
Diopter Adjustment-4 to +4
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsContrast Detection: 225
Autofocus Sensitivity-6 to +20 EV
Flash
Built-In Flash/LightNo
Flash ModesAuto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionShoe Mount
General
Battery Type1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 440 Shots)
Shoe Mount1x Hot Shoe
Tripod Mounting Thread1x 1/4"-20 Female (Bottom)
Material of ConstructionMagnesium Alloy
Operating Conditions32 to 104°F / 0 to 40°C at 10 to 80% Humidity
Dimensions (W x H x D)5.22 x 3.82 x 3.22" / 132.6 x 97.1 x 81.9 mm
Weight1.57 lb / 714 g (With Battery, Recording Media)
1.39 lb / 630 g (Body Only)
Packaging Info
Package Weight2.935 lb
Box Dimensions (LxWxH)9.2 x 6.1 x 5.6"

Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes.

In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.

Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.

  • High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.

  • Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.

  • Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments.

  • Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.

  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.

  • DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on.

  • High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec.

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:

  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.

  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.

  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.

  • By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.

  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.

  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.

  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.

  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.

  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.

Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.

Related Questions and Answers

Q: 1. Does this camera provide variable frame rates like 72fps?

A: Yes, it has variable frame rates. For 4k video from 1 fps to 60 fps and for FHD video from 1 to 180 fps.

Q: 2. How is the "industry first" cooling fan different from the one in the S1H?

A: Panasonic Lumix S5 IIX Mirrorless Camera has the fan on the front of the camera and that allows the camera to be smaller and lighter. In the S1H the fan is on the back and it is larger and heavier.

Q: 3. What is the best adapter to mount Canon EFS lenses?

A: Hello! Using Canon EF-S lenses on the Lumix S5M2X, which features an L-mount, isn't ideal since EF-S lenses are designed for a different sensor, while the S5M2X is a full-frame camera. If you still wish to use EF-S lenses, you'll need an EF to L-mount adapter, but be aware that you may experience vignetting due to the smaller image circle. -M

Q: 4. Is there any 4K 60p mode that it allows to shoot without cropping? I see that it crops in 10-bit, but what about 8-bit 4k?

A: No, the Panasonic Lumix S5 IIX Mirrorless Camera does not offer 60 fps for 4K 10-bit or 8-bit video in full sensor quality.

Q: 5. Sensor crop at 4K 60?

A: The camera currently crops to APS-C when shooting 4k60.

Q: 6. You answered that the DMW- BLK22 cannot be recharged on a DMW-BLF 19PP (GH5) charger. Could you elaborate? I understand that the BLF19 will not work with the S5 (due to the contact pin arrangement) but the BLK22 has additional contacts that make it compatible to power the GH5 (per Panasonic). Seems odd that those GH5 contacts would not allow charging on a GH5 charger. Thanks for more detail.”

A: The battery for charging has some differences internally that will not work with the GH5 charger. You can use this one as an external charger. Panasonic DMW-BTC15 Battery Charger BH #PADMWBTC15 • MFR #DMW-BTC15 https://bhpho.to/3j9Oxes

Q: 7. Does this come with the battery charger in the box?

A: Unfortunately, the Lumix S5 IIX does not include a battery charger. It only includes an AC adapter and a USB cable to charge the battery within the camera body.

Q: 8. I know the DCC17 will work in this camera but ill the DMW-DCC12 DC Coupler that I currently use in my gh5 work in this camera ?

A: At this time Panasonic does not list the Lumix S5 IIX Mirrorless Camera as compatible with the DMW-DCC12 DC. Only the DMW-DCC17 DC Coupler.

Q: 9. Lens cap

A: Hello, Brad! The lens cap is supplied. -M

Q: 10. Does this camera support external timecode (Tentacle Sync)?

A: The Panasonic Lumix S5 IIX Mirrorless Camera does not offer a timecode port, but can accept timecode in an audio track from the Tentacle Sync E mkII Timecode Generator with Bluetooth 5.0 (Single Set).

26/08/2024

[L-Mount] It's easily the best camera you can get for Video under 1500$ (under 1200$ if used).
I snagged it a couple of month ago for 1500$ and never been disappointed, the colors are impeccable and the files are easy to work with and color grade.
The ergonomics, build quality and even the menu are built to the highest standards.
The only drawback for me is the micro hdmi as i use it a lot with the dji ronin rs2, but it's easily fixable if you get a 15$ cable clamp from and if you already run a cage .
And you may also consider the not so perfect autofocus, but it never let me as i don't rely on it much.

So for 1200$ used (from B&H) i think that its easily the best video camera , and it even rivals cameras 3 it's price .
You won't regret it.

5
24/07/2024

[1x USB-C Input] I recently bought this camera to replace my canon Eos rp, and I have zero regrets. The image quality is insane, it's super well built, and the ergonomics are perfect.

5
16/07/2024

[Bulb Mode] I am new to photography and wanted to purchase a higher end camera so that I wouldn't wind up upgrading to a newer camera after I get past my learning curve. This camera so far, even with taking photos in auto mode is incredible. As well, I ventured into taking a video and the clarity was unbelievable. I look forward to learning this camera and tapping into my visual creative side with wonderful results.

5
04/07/2024

[2.935 lb] I absolutely love the ergonomics and image quality you get with this camera. I use it primarily for stills and it does not disappoint. My one negative is that animal detection does not mean animal ete tracking AF, I felt a bit misled by that.

5
11/06/2024

[L-Mount] Great cámara for video and photo I love it

5
22/05/2024

[1x USB-C Input] This is a great camera. Every review talks about the autofocus so here's that piece. In photo you won't notice it hunting. In video it is a bit noticable but you can adjust the settings to make it work for you. Everything else is fantastic. The controls can be remapped and the build quality is amazing.

5
11/05/2024

[-6 to +20 EV] I own and love the Lumix G9 . However, I knew that I was having some limitations with low light. I decided to purchase the Lumix S5 and am really glad I did.

The S5 is very similar to the G9 in design which I really like. All the controls are where I'm used to finding them. It's amazing that a full-frame camera could be the same size as its MFT sister.

I purchased the S5 specifically for better results in low light and I'm not disappointed. The images are crisp and clear, handheld and high iso, which is something I could never achieve with the G9.

Critics of the S5 bemoan the fact that the DFD is not good enough. I don't know what their workflow looks like specifically but I've had no problems with the autofocus. It tracks like most other brands in good lighting and does a good enough job in low light.

The deal B&H is currently running for the S5 body, a 85mm and 20-60mm lens is just tremendous. With comparable Sony and Canon camera and lens bundle you might pay upwards of $1-2k more. I suggest that for most photographers the S5 will exceed all their expectations. And for me, the extra cost for Sony and Canon's similar products was not worth it. I couldn't be happier with the camera, including the menu, weight, ergonomics and photo/video quality.

5
06/05/2024

[Stereo ] I use the S5 for pro-sumer photo and video and use a lot of vintage lenses along with the Panasonic and Sigma Leica L mount lenses. The sensor is better than an equivalent Sony in terms of image quality and low light, but the ergonomics are better. Adapters for any format to Leica L are available and the available Leica L native lenses support everything needed. I researched extensively before this purchase and I am not disappointed- the S5 is a top performer for photo and video at this price range.

5
30/11/-0001

[1x USB-C Input] This thing is great. Pre-ordered when it came out 2 years ago. Had taken it all over, had expose to rain, sand, even dropped it (not intentionally) and still works great. Is nice to see other people notice the difference in quality compare to other cameras. My old Canon and legacy glass works...I'm planning to get the S5IIx when it comes out, will keep the S5 to run the legacy glass. Best bang for the buck!!

5
30/11/-0001

[Shoe Mount] I'm a pro photographer (25+ years of experience). I do a lot of travel and lifestyle work and I document a pro cycling team during the summer European season, shooting a lot behind the scenes material for a bike manufacturer. I needed a reliable backup for my Leica SL2-S, so the Lumix S5 was a no brainer given its price point and reputation. Now, if you have hands like Thanos and you shoot fast action sports, you might want to consider another camera (the contrast-based autofocus is a big limitation). Otherwise, this is a great all-around camera with stellar 4k video and photo still capabilities. Perfect for the photographer who likes simplicity and working out of one bag.

5

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