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Panasonic Lumix S5 Iix Mirrorless Camera

Panasonic Lumix S5 Iix Mirrorless Camera
  • Product Code: eq120355
  • Availability: In Stock

$5,993.97 $7,792.16

Designed for pro content creators needing strong stills, sophisticated video options, and livestreaming functionality, the second-generation Panasonic Lumix S5 IIX Mirrorless Camerais equipped with a host of new features to bring your vision to life. Benefitting from a new sensor design and an updated processing engine with L2 technology, the S5 IIX is the first Lumix camera to offer Phase Hybrid AF for fast and precise autofocusing performance. Making full use of the 24.2MP sensor and enhanced processor, this camera records 6K video for up to 30 minutes, while unlimited 4K video capture is available as well. Optimized for video, the S5 IIX is also equipped with a new Active I.S. system, which supports walking shots to further enhance image stabilization while recording video.

Unique to the advanced S5 IIX, this model comes pre-loaded with sophisticated video features benefitting the professional user. These include HDMI RAW video data output, USB-SSD recording, ALL-Intra recording, and ProRes recording. Livestreaming functionality is standard as well, and the S5 IIX offers Wireless IP streaming, USB tethering to smartphones, and Wired IP streaming. Additionally, this camera is the first Lumix camera to feature a refined and stealthy all-black design.

24.2MP Full-Frame CMOS Sensor    6K30p 4:2:0 10-Bit Video Recording    C4K/4K60p 4:2:2 10-Bit Unlimited    3.68m-Dot 0.78x-Magnification OLED LVF    3.0" 1.84m-Dot Tilt/Free-Angle Touch-LCD    779-Point Phase-Detection AF System    5-Axis Sensor-Shift Image Stabilization    ISO 100-51200, up to 30 fps Shooting    Dual UHS-II SD Slots; Wi-Fi & Bluetooth    Weather-Sealed Construction

Key Specs
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) CMOS
Image StabilizationSensor-Shift, 5-Axis
ISO Sensitivity RangePhoto/Video
100 to 51,200 (Extended: 50 to 204,800)
Continuous ShootingMechanical Shutter
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Electronic Shutter
Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Internal Recording ModesH.264/H.265/MOV/MP4/ProRes 4:2:2/4:2:0 8/10-Bit
5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100 fps [20 to 454 Mb/s]
External Recording Modes10-Bit via USB
5776 x 3056 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97 fps
1920 x 1080 at 24.00/25/50 fps
12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1x HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
Power I/O1x USB-C Input
Other I/O1x USB-C Data Output (Shared with Power Input)
Wireless2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0
Display TypeFree-Angle Tilting Touchscreen LCD
Battery Type1x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Imaging
Lens MountL-Mount
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor35.6 x 23.8 mm (Full-Frame) CMOS
Sensor Crop (35mm Equivalent)Crop Factor: 1x
Additional Modes: 1.5x
*Additional Crop Occurs in Select Video Modes
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNo
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter SpeedMechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
Bulb/Time ModeBulb Mode, Time Mode
ISO Sensitivity RangePhoto/Video
100 to 51,200 (Extended: 50 to 204,800)
Metering MethodCenter-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure ModesAperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 18 EV
White Balance2500 to 10,000K
Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous ShootingMechanical Shutter
Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG)
Electronic Shutter
Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2
96 MP (12,000 x 8000) *Via In-Camera Pixel-Shift
48 MP (8496 x 5664) *Via In-Camera Pixel-Shift
24 MP (6000 x 4000)
12 MP (4272 x 2848)
6 MP (3024 x 2016)
4:3
85 MP (10,656 x 8000) *Via In-Camera Pixel-Shift
42.5 MP (7552 x 5664) *Via In-Camera Pixel-Shift
21.5 MP (5328 x 4000)
10.5 MP (3792 x 2848)
5.5 MP (2688 x 2016)
16:9
81 MP (12,000 x 6736) *Via In-Camera Pixel-Shift
40.5 MP (8496 x 4784) *Via In-Camera Pixel-Shift
20 MP (6000 x 3368)
10 MP (4272 x 2400)
5 MP (3024 x 1704)
1:1
64 MP (8000 x 8000) *Via In-Camera Pixel-Shift
32 MP (5664 x 5664) *Via In-Camera Pixel-Shift
16 MP (4000 x 4000)
8 MP (2848 x 2848)
4 MP (2016 x 2016)
65:24
13 MP (6000 x 2208)
2:1
18 MP (6000 x 3000)
Aspect Ratio1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File FormatJPEG, Raw
Bit Depth14-Bit
Video Capture
Internal Recording ModesH.264/H.265/MOV/MP4/ProRes 4:2:2/4:2:0 8/10-Bit
5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100 fps [20 to 454 Mb/s]
External Recording Modes10-Bit via USB
5776 x 3056 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97 fps
1920 x 1080 at 24.00/25/50 fps
12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
Fast-/Slow-Motion SupportYes
Gamma CurvePanasonic V-Gamut, V-Log
Recording LimitNo
IP StreamingRTP, RTSP
3840 x 2160 to 1280 x 720 at 25p, 29.97p, 50p, 59.94p (4.0 to 25.00 Mb/s)
Built-In MicrophoneStereo
Audio RecordingMOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1x HDMI (Unspecified Signal) Output
Audio I/O1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
Power I/O1x USB-C Input
Other I/O1x USB-C Data Output (Shared with Power Input)
Wireless2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0
Mobile App CompatibleYes: Android & iOS
App Name: Lumix Sync
Functionality: Access Stored Files, Firmware Update, Remote Control
Global Positioning (GPS, GLONASS, etc.)No
Monitor
Display Size3"
Resolution1,840,000 Dot
Display TypeFree-Angle Tilting Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Resolution3,680,000 Dot
Eye Point21 mm
Coverage100%
MagnificationApprox. 0.78x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhoto, Video
Contrast Detection, Phase Detection: 779
Autofocus Sensitivity-6 to +18 EV
Flash
Built-In Flash/LightNo
Flash ModesAuto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionShoe Mount
General
Battery Type1x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Shoe Mount1x Hot Shoe
Tripod Mounting Thread1x 1/4"-20 Female (Bottom)
Material of ConstructionMagnesium Alloy
Operating Conditions14 to 104°F / -10 to 40°C at 10 to 80% Humidity
Dimensions (W x H x D)5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions)
Weight1.45 lb / 658 g (Body Only)
1.64 lb / 744 g (With Recording Media)
Packaging Info
Package Weight2.65 lb
Box Dimensions (LxWxH)7.8 x 6.4 x 6.1"

Featuring an upgraded full-frame 24.2MP CMOS sensor and an updated image processing engine with L2 technology, the S5 IIX's sensor incorporates a newly-developed Phase Hybrid AF system — a first for Lumix-series cameras — providing 779 phase-detection points for significantly-improved subject tracking. Balancing high sensitivity and a wide dynamic range, the sensor provides a useful ISO 100-51200 range, which can be expanded to ISO 50-204800 for working in a variety of lighting conditions. Well-equipped for action and fast-moving subjects, the S5 IIX also enables full-res shooting at up to 9 fps with the mechanical shutter and up to 30 fps with the electronic shutter. Additionally, the S5 IIX utilizes sensor-shift stabilization technology and features a High Resolution mode to capture and compile eight separate exposures to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.

In addition to stills, the S5 IIX sports highly capable video recording assets. Full-frame 6K30p recording with 4:2:0 10-bit color can be captured for up to 30 minutes, while unlimited video recording is possible when filming in DCI and UHD 4K60p 4:2:2 10-bit mode. The camera supports 120p video capture for videographers who want to create high-resolution slow-motion video, and RAW HDMI output is possible via an optional license upgrade. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied, ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.

  • Offering enhanced performance and usability, the S5 IIX provides HDMI RAW video data output.

  • For videographers who want to improve efficiency in data backup and post-processing, recording and playback is supported using an external SSD via USB. ALL-Intra recording and ProRes recording are also supported.

  • Designed for modern-users and content creators, the camera allows for Wireless IP streaming, USB tethering to smartphones, and Wired IP streaming.

The S5 IIX is the first Lumix mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the S5 IIX persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.

Offering comprehensive support for hand-held use, the S5 IIX incorporates a Dual I.S. 2 image stabilization system, which compensates for approximately 6.5 stops of camera shake to achieve the utmost sharpness for handheld photography. For video applications, the camera is designed with a newly-developed Active I.S. system for walking shots to further enhance image stabilization while the camera is moving and recording video.

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. Additionally, this camera allows for the use of all the classic and modern Anamorphic lenses that have been in use for over 60 years.

  • A high-resolution 3.68m-dot OLED EVF offers a clear 0.78x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.

  • Large 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.

  • An 8-direction joystick and easy-to-use menu design enable quick and efficient operation.

  • A USB-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, a new full-size HDMI-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.

  • Dual SD memory card slots — both UHS-II-compatible — offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.

  • An industry-first, the S5 II utilizes a built-in cooling fan to suppress the camera's internal temperature for extended or unlimited recording.

  • A robustly-built magnesium alloy body with dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.

  • First Lumix camera to feature a refined and stealthy all-black design.

Bluetooth Low Energy (5.0) provides constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b/g/n and 802.11a/n/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.

  • Real-time LUT enables color grading to be done in the camera itself

  • Live cropping allows in-frame panning and zooming while recording video

  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats

  • Color Shading Compensation corrects the bluish/reddish coloration on the periphery that may occur when older lenses are mounted

  • Compatible with Lumix Tether for remote photo and video shooting via USB

  • 4-channel 48 kHz or 96 kHz 24-bit recording with optional DMW-XLR1 XLR microphone adapter

  • In-camera USB PD battery charging with optional DMW-BTC15 Battery Charger

Related Questions and Answers

Q: 1. How is the "industry first" cooling fan different from the one in the S1H?

A: Panasonic Lumix S5 IIX Mirrorless Camera has the fan on the front of the camera and that allows the camera to be smaller and lighter. In the S1H the fan is on the back and it is larger and heavier.

Q: 2. Is there a battery grip for s5 ii x?

A: Hello, Matthew! The battery grip is an optional accessory and this is the model number: DMW-BGS5. When mounted on the camera, it improves ease of operation and grip when the camera is held vertically. Also, inserting a battery into the Battery Grip provides a stable supply of power even for long periods of recording. We encourage you to check directly with the retailer on product availability and stocks, as they would be able to better assist you. -C

Q: 3. Is this camera Netflix approved?

A: The Panasonic Lumix S5 IIX Mirrorless Camera is not Netflix approved.

Q: 4. What numerical values are the baseline for the Dual Native ISO?

A: The base iso for the Panasonic Lumix S5 IIX Mirrorless Camera is 100 to 51,200 ISO. Extended it is 50 to 204,800.

Q: 5. Will my gh5 lens work on this camera or do I have to buy lens for it?

A: Your GH5 uses the Micro 4/3 mount, while the S5II X uses the Leica L mount lenses.

Q: 6. Will I be able to record BRAW directly on a SSD from the camera without using Blackmagic's Video Assist?

A: Panasonic Lumix S5 IIX Mirrorless Camera RAW output is only via HDMI unfortunately.

Q: 7. Can I use lenses that fit on my Lumix G9 with this camera as well?

A: Lenses for the Panasonic Lumix G9 Mirrorless Camera are incompatible with the Panasonic Lumix S5 IIX Mirrorless Camera. The G9 has a Micro Four Thirds lens mount, and the S5 IIX has a Leica L lens mount.

Q: 8. Lens cap

A: Hello, Brad! The lens cap is supplied. -M

Q: 9. Is there lag when using external monitor like there is with S5?

A: There is some latency in the Panasonic Lumix S5 IIX Mirrorless Camera, similarly to the Panasonic Lumix S5 Mirrorless Camera (B&H # PADCS5). You may be able to alleviate some of that latency by turning off the audio output over HDMI in the camera settings, if you don't need audio playback.

Q: 10. Does this use the Leica L Mount? So I could use the Leica SL 24-90mm 2.8-4 on this body?

A: The S5 IIX does use the L-mount, so you can use a Leica SL 24-80mm f/2.8-4 Lens.

23/07/2024

[TTL] The Lumix S5 IIX is a fantastic camera for videography and low-light shooting. It really does great in capturing high-quality footage in challenging lighting conditions, thanks to its excellent low-light performance and dynamic range. The camera offers impressive 4K - 6k video recording with a variety of codex from SD cards to SSD's, the autofocus system is fast and accurate only once you learn how to work the focus modes. While it may not be the top choose for still photography being a Panasonic it's a top-notch option for professionals and video enthusiasts who prioritize video quality and low-light performance. DON'T SLEEP ON THE S5II

5
28/06/2024

[L-Mount] This is a beast of camera for the money, I been using Sony for years and never really even consider to try another brand until now.
The Autofocus, Stabilization on the sensor with the colors and the variety of codecs this is going to be a great addition to my team.

5
09/05/2024

[1x USB-C Input] My biggest complaint about the Lumix range was that the lack of phase-detect autofocus made it hard to guarantee that I'd capture the hit-or-miss moments. I'm glad they've fixed it with this camera! Is it perfect? No, but it's close enough that I'm confident taking the camera into any situation.

5
29/04/2024

[3"] I've been a pro for 35+ years (photography and video), and have always been a Canon man.

Took the leap with this camera and I don't regret it. There is a silkiness to the images that I was not getting with my 5ds (II, III, IV)... there are also a TON of options that don't exist in the similarly priced (and even much more expensive) Canon lines... This camera is a tank, is well conceived, and is exceptional.

5
22/04/2024

[2.65 lb] I am not a professional photographer but this camera elevated my results. I took 20000 photos within a month plus 5.8k Prores videos every day. Autofocus should be improved but in general it worked great.

5
18/04/2024

[L-Mount] I love this camera, its functionality, design, ergonomics, photo and video quality, and the best in the industry IBIS.

5
15/04/2024

[3"] This new S5iiX is perhaps the best value of any camera on the market. The images and color are gorgeous, and color science is excellent. So much so I sold my Canon C70. The S5iiX is much more versatile and useful.
Panasonic has outdone themselves in creating a camera that is so convenient to shoot video there's nothing quite like it. All the cinematic tools you need are at your finger tips; tools the other companies that make hybrid cameras refuse to include: wave form, C4k, shutter angle, and much much more, even false color with one of the ten possible LUTS you can store, Plus the Panasonic V-log is wonderful to grade, with a wide variety of LUTs to choose from. AF is now excellent, though Sony and Canon are perhaps marginally better...but Panasonic if famous for upgrades.
I've always loved the look and ergonomics of Panasonic cameras. They are perhaps the only truly video oriented hybrid camera makers. The GH5 was revolutionary in its time and is still excellent. the S1H was ground breaking, but the S5ii X has knocked it out of the park with the bases loaded.
Truly cinematic video features at your fingertips, excellent AF, a wide and growing number of excellent affordable lenses with microscopic focus breathing, state of the art stabilization, making hand held shooting a joy, 15 stops of dynamic range in full frame, NLE editing like butter with Pro Res, easy to grade V-log, tons of buttons that can be easily assigned, and much much more. Thank you Panasonic for making such a fantastic, easy to use camera. You've set the industry standard. Once you shoot with the Panasonic S5ii X, see how easy it is and how special the images out of the camera are you'll be hooked.
I only wish I could give the camera and extra star in thanks to Panasonic

5
11/04/2024

[Approx. 0.78x] Owner of a Leica SL2, Leica S Apo Asph f2 fix lenses, and the Lumix Leica certified pro zooms. I use the Leica/Lumix SL system for my most advanced pro. work (architecture, landscape, social events). The black lettering is helpful for me to avoid equipment questioning during social events (I know who would have guessed!). The new Lumix S5II, is a great 2nd body for me. Super light and compact (compared to the Leica SL2), fully compatible with the state-of-the art Leica S lenses. I use the new handheld 100 Megapixel multi shot super high resolution mode: no tripod, no noise, high resolution, and you get a huge raw file ready to handle in Lightroom when necessary. The new AF is excellent and so fast! As usual Lumix buttons and interface are almost perfect (I do prefer the Leica interface, though). The LUMIX app is also working just fine with geotagging, exporting files to your phone, and wireless shooting (iPhone 15 Pro). Thumbs up for Pana/Lumix engineers! Keep up the good work.

5

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