Panasonic Lumix S5 Iix Mirrorless Camera 20-60Mm Lens

Panasonic Lumix S5 Iix Mirrorless Camera 20-60mm Lens

Product Code: eq120357
Availability: In Stock

$6,893.97 $9,444.74

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Reviews (18)

Designed for pro content creators needing strong stills, sophisticated video options, and livestreaming functionality, the second-generation Panasonic Lumix S5 IIX Mirrorless Camera 20-60mm Lensis equipped with a host of new features to bring your vision to life. Benefitting from a new sensor design and an updated processing engine with L2 technology, the S5 IIX is the first Lumix camera to offer Phase Hybrid AF for fast and precise autofocusing performance. Making full use of the 24.2MP sensor and enhanced processor, this camera records 6K video for up to 30 minutes, while unlimited 4K video capture is available as well. Optimized for video, the S5 IIX is also equipped with a new Active I.S. system, which supports walking shots to further enhance image stabilization while recording video.

Unique to the advanced S5 IIX, this model comes pre-loaded with sophisticated video features benefitting the professional user. These include HDMI RAW video data output, USB-SSD recording, ALL-Intra recording, and ProRes recording. Livestreaming functionality is standard as well, and the S5 IIX offers Wireless IP streaming, USB tethering to smartphones, and Wired IP streaming. Additionally, this camera is the first Lumix camera to feature a refined and stealthy all-black design.

24.2MP Full-Frame CMOS Sensor 6K30p 4:2:0 10-Bit Video Recording C4K/4K60p 4:2:2 10-Bit Unlimited 3.68m-Dot 0.78x-Magnification OLED LVF 3.0" 1.84m-Dot Tilt/Free-Angle Touch-LCD 779-Point Phase-Detection AF System 5-Axis Sensor-Shift Image Stabilization ISO 100-51200, up to 30 fps Shooting Dual UHS-II SD Slots; Wi-Fi & Bluetooth Lumix S 20-60mm f/3.5-5.6 Lens

Key Specs
Lens Mount	L-Mount
Sensor Resolution	Actual: 25.28 Megapixel Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor	35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization	Sensor-Shift, 5-Axis
ISO Sensitivity Range	Photo/Video 100 to 51,200 (Extended: 50 to 204,800)
Continuous Shooting	Mechanical Shutter Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Electronic Shutter Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Internal Recording Modes	H.264/H.265/MOV/MP4/ProRes 4:2:2/4:2:0 8/10-Bit 5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s] 4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100 fps [20 to 454 Mb/s]
External Recording Modes	10-Bit via USB 5776 x 3056 at 23.98/24.00/25/29.97 fps 4096 x 2160 at 23.98/24.00/25/29.97 fps 1920 x 1080 at 24.00/25/50 fps 12-Bit via HDMI 5888 x 3312 at 23.98/25/29.97 fps
Media/Memory Card Slot	Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O	1x HDMI (Unspecified Signal) Output
Audio I/O	1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input 1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
Power I/O	1x USB-C Input
Other I/O	1x USB-C Data Output (Shared with Power Input)
Wireless	2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0
Display Type	Free-Angle Tilting Touchscreen LCD
Battery Type	1x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Imaging
Lens Mount	L-Mount
Sensor Resolution	Actual: 25.28 Megapixel Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor	35.6 x 23.8 mm (Full-Frame) CMOS
Sensor Crop (35mm Equivalent)	Crop Factor: 1x Additional Modes: 1.5x *Additional Crop Occurs in Select Video Modes
Image Stabilization	Sensor-Shift, 5-Axis
Built-In ND Filter	No
Capture Type	Stills & Video
Exposure Control
Shutter Type	Mechanical Focal Plane Shutter and Electronic Rolling Shutter
Shutter Speed	Mechanical Shutter 1/8000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Front Curtain Shutter 1/2000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Shutter 1/8000 to 60 Seconds Up to 60 Seconds in Bulb Mode
Bulb/Time Mode	Bulb Mode, Time Mode
ISO Sensitivity Range	Photo/Video 100 to 51,200 (Extended: 50 to 204,800)
Metering Method	Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes	Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation	-5 to +5 EV (1/3 EV Steps)
Metering Range	0 to 18 EV
White Balance	2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting	Mechanical Shutter Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) Electronic Shutter Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Interval Recording	Yes
Self-Timer	2/10-Second Delay
Still Image Capture
Image Sizes	3:2 96 MP (12,000 x 8000) Via In-Camera Pixel-Shift 48 MP (8496 x 5664) Via In-Camera Pixel-Shift 24 MP (6000 x 4000) 12 MP (4272 x 2848) 6 MP (3024 x 2016) 4:3 85 MP (10,656 x 8000) Via In-Camera Pixel-Shift 42.5 MP (7552 x 5664) Via In-Camera Pixel-Shift 21.5 MP (5328 x 4000) 10.5 MP (3792 x 2848) 5.5 MP (2688 x 2016) 16:9 81 MP (12,000 x 6736) Via In-Camera Pixel-Shift 40.5 MP (8496 x 4784) Via In-Camera Pixel-Shift 20 MP (6000 x 3368) 10 MP (4272 x 2400) 5 MP (3024 x 1704) 1:1 64 MP (8000 x 8000) Via In-Camera Pixel-Shift 32 MP (5664 x 5664) Via In-Camera Pixel-Shift 16 MP (4000 x 4000) 8 MP (2848 x 2848) 4 MP (2016 x 2016) 65:24 13 MP (6000 x 2208) 2:1 18 MP (6000 x 3000)
Aspect Ratio	1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File Format	JPEG, Raw
Bit Depth	14-Bit
Video Capture
Internal Recording Modes	H.264/H.265/MOV/MP4/ProRes 4:2:2/4:2:0 8/10-Bit 5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s] 4096 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [150 to 200 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100 fps [20 to 454 Mb/s]
External Recording Modes	10-Bit via USB 5776 x 3056 at 23.98/24.00/25/29.97 fps 4096 x 2160 at 23.98/24.00/25/29.97 fps 1920 x 1080 at 24.00/25/50 fps 12-Bit via HDMI 5888 x 3312 at 23.98/25/29.97 fps
Fast-/Slow-Motion Support	Yes
Gamma Curve	Panasonic V-Gamut, V-Log
Recording Limit	No
IP Streaming	RTP, RTSP 3840 x 2160 to 1280 x 720 at 25p, 29.97p, 50p, 59.94p (4.0 to 25.00 Mb/s)
Built-In Microphone	Stereo
Audio Recording	MOV: 2-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel 16-Bit 48 kHz AAC Audio
Interface
Media/Memory Card Slot	Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O	1x HDMI (Unspecified Signal) Output
Audio I/O	1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input 1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
Power I/O	1x USB-C Input
Other I/O	1x USB-C Data Output (Shared with Power Input)
Wireless	2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0
Mobile App Compatible	Yes: Android & iOS App Name: Lumix Sync Functionality: Access Stored Files, Firmware Update, Remote Control
Global Positioning (GPS, GLONASS, etc.)	No
Monitor
Display Size	3"
Resolution	1,840,000 Dot
Display Type	Free-Angle Tilting Touchscreen LCD
Viewfinder
Type	Built-In Electronic (OLED)
Resolution	3,680,000 Dot
Eye Point	21 mm
Coverage	100%
Magnification	Approx. 0.78x
Diopter Adjustment	-4 to +2
Focus
Focus Type	Auto and Manual Focus
Focus Mode	Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points	Photo, Video Contrast Detection, Phase Detection: 779
Autofocus Sensitivity	-6 to +18 EV
Flash
Built-In Flash/Light	No
Flash Modes	Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed	1/250 Second
Flash Compensation	-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System	TTL
External Flash Connection	Shoe Mount
General
Battery Type	1x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
Shoe Mount	1x Hot Shoe
Tripod Mounting Thread	1x 1/4"-20 Female (Bottom)
Material of Construction	Magnesium Alloy
Operating Conditions	14 to 104°F / -10 to 40°C at 10 to 80% Humidity
Dimensions (W x H x D)	5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions)
Weight	1.45 lb / 658 g (Body Only) 1.64 lb / 744 g (With Recording Media)
Packaging Info
Package Weight	2.65 lb
Box Dimensions (LxWxH)	7.8 x 6.4 x 6.1"

Featuring an upgraded full-frame 24.2MP CMOS sensor and an updated image processing engine with L2 technology, the S5 IIX's sensor incorporates a newly-developed Phase Hybrid AF system — a first for Lumix-series cameras — providing 779 phase-detection points for significantly-improved subject tracking. Balancing high sensitivity and a wide dynamic range, the sensor provides a useful ISO 100-51200 range, which can be expanded to ISO 50-204800 for working in a variety of lighting conditions. Well-equipped for action and fast-moving subjects, the S5 IIX also enables full-res shooting at up to 9 fps with the mechanical shutter and up to 30 fps with the electronic shutter. Additionally, the S5 IIX utilizes sensor-shift stabilization technology and features a High Resolution mode to capture and compile eight separate exposures to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.

In addition to stills, the S5 IIX sports highly capable video recording assets. Full-frame 6K30p recording with 4:2:0 10-bit color can be captured for up to 30 minutes, while unlimited video recording is possible when filming in DCI and UHD 4K60p 4:2:2 10-bit mode. The camera supports 120p video capture for videographers who want to create high-resolution slow-motion video, and RAW HDMI output is possible via an optional license upgrade. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied, ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.

Offering enhanced performance and usability, the S5 IIX provides HDMI RAW video data output.
For videographers who want to improve efficiency in data backup and post-processing, recording and playback is supported using an external SSD via USB. ALL-Intra recording and ProRes recording are also supported.
Designed for modern-users and content creators, the camera allows for Wireless IP streaming, USB tethering to smartphones, and Wired IP streaming.

The S5 IIX is the first Lumix mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the S5 IIX persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.

Offering comprehensive support for hand-held use, the S5 IIX incorporates a Dual I.S. 2 image stabilization system, which compensates for approximately 6.5 stops of camera shake to achieve the utmost sharpness for handheld photography. For video applications, the camera is designed with a newly-developed Active I.S. system for walking shots to further enhance image stabilization while the camera is moving and recording video.

Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. Additionally, this camera allows for the use of all the classic and modern Anamorphic lenses that have been in use for over 60 years.
A high-resolution 3.68m-dot OLED EVF offers a clear 0.78x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.
Large 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.
An 8-direction joystick and easy-to-use menu design enable quick and efficient operation.
A USB-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, a new full-size HDMI-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
Dual SD memory card slots — both UHS-II-compatible — offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
An industry-first, the S5 II utilizes a built-in cooling fan to suppress the camera's internal temperature for extended or unlimited recording.
A robustly-built magnesium alloy body with dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.
First Lumix camera to feature a refined and stealthy all-black design.

Bluetooth Low Energy (5.0) provides constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b/g/n and 802.11a/n/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.

Real-time LUT enables color grading to be done in the camera itself
Live cropping allows in-frame panning and zooming while recording video
In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats
Color Shading Compensation corrects the bluish/reddish coloration on the periphery that may occur when older lenses are mounted
Compatible with Lumix Tether for remote photo and video shooting via USB
4-channel 48 kHz or 96 kHz 24-bit recording with optional DMW-XLR1 XLR microphone adapter
In-camera USB PD battery charging with optional DMW-BTC15 Battery Charger

Related Questions and Answers

Q: 1. Does this model have an anti aliasing filter?

A: The Panasonic S5 IIX camera does not have an anti aliasing filter.

Q: 2. I own a Tilta Cage for the S5, would the cage be compatible with the S5 IIx?

A: Those two cameras have different dimensions so the Tilta Cage for the S5 may not fit right on the S5iix.

Q: 3. Will it record to a usb-C SSD like the Samsung T7?

A: Yes, via usb the following formats are available. 10-Bit via USB 5776 x 3056 at 23.98/24.00/25/29.97 fps 4096 x 2160 at 23.98/24.00/25/29.97 fps 1920 x 1080 at 24.00/25/50 fps

Q: 4. Will the camera output BRAW to the Blackmagic Video Assist monitors?

A: The Panasonic Lumix S5 IIX Mirrorless Camera does not output Blackmagic Design RAW.

Q: 5. Does it record 6k to ucb-c drive? Any limitations to recording filetypes/formats to usb-c?

A: Yes, you'll be able to record in 5.8K using a USB-SSD recording, in ALL-Intra recording, and in ProRes recording mode.

Q: 6. Hi! Can I use my GH5 lens use with the S5 11X?

A: No, both systems offer two different mounting systems GH5 offers micro four thirds lens https://bhpho.to/3VYBQaU S52X offers Leica L mount system https://bhpho.to/3Bfi4OQ

Q: 7. Does PDAF works on full frame 60p or 4k 60?

A: Yes, Phase Detection AF will be available on the S5 IIX when shooting 4K at 60p.

Q: 8. Is the S5IIX exactly the same shape as the original S5? Will I be able to use the same cage?

A: The Panasonic Lumix S5 IIX Mirrorless Camera has a slightly different shape than the S5 so cages for the S5 will not fit the S5IIx.

Q: 9. Can it output 1080 through the HDMI?

A: Yes, the Panasonic s5 offers a UHD 4Kp60 10-bit internal recording and up to 5.9Kp30 RAW out over HDMI.

Q: 10. Can I use Atomos ninja 5.2 with t7ssd for pro res and or pro res raw ?

A: No, external recording onto an SSD will not be in ProRes or ProResRaw on the Panasonic Lumix S5IIx Mirrorless Camera.

Lan	16/09/2024
[Yes] I am not a professional photographer but this camera elevated my results. I took 20000 photos within a month plus 5.8k Prores videos every day. Autofocus should be improved but in general it worked great. 5

Jack	04/09/2024
[0 to 18 EV] I've had this for a few months now, changed over from a Sony A7-iii. The 10-bit video depth alone is a huge upgrade. I can actually color grade things easily now, V-log gets a very natural look quickly. It can tilt a touch red/ magenta at times. Rigged up in a cage with some manual lenses, I can produce some gorgeous cinematic video. I can't speak to the autofocus because I only shoot with manual lenses. You can use shutter angle, which is super convenient. There are a lot of well-thought out features for video, which is why I took the plunge. I'm happy I did. I LOVE that it can record straight out to an SSD. That feature alone saves you hundreds of dollars and makes editing so much easier. Although it's definitely a video-centric camera, it's solid for photography too! I use it with a flash, indoor / outdoor and it always looks lovely. There are some nice in-built color profiles for photos, and with some raw editing you can get anything you might want. 5

Ruben	01/09/2024
[Stills & Video] My first full frame mirrorless and I couldn’t be happier. 5

Benoît	21/08/2024
[Yes] Owner of a Leica SL2, Leica S Apo Asph f2 fix lenses, and the Lumix Leica certified pro zooms. I use the Leica/Lumix SL system for my most advanced pro. work (architecture, landscape, social events). The black lettering is helpful for me to avoid equipment questioning during social events (I know who would have guessed!). The new Lumix S5II, is a great 2nd body for me. Super light and compact (compared to the Leica SL2), fully compatible with the state-of-the art Leica S lenses. I use the new handheld 100 Megapixel multi shot super high resolution mode: no tripod, no noise, high resolution, and you get a huge raw file ready to handle in Lightroom when necessary. The new AF is excellent and so fast! As usual Lumix buttons and interface are almost perfect (I do prefer the Leica interface, though). The LUMIX app is also working just fine with geotagging, exporting files to your phone, and wireless shooting (iPhone 15 Pro). Thumbs up for Pana/Lumix engineers! Keep up the good work. 5

Jacob	15/08/2024
[L-Mount] The Lumix S5 IIX is a fantastic camera for videography and low-light shooting. It really does great in capturing high-quality footage in challenging lighting conditions, thanks to its excellent low-light performance and dynamic range. The camera offers impressive 4K - 6k video recording with a variety of codex from SD cards to SSD's, the autofocus system is fast and accurate only once you learn how to work the focus modes. While it may not be the top choose for still photography being a Panasonic it's a top-notch option for professionals and video enthusiasts who prioritize video quality and low-light performance. DON'T SLEEP ON THE S5II 5

Jose	15/08/2024
[1x Hot Shoe ] This is a beast of camera for the money, I been using Sony for years and never really even consider to try another brand until now. The Autofocus, Stabilization on the sensor with the colors and the variety of codecs this is going to be a great addition to my team. 5

Robert	13/08/2024
[2.65 lb] I moved from Fuji XT5 and have no regrets. The camera is awesome for the LUTs and quick decent AF detection. The only downsize I didn’t like is their lens being a bit larger than other markets lens. But the colors for the lens are something cool from LUMIX 5

Justin	05/08/2024
[1/250 Second] I've had it for about a month and I already love my S5iiX. The autofocus is fantastic, the IBIS is incredible for a full frame camera, and the image quality is top notch. There is no role this camera cannot fill. It has the IBIS and small form factor to perform well as a handheld run and gun camera. It has the image quality and features to shine in a more traditional, lockdown-on-a-tripod role. And it has the high-end codecs to function as a cinema camera. In short, it does everything I could ask and I cannot recommend this camera enough. 5

William	04/08/2024
[Yes] This new S5iiX is perhaps the best value of any camera on the market. The images and color are gorgeous, and color science is excellent. So much so I sold my Canon C70. The S5iiX is much more versatile and useful. Panasonic has outdone themselves in creating a camera that is so convenient to shoot video there's nothing quite like it. All the cinematic tools you need are at your finger tips; tools the other companies that make hybrid cameras refuse to include: wave form, C4k, shutter angle, and much much more, even false color with one of the ten possible LUTS you can store, Plus the Panasonic V-log is wonderful to grade, with a wide variety of LUTs to choose from. AF is now excellent, though Sony and Canon are perhaps marginally better...but Panasonic if famous for upgrades. I've always loved the look and ergonomics of Panasonic cameras. They are perhaps the only truly video oriented hybrid camera makers. The GH5 was revolutionary in its time and is still excellent. the S1H was ground breaking, but the S5ii X has knocked it out of the park with the bases loaded. Truly cinematic video features at your fingertips, excellent AF, a wide and growing number of excellent affordable lenses with microscopic focus breathing, state of the art stabilization, making hand held shooting a joy, 15 stops of dynamic range in full frame, NLE editing like butter with Pro Res, easy to grade V-log, tons of buttons that can be easily assigned, and much much more. Thank you Panasonic for making such a fantastic, easy to use camera. You've set the industry standard. Once you shoot with the Panasonic S5ii X, see how easy it is and how special the images out of the camera are you'll be hooked. I only wish I could give the camera and extra star in thanks to Panasonic 5

Hyatt Regency	18/07/2024
[-6 to +18 EV] Absolutely love so many things about this camera: stabilization, low light performance, full frame, 6k open gate, L mount, blacked out style, ability to record a huge variety of codecs for different situations... this camera is a real winner! 5