Universal Audio Sphere Lx Microphone | Modeling Mic
- Product Code: eq120489
-
The Universal Audio Sphere LX Microphone | Modeling Miccombines a large-diaphragm condenser microphone with the Sphere LX plug-in to accurately model 20 of the most sought-after vintage microphones, including Neumann, Telefunken, AKG, and more. Auditioning and switching between mics during a session can be tedious, but thanks to the plug-in, you can change mic type, polar pattern, reduce bleed, room coloration, and even adjust the proximity effect—either during or after tracking vocals, acoustic and electric guitars, stringed and wind instruments, percussion, room sound, and more.
The Sphere LX is a dual-capsule microphone with dual outputs, custom-designed to capture the three-dimensional soundfield with exacting detail—including the directional and distance information otherwise lost with a conventional single-channel microphone. Remarkably rugged, the mic can handle in excess of 145 dB SPL before clipping and won't be damaged by high SPLs or air blasts as some vintage microphones can be. It also has a self-noise level of 10 dB-A SPL, well below most vintage microphones and comparable to many of the best modern microphones. Two XLR mic preamp inputs are needed to operate the mic with the plug-in, as all mic-modeling and other advanced DSP features occur in the Sphere LX software. Note that the mic can also be used as a standard condenser mic (no modeling) with only one XLR mic preamp required.
General Studio Use, Vocals, Instruments 20 Emulations of Classic Mics Sphere LX Plug-In Multiple Polar Patterns via Plug-In Large-Diaphragm Condenser Mic Off-Axis Correction to Attenuate Bleed Swivel Mount, Hard Case AU/UAD/AAX/VST2/VST3, Mac/Windows
Key Specs | |
---|---|
Microphone Type | Large Diaphragm |
Polar Pattern | Cardioid / Figure-8 / Hypercardioid / Omnidirectional / Subcardioid/Wide Cardioid |
Element Type | 2x Condenser |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 145 dB (1% THD) |
Analog Output | 1x XLR 5-Pin Male |
USB/Digital Output | No |
Power Sources | Phantom Power |
Microphone | |
Microphone Type | Large Diaphragm |
Polar Pattern | Cardioid / Figure-8 / Hypercardioid / Omnidirectional / Subcardioid/Wide Cardioid |
Element Type | 2x Condenser |
Sound Field | Mono |
Diaphragm | 1" / 25.4 mm |
Orientation | Side Address |
Controls | Polar Pattern |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 145 dB (1% THD) |
Dynamic Range | 135 dB |
Connectivity | |
Analog Output | 1x XLR 5-Pin Male |
USB/Digital Output | No |
Cable Length | 10' / 3 m |
Digital Audio | |
Digital Signal Processing & FX | Mic Modeling |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V (Phantom Power) |
Physical | |
Color | Black |
Mounting Thread Size | 5/8"-27 Female |
Dimensions | ø: 2 x L: 7.7" / ø: 5.1 x L: 19.6 cm |
Weight | 1.2 lb / 0.5 kg |
Packaging Info | |
Package Weight | 4.305 lb |
Box Dimensions (LxWxH) | 11.7 x 9 x 4.2" |
- The Sphere plug-in gives you access to 20 of the most prized ribbon, condenser, and dynamic microphones ever made.
- Get the sound of a classic 47 (with VF14 tube), 67, M49, C12, and 800 to name a few.
- The Sphere LX plug-in (free download available separately) allows the user to change the mic type and polar pattern even after tracking.
- Pairing the software with the Apollo audio interface greatly simplifies the process of matching the two mic-preamps required for the plug-in to work.
- Adjustable proximity effect: eliminates the need to move a microphone solely because of too little or too much bass due to proximity effect—great for punching in a vocal where distance from the mic varies from take to take.
- Off-axis correction: create more accurate polar patterns to reduce bleed, room coloration, and susceptibility to feedback before or after tracking.
- Sphere supports a wide range of plug-in formats, including UAD, AAX DSP, AAX Native, VST2, VST3, and Audio Units on Mac and Windows.
- Blend the sound of two mono mics with Sphere LX's Dual Mode and get rich-sounding mic combinations on snare drums and guitar cabs.
The Polar control lets you adjust the pickup pattern of the mic model, with the additional advantage of being able to select intermediate polar patterns that the original mic did not have. For microphones with a single pattern, the pattern control is fixed to that pattern.
Available patterns:
- Omni, Sub-Omni
- Wide-Cardioid, Subcardioid, Cardioid
- Supercardioid, Hypercardioid
- Sub-8, Figure-8
- With Universal Audio Apollo interfaces (available separately), you can achieve extremely low latency (approx. 1.6ms round trip at 96 kHz) for seamless real-time performance.
- The AAX DSP format allows for low-latency performance on Avid HDX systems.
- The IsoSphere function in the Sphere LX plug-in optimizes how the Sphere LX microphone works together with commonly available isolation devices—such as the sE Reflexion Filters, Aston Halo, Kaotica Eyeball, and even vocal booths.
- IsoSphere enhances off-axis behavior for maximum rejection and modifies frequency response to compensate for unwanted coloration, leading to even better-sounding recordings.
- With dual, gold-sputtered diaphragms, the Sphere LX outfits your studio with a premium, large-diaphragm condenser microphone, precision-built to deliver years of inspiration for your recordings and music productions.
Related Questions and Answers
Q: 1. Hi, I already own an Apollo and have most of the 25 plugins included. So, can I trade for a different set of plugins?
A: No its only what UA offers on there site with the Apollo , If you want some other then what they offer with the bundle, then that would cost you additional thru Universal Audio's website
Q: 2. I bought this to use with my headphones to watch my non Bluetooth television. Was working great and then just stopped. trying to resend, but it won't turn red despite it being unplugged for many days. HELP?
A: Try resetting the ABC01F, then make sure you are in TX mode and not RX mode. Contact support@aluratek.com for further assistance.
Q: 3. Does this work on pc?
A: The 4-710D will not have a direct computer connection. Connection to a computer will require additional hardware such as a multi-channel audio interface. http://bhpho.to/1NPyu44
Q: 4. es compatible con studio one?
A: El B&H # SLSDVMSVMS1K si es compatible con Studio One, por medio de un interfaz de audio.
Q: 5. Looking to use interface for phone interviews for radio broadcast and recording. I notice the XLR port is not standard...will this call for an adapter or different cable?
A: Hi. I have one of these units. May I ask, what you mean by not standard? What connector do you need? There is a 3 pin female XLR for audio into the unit and a 3 pin male XLR for audio out of the unit. They are below the keypad.
Q: 6. Can this pair with the Aluratek iStream receiver? (B&H # ALAIS01F MFR # AIS01F)
A: Yes the Aluratek ALAIS01F & ALABT01F are compatible with each other.
Q: 7. Does the Aluratek ABT01F Bluetooth transmitter paired with Bluetooth headphones add a noticeable audio delay when used with a TV?
A: Discernible but still usable. Not critical.
Q: 8. What is the power draw of this mic?
A: Like most large diaphragm condenser microphones, the Universal Audio Sphere DLX operates on 48v (at 5 mA).
Q: 9. Is the plate compatible with Really Right Stuff ball head clamp?
A: The ProMediaGear PBX3 and our Custom Bracket Plates are Arca Compatible and work with RRS and similar Arca Type Heads / Clamps.
Q: 10. Are these wireless?
A: No, the headphones that are included with the Steven Slate Audio VSX Modeling Headphones Essentials Edition system are wired. The included software enables the user to monitor in a variety of acoustically treated environments with an immersive 3D experience that removes mix issues caused by poor room acoustics and limited speaker selection. The VSX offers producers and mixers the ability to produce and mix in virtual models of precisely tuned listening environments, including famous pro mixing and mastering studios. Wireless headphones are typically not used for mixing.
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