Built for DJs, drummers, producers, and soundtrack composers, Ujam Beatmaker 2 DOPE is a software instrument doubling as your personal real-time drum-track creator for producing authentic-sounding electronic hits, beats, and grooves for Boom Bap, Hip-hop, and Rap styles. Beatmakers DOPE offers 10 separate drum kits, each professionally layered, compiled, and mixed to create the instantly recognizable sonic identity associated with the genre. Choose from over 50 different styles containing 1180 different rhythmical phrases for instant song intros, fills, verses, choruses, breakdowns, and endings—all waiting to be fired off and arranged using your MIDI controller in real time.

Select one of the 12 Mix settings and boost the intensity of your beat using the Amount knob. The Vinyl Drive function simulates retro turntable noise and compression to add that retro dirt and punch we all love so much. Optimized for live arrangement and mixing, Beatmaker DOPE takes advantage of Ujam's simple yet powerful macro controls, allowing for dynamic and tonal tweaking on the fly.

For DJs, Drummers, Producers    Boom Bap, Hip Hop, Rap Grooves    10 Layered and Mixed Drum Kits    50 Styles, 1180 Rhythmical Phrases    Phrase Drag-and-Drop into DAW    Special Control: Vinyl Drive    12 Mix Presets with Beat Intensity    Individual Audio Outputs    Mac/Windows, VST 2/3, AU, AAX

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for EDM, big room, and rave production.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• Vinyl Drive simulates retro turntable noise and compression to add retro dirt and punch.

• The Master section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
• It offers one-knob saturation, a loudness maximizer, an ambience selector, a sweep for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums faster and easier for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 50 different styles containing 1180 different rhythmical phrases for instant song intros, fills, verses, choruses, breakdowns, and endings
• 10 drum kits 
• 12 mix presets with Beat Intensity
• Special control: Vinyl Drive
• Master section for sound processing phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

Related Questions and Answers

Q: 1. Is this manual aperture

A: No, the aperture on the ZEISS Milvus 50mm f/1.4 ZE Lens for Canon EF is controlled from the Canon camera body.

Q: 2. Does the new lens comes in sealed box/s? Where is the seal located on the boxes? if any. Thanks so much.

A: The ZEISS Otus 100mm f/1.4 ZF.2 Lens for Nikon F is sold in the manufacturer's packaging, exactly as we receive it from Zeiss.

Q: 3. Any body out there has used it with a Nikon Z7 ?

A: This lens would work very well when attached to the Z7 via the FTZ adapter.

Q: 4. Can anyone share their experience using the Zeiss Otus 55mm with a Canon 5DSR?

A: Yes. Works fine. Top end camera, top end lens, top end result. Use tripod, cable release etc. Any more specific question? In case you wonder, Focusingscreen dot com now has the S-type screen available for the 5Ds. Just received the first prototype of the new screen.

Q: 5. Between this and the Milvus 18mm f/2.8, which is sharper?

A: The ZEISS Milvus 21mm f/2.8 ZF.2 Lens for Nikon F and the Milvus 18mm f/2.8 are equally as sharp. The difference is in the focal length.

Q: 6. How many blades does the diaphram have? Are they rounded?

A: The lens has 9-blade circular aperture.

Q: 7. Does this lens feature a new optical design or is it simply a rehousing of the previous version?

A: The Milvus 2/135 ZF.2 lens uses the same optical design as the Apo Sonnar 2/135 and features an improved anti-reflective coating, a weather sealed barrel and a de-clickable aperture.

Q: 8. This focal length is very prone to sagittal coma flare. Does the Otus 28mm resist this? Especially with off axis bright lights?

A: At worst, the flares will look artistic and beautiful ... everything is beautiful through that lens (not kidding !). But yes, stopping the lens down even to 1.8 will likely eliminate it.

Q: 9. Is the focus throw on the 135mm in Nikon mount the same as on their Zeiss Classic predecessor?

A: The angular field of rotation of the focus barrel is 268 degrees for both lenses.

Q: 10. Can I Use this lens with Sony A7models with an special adapter ?

A: The best adapter is this one to use the ZEISS Otus 28mm f/1.4 ZE Lens for Canon EF on a A7 series camera, https://bhpho.to/46wH423. Note the mfr does not list that lens specific but should be find.