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Ujam Beatmaker 2 Berserk Virtual Instrument

Ujam Beatmaker 2 Berserk Virtual Instrument
  • Product Code: eq121306
  • Availability: In Stock

$207.00 $273.24

Built for DJs, drummers, producers, and soundtrack composers, Ujam Beatmaker 2 BERSERK is a software instrument doubling as your personal real-time drum-track creator for producing gritty, moody dubstep beats. Beatmakers BERSERK offers 10 professionally created kits (with 16 drum instruments), each layered, compiled, and mixed to create the instantly recognizable sonic identity associated with the genre. Choose from over 20 Styles with ready-made patterns for a total of 460 different rhythmical patterns with instant song intros, fills, verses, choruses, breakdowns, and endings—all waiting to be fired off and arranged using your MIDI controller in real time.

Select one of the 12 Mix settings and boost the intensity of your beat using the Amount knob. The Squish & Devastate function adds custom compression and distortion for extra intensity. Optimized for live arrangement and mixing, Beatmaker BERSERK takes advantage of Ujam's simple yet powerful macro controls, allowing for dynamic and tonal tweaking on the fly.

For DJs, Drummers, Producers    Gritty, Moody Dubstep Beats    10 Kits with 16 Drum Instruments Each    460 Patterns: 20 Styles with 23 Patterns    Phrase Drag-and-Drop into DAW    Special Control: Squish & Devastate    12 Mix Presets with Beat Intensity    Individual Audio Outputs    Mac/Windows, VST 2/3, AU, AAX

General
Delivery MethodDownload
License TypeStandard
Sound TypeDrums, Loops, Percussion
Supported Plug-In FormatsAAX (Native), AU, VST2, VST3
Standalone OperationNo
System Requirements
OS CompatibilitymacOS 10.15 to 12.5
Windows 10 to 11
Memory Requirement4 GB
Storage Requirement295 MB
CPU RequirementMac:
Intel or 
Apple Silicon and Faster  
Display Resolution Requirement1280 x 768
Internet Connection RequiredYes

  • You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

  • The Mix section features a set of 12 mix presets optimized for hip-hop beat production.
  • Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
  • Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

  • Turn the Squish & Devastate bidirectional slider down towards Squish to use multiband compression and transient design.
  • If you want a rather deformed and electrified sound, turn it up towards Devastate and use multiband distortion to shape the frequencies to your liking.
  • Perfect for distinguishing the vibe between verse and chorus.

  • The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
  • One-knob saturation, a loudness maximizer, an smbience selector, a sweep control for the dual filter, and more.

  • With individual outputs, you can route any instrument or channel from Beatmaker to separate channels in your DAWs mixer.

  • Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you quickly and easily find the right styles and drums for your track.
  • The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

  • 20 styles and 460 patterns with intro, verse, chorus, fill, and ending
  • 10 drum kits with 16 instruments each
  • 12 mix presets with Beat Intensity
  • Special control: Squish & Devastate
  • Master section for sound processing
  • Phrase drag-and-drop into DAW
  • Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
  • Interface is resizable to fit on small screens
  • Player Sync quantizes the Beatmaker player to match the playback of your DAW
  • Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

Related Questions and Answers

Q: 1. Do the camera lens metering and focus indicators work normally when using the FTZ adapter on zf.2 lenses?

A: Yes, the lens and camera will communicate using the FTZ adapter

Q: 2. Are there different versions of this lens with model numbers?

A: The ZEISS Milvus 35mm f/1.4 is produced in two versions, The ZE which utilizes Canon's EF mount and the ZF.2 which utilizes Nikon's F mount. These two versions of the lens have different model numbers which indicate their mount type.

Q: 3. Can the aperture ring be controlled in camera?

A: If you set/lock the lens to its minimum aperture setting on the lens, then yes, you can control the aperture via the control on the camera body.

Q: 4. I love Zeiss lenses & currently own milvus 25mm & APO Sonnar 135mm lenses. I currently have Sigma 85mm Art lens & thinking of buying a Milvus 85mm or Sigma 105mm Art lens & sell 85mm Art later. I shoot portraits using live view, so manual focus is not an issue. From purely optical quality perspective, which lens is the better in terms of bokeh, color, micro contrast, sharpness an subject separation ability?

A: My recommendation is to rent the lens and compare. Many of the attributes you call out are subjective and cannot be measured / compared between brands. The only way to know for sure is a side-by-side comparison using the same camera, lighting and subject matter.

Q: 5. Is this a non-CPU lens?

A: This is a CPU lens, but only for metering and manual focus.

Q: 6. Does this lens have hard stops?

A: Yes the lens does have hard stops and you can use the aperture ring manually if you so choose; however, there is also an option to de-click the aperture ring using a tiny tool that is included with the lens. It is very simple to do. So if you are shooting video or you just prefer to not have hard stops than you can use the lens this way. If you prefer hard stops it can do that too! Best of both worlds

Q: 7. if i were to use the manual focus Zeiss Milvus on a 5D Mark iv, are there replacement focussing screens for the camera?

A: Unfortunately 5d mark iv focusing screen is not user replaceable and we do not carry any options for that camera.

Q: 8. Apertura of the lenses manual?

A: Unfortunately, I am not sure what you are asking based on the phrasing of your inquiry listed above. If you are asking for the aperture of the ZEISS Milvus 18mm f/2.8 ZE Lens for Canon EF, the lens would have a maximum aperture of f/2.8 and a minimum aperture of f/22. If that was not your question, I would have to recommend e-mailing your inquiry to askbh@bhphoto.com and we will attempt to assist you via e-mail.

Q: 9. is this len manual focus?

A: The ZEISS ZF.2 lenses are manual focus, but do provide communication with the camera body via a CPU. This allows for the use of various functions, including the exposure meter, various exposure modes, transfer of meta data and focus confirmation. You can learn more at: a href= http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/manual_focusing.html target= _blank http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/manual_focusing.html/a anda href= http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/camera_mounts/zf2_lenses.html target= _blank http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/camera_mounts/zf2_lenses.html/a

Q: 10. Sony?

A: Yes. the following unit will mount but an adapter must be set in its place. Please review the following items. https://bhpho.to/3vUanM0

08/09/2024

[Standard] This program was a long time coming. I had been an owner of one of the original mid 1960s Compact Combos for many years, until things started to break down. And of course, next to impossible to find parts. Or people that are able and willing to repair them. Some of the modern keyboards do have some of the Farfisa sounds, but in reality, only a small amount of them(like maybe 2 or 3 of them). In reality, there is more of a diverse amount of tones that the Farfisa produced. Even resorted to buying one of the Electro-Harmonix C9 organ emulator pedals, but that still wasn't enough of these particular kinds of tone for me. Then Arturia started coming out with these new virtual instrument programs. The dealers that I normally buy from carried the similar type of Vox Continental program(which would have probably worked fine, and would have settled for it) but knowing that the Farfisa program was also being made, I had to search to see who carried it. No regrets here. All the sounds that I was familiar with, and where they were situated on the virtual keyboard screen. What was interesting that they had the option of effects pedals in this program......and I would always run my Farfisa through a Phase Shifter and/or a Flanger when I had it. Also learned a few things that I did not know about my original instrument. There used to be this one controller that stuck out of the bottom, that you controlled with your knee. When I bought my original Farfisa(used, back in the mid-70s), that knee controller was missing, and it was something I never noticed. So, a bit more historical and technical information on the instrument you played regularly---but didn't know about. It's easy to get a keyboard that has the piano, Rhodes, and Hammond sounds, to name a few......but nobody seemed to get the Farfisa sounds right. Until now. Great timing, on the part of Arturia!

5
07/09/2024

[295 MB ] Works well standalone, and also integrates with Omnisphere quite well (nice to have a bunch of new patches for this integration for immediate use). Fantastic acoustic / electric pianos and it's great to have all of the vintage and rate mechanical / bell / tine keys for unique sounds.

5
07/09/2024

[295 MB ] I'm just getting to know the program, and haven't had enough time with it, but the sound samples are fantastic - just what I was looking for.

5
24/08/2024

[Download] The depth of the sounds in this virtual instrument is staggering. It's like going from an SD TV to an OLED 8k HDTV. Very pleased with my purchase especially from B&H. Super fast shipping and the best price I could find online anywhere. Cheers! W. Oliver

5
12/08/2024

[295 MB ] Nothing said on YouTube is false or misleading. If you already have a keybed you love to play, just buy the sounds here and record or jam out with them.

5
08/08/2024

[1280 x 768] It's worth it for the stunning acoustic and electric pianos alone (each of which would cost far more than this entire collection), but it's really nice for producers to have even more unique sounds of rare and exotic instruments (with bells, tines, and plucked sounds), all with great FX. And as if that's not enough, those of us with Spectrasonics Omnisphere enjoy the integration into that VST with a horde of already crafted patches that meld the two.

5
28/05/2024

[1280 x 768] Product was ready as promised in a timely fashion. When I went to pick it up it was delivered within a few minutes with a smile. Great experience all the way around with B&H !

5
15/05/2024

[295 MB ] I've been waiting for a while to buy this addition to my Spectrasonics collection and must say this is worth the purchase...the sounds are so great that I'll practice playing the piano and adding it to my productions.

5
13/05/2024

[4 GB] I own many piano libraries as well as a real Steinway B so I was not expecting Keyscape to be as good as it is. I have not had time to explore much beyond the Rhodes and Yamaha C7 sounds but those are excellent and have easily replaced other libraries for me. The sounds work very well in my mixes. It does take a fairly hefty computer with an SSD, however, to run.

5

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