Art Tubemix 5-channel Mixer With Tube And Usb
- Product Code: eq124189
-
Record podcasts, capture your latest ideas for a song, make voiceovers for your home movies, or record a jam with a friend, all while adding tube warmth to your sound with the ART TubeMix 5-Channel Mixer with Assignable Tube and USB Interface. This compact and versatile mixer/audio interface supports two XLR mic inputs, one Hi-Z 1/4" instrument input with built-in amplifier simulation, two line inputs, and a stereo aux input, simultaneously.
The built-in 12AX7 tube can be assigned to act as a dual-channel tube mic preamp or stacked and applied to the instrument input for added warmth and tone with guitar or bass. Authentic VU meters and wood side panels add to the great vintage look and feel of the TubeMix.
Home Studio Recording, Podcasting Assignable 12AX7 Tube 2 Mic XLR Preamps/1/4" Line Inputs 1/4" Hi-Z Input, Built-In Amp Simulation 1/4" Stereo Line Inputs 1/4" Stereo Aux Send Jack & Return Jack Stereo Main Out, Stereo Control Room Out Flexible Monitoring Section 16-Bit / 44.1 or 48 kHz AD/DA Converter Authentic VU Meters, Wood Side Panels
Key Specs | |
---|---|
Number of Analog Input Channels | 5 (3 Mono / 1 Stereo) |
Number of Mic Preamps | 2 |
Analog Output Channels | 1x Stereo Master Output 1x Stereo Control Room/Monitor Output 1x Stereo Aux Send Output 1x Stereo Headphone Output |
Mix Routing | Stereo Aux Send per Input Channel |
EQ | 3-Band Parametric (Mono Channels) |
Built-In Effects | Amp Simulator |
USB I/O | USB-B 2.0 (I/O) |
Rack Mountable | No |
Mixer | |
Max I/O Capacity | 5x Input / 4x Output |
Number of Analog Input Channels | 5 (3 Mono / 1 Stereo) |
Number of Mic Preamps | 2 |
Analog Output Channels | 1x Stereo Master Output 1x Stereo Control Room/Monitor Output 1x Stereo Aux Send Output 1x Stereo Headphone Output |
Mix Routing | Stereo Aux Send per Input Channel |
Faders & Level Adjustment | 4x Channel Knob |
Meters | Main Meter: 2x VU |
Signal Processing | |
Gain/Trim Range | XLR Mic Input: 0 dB to 43 dB 1/4" Line Input: -7 dB 33 dB 1/4" Hi-Z Input: -12 dB 26 dB |
EQ | 3-Band Parametric (Mono Channels) |
EQ Parameters | High: ±15 dB at 12 kHz Mid: ±15 dB at 2.5 kHz Low: ±15 dB at 80 Hz |
Graphic EQ | No |
Solo/Mute | No |
Built-In Effects | Amp Simulator |
Digital Audio | |
Sample Rates | 44.1 / 48 kHz |
Bit Depth | 16-Bit |
Performance | |
Frequency Response | 20 Hz to 100 kHz |
Max Input Level | XLR Mic Input: +9 dBu 1/4" TRS Line Input: +20 dBu 1/4" TS Hi-Z Input: +16 dBu 1/4" TRS Aux Return: +24 dBu (Unbalanced) |
Headphone Output Power | 100 mW per Channel into 300 Ohms 50 mW per Channel into 32 Ohms |
I/O Impedance | Input: 3.5 Kilohms (Balanced, XLR Microphone) 10 Kilohms (1/4" Line) 1 Megohm (Unbalanced, 1/4" Hi-Z) 10 Kilohms (Unbalanced, 1/4" Stereo Line) Output: 150 Ohms (Balanced, 1/4" Main and Control Room) 100 Ohms (Unbalanced, 1/4" Main and Control Room) 150 Ohms (Unbalanced, 1/4" Aux) 100 Ohms (Unbalanced, Headphones) |
Connectivity | |
Analog Inputs | 2x XLR 3-Pin Balanced Mic Input 4x 1/4" Balanced/Unbalanced Line Input 1x 1/4" Unbalanced Hi-Z Input 1x 1/4" Stereo Aux Input |
Analog Outputs | 2x 1/4" Balanced/Unbalanced Main Output 2x 1/4" Balanced/Unbalanced Control Room Output 1x 1/4" Stereo Aux Output 1x 1/4" Headphone Output |
Phantom Power | +48 V, Selectable On/Off (Selectable on Individual Inputs) |
Digital I/O | No |
MIDI I/O | No |
USB I/O | USB-B 2.0 (I/O) |
USB I/O Capacity | 2x Input / 2x Output |
Compatibility | |
OS Compatibility | macOS / Windows / Linux |
OS Compatibility | macOS Windows Linux |
Power | |
DC Input Power | 18 VDC at 1000mA |
Physical | |
Rack Mountable | No |
Dimensions | 7.8 x 3.3 x 10.4" / 19.8 x 8.4 x 26.4 cm |
Weight | 5.5 lb / 2.5 kg |
Packaging Info | |
Package Weight | 6.41 lb |
Box Dimensions (LxWxH) | 15.3 x 10.4 x 5.5" |
- 2 wide-dynamic-range low-noise XLR mic-preamp channels
- Dedicated Hi-Z instrument input with switchable amp simulator DSP
- Stereo line input
- Integrated 12AX7 tube can be applied to either microphone or instrument inputs
- All input channels full featured with 3-band EQ, two aux sends, pan, and level controls
- Select inputs include input trim control and clip indicators for optimum level setting
- Switchable low-noise +48V phantom power for condenser microphones
- 2 prefader aux sends per input channel for live monitor mixes, effects, or recording
- Versatile output section allows separate stereo monitor mix on the main bus while recording via aux bus, or vice versa
- Switchable assignment of USB playback to Main or Control Room output
- Precise VU meters and wide-range LED meters with selectable source
- Flexible control-room / monitor section
- Stereo 1/4" TRS headphone jack
- USB-B 2x2 audio interface: 16-bit / 48 kHz AD/DA converter
- USB 2.0 compliant
- No special drivers needed with most modern versions of Windows, macOS, and Linux
Related Questions and Answers
Q: 1. Can I connect the balanced aux out of the T4S to a device with an unbalanced input? What cable should I use - TRS or TS?
A: The aux output of the Bose T4S ToneMatch 4-Channel Audio Mixer and USB Interface accepts 1/4" TRS or TS cables. If you are connecting to an unbalanced TS input, you can use a1/4" TS cable.
Q: 2. What are the power requirements...where I live it’s 230v-60Hz....?
A: The Bose T4S is powered through the included ToneMatch cable which connects to a Bose L1 or F1 system for digital audio and power. It does not use an external power supply.
Q: 3. Are the 8 input channels Stereo?
A: No, they are mono microphone inputs.
Q: 4. Can you use a regular cat5 cable for the audio engine cable? Also, What is the longest length recommended.
A: Hi, Harold. Thank you for your question. You can use a CAT-5 or CAT-6 cable in place of the ToneMatch cable. This is suitable for connecting a T4S to an L1 Model II or L1 Model 1S. Fifty feet is the recommended maximum. If you have more questions like this, please visit our Bose Portable PA Community. https://www.bosepro.community/g/portable Thank you.
Q: 5. How do the preamps with gain cranked up compare to other popular USB mixers at this price point? IE, vs Mackie (non-Onyx) and Behringer Q802.
A: These pre-amps will be in line with the quality that of a Behringer Xenyx mixer. These pre's would pair better with more sensitive signals requiring less gain to avoid noise.
Q: 6. For "Bose T8S ToneMatch 8-channel audio mixer", can the USB interface send all 8 channels to the computer?
A: Yes. The Bose T8S ToneMatch 8-Channel Audio Mixer and USB Interface has a USB Type-B port which can be used for connection to a computer as a general-purpose USB audio device for recording and playback. It can also be used to download performance scenes to a computer as well as to install system updates.
Q: 7. Could the Bose T4S ToneMatch Mixer control two different Bose L1 model 2 at the same time?
A: The Bose T4s does have connection available for two L1 speakers, so you can use them for left and right. Here is the extra cable you can use, for a second speaker: https://www.bhphotovideo.com/c/product/744793-REG/Bose_42536_T1_ToneMatch_Audio_Engine.html
Q: 8. Can this with the an ATEM MINI PRO ISO? If so, how do I connect it?
A: The Yamaha AG03MK2 3-Channel Mixer & USB Audio Interface (Black) could be connected to an ATEM MINI PRO ISO using an RCA to 3.5mm cable such as B&H # KOSMYCM2RM06.
Q: 9. When recording as an usb interface, does it give use of all channels or just two?
A: This device can function as a 2 channel usb interface to the computer. In the settings you can specify which sound sources you'd like to send to the pc.
Q: 10. What are the pros and cons of using a shielded cat5e/6 for the audio engine connection?
A: Hi Harold! Thank you for your question. Shielded cables are more effective for blocking interference in comparison to unshielded, so installing high-quality shielded cables will help to ensure high speed performance. However, I would recommend contacting Technical Support for your region - they will be more than happy to look further into this query for you. They will be able to advise you on the best option for your particular situation.
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