Seasoned engineers and producers looking to record critical signals, where it is essential to retain all the individual character and emotion while offering a natural, transparent control will be thrilled with the Heritage Audio TUBESESSOR, an optical tube compressor with the sweetest, warmest, and most natural dynamic control possible. The compressor utilizes premium components, custom input/output transformers, and high-quality tubes to ensure a clarity, depth, and headroom previously unheard of.

Optical Compression Detection    All Tube-Based Amplification Stage    Transformer Balanced Input & Output    Tube Saturation Section    Large Friendly Interface    Extensive Attack & Release Control    5 Built-In Sidechain Filtering Options    Huge Informative VU Meter    Built Like a Tank

• Heritage Audio's take on the unobtainable classic, blue-faced optical tube compressor.
• Innovative Tube Saturation section for added creative tonal possibilities.
• Heritage Audio's famous internal sidechain section with 5 selectable options.
• Continuously adjustable Attack & Release controls with 3 different operating modes to guarantee absolute control over the signal.
• Large, friendly control surface with huge multifunction VU.
• High-quality components and tubes in all tube-based amplification stage.
• Custom transformers for fully transformer-balanced Input & Output.

There are 4 available settings including Classic, Mild, Medium, and Hot. Classic has no saturation, while Hot provides a heavily treated signal with tons of attitude. This feature alone opens up a ton of possibilities for drums and other

instruments, vastly expanding the TUBESESSOR´s uses by gradually increasing the mojo and vibe. And thanks to Heritage Audio's unique design and elevated internal voltage, a solid output stage is guaranteed all while allowing much higher headroom than other tube compressors, whether vintage or modern.

There are five internal sidechain settings to choose from. This is the exact same filter section that helped the SUCCESSOR obtain its legendary status. Two of the options make sure the compressor is not being unfairly overpowered by lower frequencies and the other three are frequency specific options for extra creativity.

Continuously adjustable Attack and Release controls in addition to a FIXED mode and a combination of the two will provide all the necessary settings possible, allowing you to mold your signal exactly as you´d like. An attractive, oversized custom VU meter for monitoring either Input, Output, or Gain Reduction guarantees you´ll always be informed with a clear reading of exactly what is happening. Everything you could require to achieve a top-notch professional recording.

Related Questions and Answers

Q: 1. $22,000 is a deep investment. Why is it better than the rest? And how close can it view the surface of the moon or other celestial bodies

A: It is a unique item with the best accessories on the market. The astroimaging camera alone is over $4,000. It still requires a mount and tripod.

Q: 2. What type of adaptor should i buy to fit with Canon r6 markII (RF-mount)?

A: The Tele Vue 60 2.4"/60mm Refractor would need a combination of these accessories in order to attach a Canon RF mount camera: https://bhpho.to/3jCjOKt plus https://bhpho.to/3JROjqV

Q: 3. Would the Celestron focal reducer work well with this scope, or does Vixen make one of their own that would?

A: Yes you can use the Celestron f/6.3 Reducer/Corrector for this Optical Tube. Website link: http://bhpho.to/1JT4a4N Also there is the Vixen Optics 0.62x Focal Reducer for the VMC200L & VMC260L Telescopes, which will be compatible too. Website link: http://bhpho.to/1JWik5n

Q: 4. Can I use my Meade LX85 German Equatorial mount & tripod with this OTA?

A: Yes, you can.

Q: 5. Will the Digiface work as USB class-compliant audio interface for Akai Force with firmware 3.1?

A: The Akai Force USB ports are for using USB drives for loading samples. You can also use the included cable to use the Akai Force as an audio interface for your computer. The Akai Force does not have ADAT I/O for compatibility with the RME Digiface. The RME Digiface would require a USB power source if you wanted to be able to run it without a computer.

Q: 6. Is this backwards compatible with USB 3.0/2.0?

A: comes with standard usb yes

Q: 7. Is the USB type that connects to the computer end a Type C as well or is it a Type A?

A: System requirement from https://help.uaudio.com/hc/en-us/articles/360047404851-Apollo-Solo-USB-System-Requirements : PC with available built-in* USB 3 SuperSpeed (Type-A or Type-C port)

Q: 8. Can it work with mac computers?

A: B&H # UNAPLSHE is the Universal Audio Apollo Solo Heritage Edition Desktop 2x4 Thunderbolt 3 Audio Interface that is compatible with Mac computers. B&H # UNAPLSUHE is the Universal Audio Apollo Solo USB Heritage Edition Desktop 2x4 USB Type-C Audio Interface for Windows.

Q: 9. How are the telescope focal length (1950 mm) and focal ratio (9.75) defined? Focal length is the distance from the focus to what? Focal ratio is the ratio of what to what?

A: Focal length is the distance (given in millimeters) between the telescope's primary lens or mirror and the point where the light rays come together in focus. The focal ratio is the focal length divided by the lens diameter. For the Vixen Optics VMC200L, that would be 1950 divided by 200 = 9.75.

Q: 10. Will Vixen Optics Porta II Tall+ Alt-Azimuth Mount work with this scope?

A: Yes it is compatible.