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Schoeps Mk 2h Microphone Capsule Matched Trio Matte Gray

Schoeps Mk 2h Microphone Capsule Matched Trio Matte Gray
  • Product Code: eq125141
  • Availability: In Stock

$8,178.00 $11,285.64

Part of the Colette modular microphone system, the matte gray Schoeps MK 2H Microphone Capsule Matched Trio Matte Grayis an omnidirectional microphone capsule compatible with all Colette amplifiers. This product contains three, matched MK 2H capsules that can be mounted on a Decca tree microphone array, most commonly used for orchestral recording.

The MK 2H capsule's mild, high-frequency-response elevation above 6 kHz (at 0°) compensates for high-frequency losses caused by a slightly increased, diffuse field amount at medium recording distances. Often described as balanced and round, the MK 2H is ideal for A/B stereophony and Decca Tree—together with the optional KA 40 sphere accessory.

For Decca Tree Configuration    Three Matched Capsules    Omnidirectional Polar Pattern    Compatible with Colette Amplifiers

General
CompatibilitySchoeps Colette Microphone Amplifiers
Polar PatternOmnidirectional
Frequency Response20 Hz to 26 kHz
20 Hz to 42 kHz with CMC 6 Amplifier
Sensitivity-35.5 dB (V/Pa), 17 mV/Pa
Equivalent Noise Level10 dB (A-Weighted)
22 dB (CCIR)
SNR84 dB (A-Weighted)
Maximum Sound Pressure Level (SPL)130 dB-SPL with CMC 6
134 dB-SPL with CMC 1
THD< 0.5 %
Physical
Mounting1x Screw
ColorMatte Gray
Dimensions0.9" / 22 mm (Length)
0.8" / 20 mm (Diameter)
Weight0.6 oz / 17 g
Packaging Info
Package Weight0.7 lb
Box Dimensions (LxWxH)8.1 x 4.4 x 1.7"

  • The MK 2H is ideal for natural-sounding pickup of instruments and orchestras in spaces with well-balanced reverberance. When this microphone capsule is used indoors at medium recording distances (i.e. where direct sound energy is similar in amount to reflected sound energy), its overall response will be linear. Its extended frequency response and low noise make it appropriate for the most demanding applications.

Related Questions and Answers

Q: 1. ambisonic output?

A: The VRH-8 is designed specifically for use with Zoom's H8 handy recorder and allows you to capture detailed 3-dimensional audio for virtual reality.

Q: 2. Is it compatible with the F8 or F8N?

A: Currently, this is only compatible with the H8 recorder.

Q: 3. Is the zoom VRH-8 ambisonic microphone compatible with the zoom H-6?

A: No, it is not.

Q: 4. Does this have a BINAURAL MODE like the H3-VR?

A: Yes. According to Zoom representative Mike, the VRH-8 will have a binaural mode, as the He does. Mike says that they do NOT have a delivery date for the VRH-8, as of yet, though they are hoping to have it by Oct 1.

Q: 5. will be compatible with Zoom ECM-6 ?

A: The Zoom ECM-6 Extension Cable is compatible for use with the H8 Handy Recorder. It should also work to connect the XAH-8 X/Y-AB Microphone Capsule to the H8.

Q: 6. What is the ideal and maximum recommended talking distance from the zoom VRH8 capsule

A: The idea and maximum will vary depending on the environment in which the Zoom VRH-8 Ambisonic Microphone Capsule is being used, as well as the volume level of the person who is talking. The microphone can be placed a few feet away from the person who is speaking and it will pick up clear audio. To determine the ideal and maximum distance for mic placement with your specific application, do some experimenting and listen through headphones so you can where the mic sounds best and provides the highest quality audio.

Q: 7. What are the main difference between this model and XY Capsule included with the H8 recorder?

A: This module allows you to customize the stereo width, versus a fixed 90 degree or 120 degree pickup of the other capsule.

Q: 8. Can this be used on the H6 Recorder?

A: As part of the Zoom Capsule 2.0 series, this microphone is made to work wit the Zoom H8 only.

Q: 9. No specs on this mic? Seems like same 90 and 120 degrees as the existing XY capsule, what's really different other than appearance?

A: This mic is a re-design and improvements include better sensitivity and noise floor spec.

Q: 10. which windjammer/deadcat do you recommend to fit on this capsule (both when set in XY and AB)?

A: You can use BH #AUWRFH4N for that.

05/08/2024

[Omnidirectional] They're Schoeps so there's little to say about that. I've used this stereo set in a variety of ways. From recording choirs to field recording train stations and dance rehearsals. They're crystal clear and capture sound exactly as you hear it. It's incredible how compact they are. The preamps are compatible with other Schoeps Colette capsules so there's a lot of modularity you can get with this set.


You're making a big investment with this stereo set and you get what you pay for.

5
09/07/2024

[0.7 lb] Schoeps says that there's no discernible difference in sound quality, but when I heard this one, I put my CMC6 up for sale immediately.

The higher SPLs do make a difference; and to my ear the CMC1 has a more clean and transparent sound to it. I know that sounds lame, but it's hard to describe. This CMC1 is amazing.

HIGHLY recommended.

5
16/06/2024

[0.7 lb] While it took 11 weeks for them to arrive (due to Covid), I am very pleased to have this matched pair. They are great as a main pickup or for spot mic'ing. When neither a cardioid or an omni capsule will do, this is the perfect choice.

5
01/06/2024

[Matte Gray] Can never fault these microphones, but wish the case had cut outs for the included clips included like the standard stereo set does.

5
29/05/2024

[Omnidirectional] The new CMC1 is great, super small, awesome for gigs. I have it for only 2 weeks, but the few times I used I was very happy!

5
02/05/2024

[0.7 lb] MK22 cartridges are halfway between the MK21 Wide Cardioid and the MK4 Cardioid - fairly directional but with extended base response. I frequently record in highly reverberant venues, such as cathedrals. Used as space microphones, the MK22 gives a clear sound with good stereo image, and a good balance with ambience. I plan to use them on a 1 meter stereo in ORTF configuration, with a pair of spaced MK22 microphones. Omnis tend to be muddy in this application and cards lose the warmth I seek. The MK22s will form the core sound - everything else is just for emphasis. MK22s are also effective for chamber music, often in conjunction with a pair of MK2H (far field) Omnis.

5

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