Rme Fireface Ufx Iii 188-Channel Audio Interface Usb 3.0

Rme Fireface Ufx Iii 188-channel Audio Interface Usb 3.0

Product Code: eq127561
Availability: In Stock

$9,597.00 $14,971.32

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Description
Reviews (13)

Every professional multitrack studio needs a flexible centerpiece, and that's why RME has introduced the Fireface UFX III, a 188-channel, 1 RU audio interface with a blistering maximum sample rate of 24-bit / 192 kHz and wide-ranging, versatile I/O, including 128-channel MADI, dual optical ADAT I/O, XLR AES3 connections, and a future-proof USB 3.0 host connection that supports direct USB recording (DURec). The Fireface UFX III comes with all the features expected of a high-end RME interface, including low-latency circuitry, drivers designed for flawless operation, TotalMix FX software control with Room EQ for Dolby Atmos compatibility, and support for the Advanced Remote Control USB (sold separately).

Along with the digital connections, the Fireface UFX III includes analog connectivity such as balanced 1/4" TRS inputs and outputs, XLR 3-pin outputs, and two dedicated headphone outputs as well as sync I/O such as BNC Word Clock connections (with the output also supporting MADI) and dual DIN 5-pin MIDI I/O. You also get four combination XLR-1/4" inputs with high-quality preamps and selectable 48V phantom power on each preamp, delivering an all-in-one studio workhorse that will surely become a preferred tool for multitrack recording, mixing, and mastering.

For Recording Studios and Touring Up to 24-Bit / 192 kHz Sampling 188-Channel I/O: 94 Inputs / 94 Outputs MADI, AES3, 2 x ADAT Digital I/O USB 3.0 Host Connection, DURec Support 4 x XLR-1/4" Combo Preamps Balanced 1/4" Line I/O, XLR 3-Pin Outs BNC Word Clock/MADI, 5-Pin DIN MIDI I/O Room EQ for Dolby Atmos Compatibility Dual Headphone Outputs

General
Form Factor	Rackmount
Display	1x Color LCD
Channels of I/O	Analog / Digital: 94 Inputs / 94 Outputs
Number of Analog Input Channels	12
Number of Analog Outputs	10
Maximum Sampling Rate	192 kHz / 24-Bit
Number of Microphone Inputs	4
Built-In Microphone	No
Input Level Adjustment	1x Knob
Connectivity
Analog Audio I/O	4x Combo XLR-1/4" 3-Pin Mic/Line Input (Front Panel) 8x 1/4" TRS Balanced Line Input 2x XLR 3-Pin Balanced Line Output 6x 1/4" TRS Balanced Line Output 2x 1/4" TRS Headphone Output (Front Panel)
Phantom Power	48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O	1x SC-Plug Optical MADI Input 2x TOSLINK Optical ADAT Input 1x XLR 3-Pin AES3 Input 1x SC-Plug Optical MADI Output 2x TOSLINK Optical ADAT Output 1x XLR 3-Pin AES3 Output 1x BNC Coaxial MADI Output (Word Clock Support)
Host Connection Protocol	USB 3.0 / 3.1/3.2 Gen 1
USB (Non-Host)	1x USB-A (Remote) 1x USB-A (External Storage, Update)
Sync I/O	1x BNC Word Clock Input 1x BNC Word Clock Output (Shared with MADI)
Network I/O	No
MIDI I/O	2x DIN 5-Pin Input 2x DIN 5-Pin Output
Expansion Slots	No
Digital Audio
Sample Rates	Up to 192 kHz
Bit Depths	24-Bit
Sync Sources	ADAT, MADI, Word Clock
Audio Storage & Playback
Media/Memory Card Slot	No
Compatibility
OS Compatibility	Windows macOS
Included Software	No
Included Plug-Ins	No
Mobile App Compatible	No
Mobile Device Compatibility	No
Required Hardware	USB 3.0 / 3.1/3.2 Gen 1 Port, USB Cable
Power
Power Requirements	AC Input
AC Input Power	100 to 240 VAC, 50 / 60 Hz
Power Consumption	38 W
Physical
Rackmount Size	1 RU
Certifications	CE, FCC, WEEE
Dimensions	19" / 48.3 cm
Packaging Info
Package Weight	11.475 lb
Box Dimensions (LxWxH)	22.1 x 12.2 x 4.6"

DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the USB port. The Fireface UFX Series records on USB thumb drives or hard drives with up to 2TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer.

The Direct USB Recording converts the Fireface Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, such as virtual sound checks. Live concerts, band rehearsals, or spontaneous jam sessions can be directly recorded and played back from the medium, even completely stand-alone, without computer or software.

The DSP-based TotalMix mixer allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes, plus a comprehensive Control Room section, offer unrivalled monitoring capabilities and unsurpassed routing flexibility.

The integration of Room EQ adds room calibration to the RME eco-system, making your Fireface perfect for Immersive audio setups, including Dolby ATMOS. Room EQ consists of nine bands of fully parametric EQ, individual output delay, and volume calibration. Users can freely assign up to 20 Room EQs at once to any output(s) they wish, including stereo, headphone, and digital outputs for maximum flexibility. Settings can be input manually or imported using tools like Sonarworks or Room EQ Wizard.

Also added is a feature called Binaural Crossed. This functionality provides speaker emulation in headphones—perfect for mixing stereo or ATMOS in headphones. The Crossfeed function emulates speaker behavior in terms of channel separation, so the extreme-wide ambience experienced in headphones can be set in 5 stages.

This optional wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.

The ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotalMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore, it is also not necessary to switch the ARC USB on or off within TotalMix FX, it will just work.

Related Questions and Answers

Q: 1. Does this have phantom power? Also I see it records? Is it a multitrack recorder or just stereo?

A: This unit does not have built-in recoed capabilities- it intrfaces audio to a computer, which you could then record to.

Q: 2. Can you confirm that you can run all 24 analog outputs from the DAC at 192Khz simultaneously, and at what bit depth (24 or 32) ?

A: Yes, the MOTU 24Ao USB/AVB 72 Channel Audio Interface can run 24 analog outputs simultaneously. The analog outputs offer 32-bit trim in the DAC and are also adjustable in 1 dB increments.

Q: 3. Could the Bose T4S ToneMatch Mixer control two different Bose L1 model 2 at the same time?

A: The Bose T4s does have connection available for two L1 speakers, so you can use them for left and right. Here is the extra cable you can use, for a second speaker: https://www.bhphotovideo.com/c/product/744793-REG/Bose_42536_T1_ToneMatch_Audio_Engine.html

Q: 4. Will this replacement power supply also work in the older UFX?

A: No. The RME NT-RME-10 Replacement Power Supply for Fireface UFX+ and UFX II is not compatible with the older UFX. Instead, you can use the RME NT-RME-4 Replacement Power Supply (B&H # RMNTRME4), which is compatible for use with the Fireface 800, 802, and UFX, the Octamic II and Octamic XTC, and the ADI-8 DS Mk III and QS.

Q: 5. For "Bose T8S ToneMatch 8-channel audio mixer", can the USB interface send all 8 channels to the computer?

A: Yes. The Bose T8S ToneMatch 8-Channel Audio Mixer and USB Interface has a USB Type-B port which can be used for connection to a computer as a general-purpose USB audio device for recording and playback. It can also be used to download performance scenes to a computer as well as to install system updates.

Q: 6. What are the power requirements...where I live it’s 230v-60Hz....?

A: The Bose T4S is powered through the included ToneMatch cable which connects to a Bose L1 or F1 system for digital audio and power. It does not use an external power supply.

Q: 7. Are all 8 input channels stereo?

A: No

Q: 8. Is this full-height or half-height (low profile) card? I.e. does it fit in a small form factor PC?

A: The HDSPe AIO Pro PCI Express Audio Interface Card is a full sized PCIe card.

Q: 9. Can this be used with programs such as DaVinci resolve (fairlight), Adobe audition, premiere, avid, etc?

A: Yes, the ART USBMix6 Mixer has a built-in USB audio interface that is class-compliant with Mac and Windows operating systems, and it can be used with the included audio software or with your own audio software such as Adobe Audition or Premiere, Avid Pro Tools, or Blackmagic Design DaVinci Resolve.

Q: 10. Can I use the T4s as audio interface with an iPad Pro ?

A: No, the Bose T4S ToneMatch 4-Channel Audio Mixer and USB Interface is not compatible for use with an iOS device like the iPad Pro, but it is compatible for use with Mac and Windows computers.

Dave	28/09/2024
[4] Arrived from b and h quickly and was a great deal! Great quality converters, just enough analog inputs. The sound stage from monitoring is clear, I can pass through analog gear without degradation. Strong headphone amp. Perfect compact interface. 5

Fabian	16/09/2024
[AC Input] Power supply works perfectly!! No issues 5

Airhole	22/08/2024
[1 RU] I use this with Logic Pro on a 2021 MBP for recording, monitoring, mixing, and mastering in both stereo and 5.1, mostly for scoring and soundtracking. It has a clear, open, sound that accurately represents even very subtle changes to mix, EQ, soundstage, or plugin settings. Mic Preamps sound sweet and clean and will let the character of your mic shine through. The build is solid, and the knob and buttons have a nice click to them. It has a dazzling number of inputs and outputs for its size, and TotalMix gives the user super powerful routing options. Once configured, TotalMix makes it easy to jump between stereo and 5.1. My only caveat is that this is a professional tool, and if you are relatively new to this line of work, there will be a learning curve to understand all of the options the interface has and the concepts behind TotalMix. This doesn't mean that you shouldn't buy it, it is 100% worth it to take the time to learn, and RME has excellent tutorials. This interface will honestly represent what you play through it and will give you the power to create the recording you envision. 5

Jon	21/08/2024
[1x Color LCD] I went from an Apogee to this RME and the stability, recall ability and routing functionality is amazing! I really love this thing! 5

David	23/07/2024
[4] I've used Universal Audio, Apogee, Motu, and even Lynx interfaces over the years (30 years) - and I have now had this RME Ucx ii for two weeks, and I can see why RME owners are so loyal, and why these devices get great reviews - the stuff just works, and it's just so apparent how much thought went into the design. And the mic pres are actually no joke - they sound great, and they have tons of clean gain. I'm also pretty impressed by the quality of the DSP internal effects - I think the compression + delay/reverb sound great! The EQ? Eh, whatever... FabFilter. No dropouts, no glitches, no hiccups. Obviously, it's only been a couple of weeks, but the fact that I feel the desire to write a review must show something, as there are plenty of other things I could be doing right now w my time, including music production work - which now feels that much more joyful. Lynx is definitely one small step above conversion-wise, but honestly - the difference is pretty nominal. I use a Lynx Aurora (n) + an Api 2448 at work, and I feel the stuff is translating really well to this RME. I purchased this UCX ii because I was using an Apogee Element at home, and they basically stopped supporting it and discontinued the product, and it works very poorly with a Macbook M1pro. Glitchy - slow - crashes. The RME sounds as good if not better than that and just works - not a single hiccup in 2 straight weeks of working with heavy sessions. For the size, this thing is a POWERFUL BEAST and has to be the best audio interface in its class. If your thinking about expanding and portability isn't an issue, it may make sense to jump up to the UFX line, you get quite a bit more for another 1K. Enjoy- 5

Jose	08/07/2024
[1 RU] I have used a firefice ufx before this one, and i can say this new interface is the same quality, just less channels, therefore totalmix fx and digicheck make the big difference between this brand and all the others. Great job RME 5

Christopher	06/07/2024
[38 W] I wanted to update from my UA Arrow. Didn't really love UA sound or reliability. This thing sounds amazing! Some people complain about Totalmix setup, but I found it easy and intuitive. My Shure SM7B sounds clear and has enough gain to run it without mic booster. This thing is top notch! 5

BullMoon	17/06/2024
[AC Input] If your Fireface dies, this will fix it - most likely. No instructions supplied, but fairly obvious once opened. To open the unit: 8 screws on top, 4 screws on bottom sides - no need to do the four screws on bottom front attaching the face to the frame, 2 screws on each rack ear. Inside, 4 screws and washers attaching power supply to frame, 2 plugs on power supply. Should take about 15 minutes to do. Take care with the small screws that can strip easily - find a small pointy Phillips driver and apply good downward force to keep the blade in the screw until it breaks loose. I found that my Swiss Army knife driver worked pretty well. 5

Michael	08/06/2024
[1x Color LCD] I am delighted with this new ADAT to USB interface from RME. This unit is very new and many vendors were not even carrying it yet. Thanks to B&H for ordering it for me! I received delivery of this special order in less than 2 weeks. Prior to this piece of hardware becoming available it was difficult to find a device or interface with 4 ADAT inputs. Now I can bring 16 channels of audio at 24bit / 96khz into my Audio workstation or laptop. Note, while I like recording at 96 kHz, using a sample rate of 48khz will allow throughput of 32 channels of audio and increasing sample rate to 192khz will limit throughput to 8 channels. I am using the RME Digiface USB along an RME Babyface Pro which allows me to bring another 4 optical channels at the same bit and sample rate into my workstation. To control input from the Digiface USB simultaneously while using the Babyface Pro requires separate TotalFX software control windows for each device (the manual explains this in more detail). I am currently bringing in 8 channels from an Audient ASP880 preamp and will add another 8 channel preamp soon. One thing that definitely stands out, is how small and compact this device is...maybe less than a quarter of the size of the Babyface Pro. So it will not take up a lot of space on your desk or in your kit. Same excellent quality and function that I have enjoyed from RME in the past. 5

Airhole	09/05/2024
[1x Knob] I use this device in conjunction with Logic Pro on a 2021 MBP to record, mix, monitor, and master in stereo and sometimes 5.1, mostly for video soundtracks. It has a clear, clean, open sound that accurately reflects even subtle changes in mix and plugin settings. The accompanying TotalMix software has very powerful routing options, and once it is configured, makes it easy to switch between stereo and 5.1. For those relatively new to recording and mixing, be aware that this is a professional grade tool. For what it can do, it is very simple to operate, but you can expect a learning curve to absorb the concepts behind TotalMix. That doesn't mean not to buy it, it is completely worth taking the time to learn, and RME has outstanding tutorials. For more of a plug-and-play experience in Logic that will also deliver fine sound but with fewer input and routing options, look to Apogee. 5