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Heritage Audio Dtt-73 Dual Microphone Preamplifier

Heritage Audio Dtt-73 Dual Microphone Preamplifier
  • Product Code: eq13072
  • Availability: In Stock

$7,197.00 $10,867.47

The Heritage Audio DTT-73 Dual Microphone Preamplifieris a wood and steel chassis dual 80 dB microphone and 10 dB line recording preamplifier module based on the vintage 1073 module designed by Rupert Neve. The remake is intended for recording engineers who want the classic Neve sound in a portable tabletop footprint, but do not need the equalizer functionality of the original 1073. The unit includes a handle for carrying and has the versatility to be used on stage, on the road, in hotel rooms, and other applications outside of a traditional studio.


The preamplifier supports selectable HI-LO minimum balanced and floating input impedances that accommodate a range of microphone types including vintage ribbons. A +24/48V phantom power button with separate phantom voltage indicator lights is included on both channels, as well as an input level knob for adjusting to your source. You can also switch the module into line mode to re-amplify pre-recorded tracks and add color to a mix.


Plugging in a mono 1/4" input into the DI port on the front of the unit automatically switches the module from MIC to DI mode. On each channel, the unit also includes a 1/4" DI thru jack for connecting to an instrument amplifier when using the unit live on stage. A selectable discrete component Class A 3rd-order 80 Hz high-pass filter with an 18 dB per octave slope has been added for recording sources without the effects of low-frequency coloration. An output control knob is included to prevent overloading the preamplifier.


The unit is powered by an internal noiseless worldwide power supply designed to reduce the effects of electromagnetic interference on the audio transformers. A ground lift switch is included to remove ground loops. The preamp features gold-plated Neutrik XLR input and output connectors. To achieve the classic feel of the original 1073, the unit is constructed with Marconi-style knobs and vintage engraved pushbuttons for the DI, low impedance, line, pad, phase, and high-pass functions.

Portable Tabletop Design with Handle    Two 80 dB Class A Microphone Preamps    Two 50 dB Class A Line Preamps    +24/48V Phantom Power    20 dB Microphone Attenuation Pads    18 dB per Octave 80 Hz High-Pass Filters    External Linear Power Supply Reduces EMF    DI Thru Jacks for Instrument Amplifier    Carnhill Input and Output Transformers    Marconi-Style Knobs and Engraved Buttons

Parameters
Channels2
Connectors2 x 1/4" DI input jacks
2 x 1/4" DI thru jacks
2 x balanced 3-pin female gold-plated XLR microphone inputs
2 x balanced 3-pin female gold-plated XLR line inputs
2 x balanced 3-pin male gold-plated XLR outputs
Input ImpedanceMicrophone
HI: 1200 Ω minimum
LO: 300 Ω minimum

Line: 10 kΩ bridging, Carnhill transformer balanced and floating
DI: Greater than 2 MΩ, unbalanced
Output ImpedanceLess than 75 Ω,
Transformer balanced and floating to drive a load of 600 Ω
Maximum OutputGreater than +26 dBm into 600 Ω
THDLess than 0.025% at 1,000 Hz
Less than 0.05% at 100 Hz
Frequency Response20 Hz (+0.3 dB) to 20,000 Hz (-0.2 dB)
Maximum GainSlightly greater than 80 dB
NoiseLess than -100 dBm
Dimensions20 x 9.5 x 30" (13 x 24 x 75 cm)
Weight6.6 lb (3.0 kg)
Packaging Info
Package Weight11.15 lb
Box Dimensions (LxWxH)13.7 x 12.6 x 6.1"

Related Questions and Answers

Q: 1. Hi , can use and record for instruments too?

A: Yes you can. It functions as a mic pre and a direct box. So you can use it on a mic or an instrument.

Q: 2. how do you connect to speakers that only have xlr inputs?

A: A cable such as the Pearstone PM Series 1/4" TRS Male to XLR Male Professional Interconnect Cable (6'), BH #PEPMTRSXM06 will allow you to connect to the balanced 1/4-inch output of the audio interface into the balanced XR input of a studio monitor.

Q: 3. I want to use it in Korea. 110v? 220v? Please check the voltage.

A: At this time, we can only confirm the unit as a 120v device. For use in Korea, would we recommend the use of a set down voltage transformer.

Q: 4. Should I go with this or the Studio Projects B1 for general studio use? I know I just asked a similar question a few days ago but I've narrowed it down to these 2 and need help choosing.

A: Without knowing anythigng about your projects and your needs I would lean to the MXl as an all purpose mic.

Q: 5. Hi, will this work on an AMD Ryzen system?

A: It would depend on the computer's operating system. It may be best to contact Universal Audio with the details about the system you have to check on compatibility. You can reach their customer support agents by phone at 877-698-2834 or 831-440-2436 from 9 AM to 1 PM Pacific Time on Mondays, Tuesdays, Thursdays, and Fridays (phone support is not available on Wednesdays). As another option, you can submit your request to Universal Audio by email using this link: http://help.uaudio.com/hc/en-us/requests/new

Q: 6. Can you connect from spdif to optical?

A: To connect a SPDIF output signal to the optical input of the Universal Audio Apollo Twin X DUO Heritage Edition Desktop 10x6 Thunderbolt 3 Audio Interface with Real-Time UAD Processing you will want to use a converter to change the coax SPIDF connection to a Toslink Optical connection.

Q: 7. Hello, Can this unit be used together with X-Air12? Thanks.

A: Yes, it can.

Q: 8. Can this be battery powered? I'm looking for a small preamp to put on my camera.

A: It works off of a 9V 1000mA AC wall-wart . Theoretically, if you have a battery that can output that amount, it should run. However, do note that tube preamps (otherwise known as Class A preamps ) are power-hungry, inefficient, require several minutes of warm-up before accurate use, and heat-intensive, but provide the best signal-to-noise ratio when adding amplifying a signal (thus they are a staple for using very low-signal mics such as ribbon mics). However, for a portable solution to strap to a camera, this is far from ideal due to heat, power consumption/efficiency, and the fact that it is not designed to be mounted on a camera but rather set on a table- it's best (and designed) use is recording music or VO work in an indoor scenario.

Q: 9. Is this a passive microphone?

A: Yes, the MXL R144 is a passive microphone.

Q: 10. Is the mic gold color or silver color ?the same mic they sell in amazon is silver the accessories look silver but the mic what color is the mic gold or silver? if the mic is gold as shown looks really nice...

A: The MXL V67G HE Heritage Edition Solid-State Condenser Microphone has a matte, silver-colored finish with gold engraving and a chrome grille.

29/09/2024

[6.6 lb (3.0 kg)] I read a lot of reviews of this preamp which complained about the lack of headroom and tendency to distort the signal easily, producing a wooly, dark, or muddy tone. If you are looking for a clean, all-purpose preamp with very little character then this is not what you are looking for. However, if you are after a warm, dreamy tube-driven sound then this is a great low-price preamp to add to your arsenal. It's become my favorite preamp for a classic acoustic guitar tone paired with a beyer ribbon mic-- beautiful warm, woody sound with a little gentle tube compression. Happiest I've ever been with an acoustic guitar.

5
23/09/2024

[2] Vintage sound!

5
24/08/2024

[6.6 lb (3.0 kg)] This thing is AMAZING! Best investment I've made for my studio. I use an AKG 414B XLS-II and run it through this baby. The tone beast gives it a certain brightness for crisp vocals, but also allows for warmth as well depending on which setting you choose. Run your mic through the front or back, or both if you have 2. A great mic needs a great pre...and this is just the pre for the job.

5
16/08/2024

[6.6 lb (3.0 kg)] I use a Neumann TLM 103 and the Tone Beast gives it a special touch. It warms it up and gives it a smoothness! . Love it!

5
24/07/2024

[11.15 lb] I am of the humble opinion that for $ there is no better single channel mic pre on the market. The harmonic distortion on this unit is absolutely yummy!

5
18/07/2024

[11.15 lb] So, I was on the fence about buying one these because I'd never actually owned a quality standalone preamp before and I thought the preamps on my apollo twin were already pretty good (which of course they are), but after reading through the reviews for this beast extolling it's sound I thought I'd take a chance. Man oh man am I glad that I did. Everything sounds so warm, smooth, and detailed now that I barely have to EQ my vocals. The noise floor is incredibly low and contrary to a few reviews I've read, I get plenty of headroom to work with. I really couldn't be happier with this purchase, so if you find yourself in a similar situation to where I was, I suggest just going for it.

5
30/11/-0001

[2] Nice preamp. I use the DI to record my drum machine and sampler. It gives a touch of warmth, color, and dimension to recordings.

5

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