[Aluminum] Great adapter, used it for the Cooke s4 minis, it's a solid piece of equipment.

[0.15 lb] Machined perfectly. Holds tight against the lens front. Slips on my BT Misfit Kick 3 Stage Matt Box perfectly.

[Aluminum] Love this matte box. Bright Tangerine really thinks through all the problems and creates great lasting solutions.

[Aluminum] Well made, very versatile. Wish the orange knobs were labeled or differentiated, I always seem to be grabbing the wrong ones when changing things quickly.

[0.15 lb] I have an ARRI LMB 4x5 and have been using the rubber black hole vs clamp on adapters. ACs have hated it so I bought this for a recent shoot. Performed very well, clamped on tight to the lenses for handheld/easy rig use. I was slightly concerned after reading other reviews that the ARRI clamp adapters were the only ones to buy, but this seemed like a quality unit and held onto the lenses as expected during a 2 day branded commercial shoot.

[Aluminum] Hands down the Misfit Kick is the only matte box you will probably ever need. It is super versatile and extremely light in the clamp on version. BT has really nailed it with the One Tray options and the unique reveal feature to turn a 2 stage MB into a 3 stage without any tools and additional items. Well except for the third filter tray. I love this thing. I got it a couple weeks ago and can't wait to take it wherever needed. It's built like a tank. I expect it to last lifetime. Highly recommended. Frame safe adapters, add a swing away arm later on if needed, the flexibility of this system. Highly recommended. Well done BT!!

[Aluminum] Great that it's compatible with the Arri lmbs. Saves a few bucks over the Arri one which does add up if your buying 6 different sizes. It actually clamps on unlike one of the even cheaper options.

[0.15 lb] It's a small piece that has really taken my workflow from good to great. Removing a clamp on matte box to swap lenses doesn't seem like much but it's a hassle and often times take more hands leaving things vulnerable to drops and damage. This piece has been perfectly designed and works smoothly and quickly. I love this added piece of kit. Only thing I realize is with my Sigma Cine Primes, the 15mm rail clams line up perfectly with the focus ring which is where I need my focus motor to go haha so I have to figure that out, but otherwise it's great!

[0.15 lb] Bought this to compliment my Leica R 35mm summicron in my Red Scarlet-W. This thing couldn’t be built or designed any better. The rubber “black hole” is a perfect choice if you’re going to be using vintage lenses. Make sure you have some sort of step up ring if your lens has a diameter smaller than 60mm or light will leak. I probably wouldn’t use it with lenses with a diameter larger than 82mm since it’s made of a thin rubber material and it might rip or stretch out too much. Looks miles better than baggy cloth though... The reason I went with the misfit is because I know that if I change lenses or if a client wants to work with other lenses, I can easily buy the other configurations to accommodate whatever I end up using. I know this is more expensive than most matte boxes but it’s worth it since this is the only matte box you will ever need.

[0.15 lb] Using this with my ARRI LMB 4x5. This is a must have tray if you're using diopters and 4x5.65 filters. One recent project was shot on 2x anamorphic lenses and we needed diopters for the closeup shots the director wanted. This worked like a charm as I was using 3 stages of the matte box for ND, diffusion, and diopter when necessary. Worked great for what we needed it for.