[0.1 lb] This is essential if you use the Basic 120 MK2 carrier alongside a Negative Supply light source. Connects seamlessly to my 99 CRI MK2 basic light, and ensures a consistent workflow my holding the carrier securely in place and blocking out unwanted light.

VERY helpful to have.

[0.1 lb] I bought this carrier to hold 24x65mm Hasselblad Xpan negatives, which it can do with the 68mm-wide mask that is one of three it comes with. I'm still building the digitizing setup, which also will use a Negative Supply 4x5 Light Source Basic Mk 2 (to be reviewed separately). However, I've already tested the carrier and determined it holds negatives with adequate flatness for the limited depth-of field at 1:1 magnification. I'm quite happy with the quality of the carrier.

[0.1 lb] Got this copy stand a few weeks ago and it's been pretty great. I really only scan 35mm film and use an X-Pro 2 to scan with and an adapted Canon FD lens. It's easy to set up and feels perfectly suited to holding APS-C mirrorless cameras. I don't have any complaints with it for the price. It does the job it says it will do: holds my smaller mirrorless camera parallel to my film to get good scans.


My friend had the Basic Riser Mini MK1 and this one feels like a really good update with the screwed in rubber feet and head design. I need to try scanning some 120 film but I think it'll work for this as well.

[0.1 lb] I can scan with my room lights on and blinds open when using this device. This helps also to avoid unwanted glare/reflections from TVs, lights, windows, etc. It’s also helpful as it helps to prevent dust/debris from landing on your film while scanning.

[0.1 lb] I’m using this mostly to scan 6x6 film, both from cut strips and uncut rolls of film. I get consistent results every time, and love the interchangeable format masks and the ability to change between the standard and full border cassettes.

This carrier holds the film very flat, and is vastly superior to other carriers I’ve used from other brands thus far. Like my other Negative Supply items, this is built well and gives me great results with ease. I’m using this on the 99 CRI basic light from Negative Supply, and added the stabilizing mask. Solid workflow.

[0.1 lb] I’ve used a few different brands, 120 carriers/holders (?), but this one really does a good job of a) keeping it higher from the light so that I don’t see the texture of the LED panel in the photos and b) keeps that film very flat.

[0.1 lb] Connects my Basic 35 MK2 carrier to my
Negative Supply light source easily & seamlessly. This gives me a more consistence workflow and allows me to scan many photos per session and to reliably batch crop/edit my photos, as the carrier is securely held in place on the light source.

[0.1 lb] I considered the 'essential film holder' but that is almost twice the cost and takes a while to ship. This works great! Yes, 3d printed, so it can have small imperfections. I sent one back, but got another one that was fine.

[0.1 lb] Great if you want to save money scanning

[0.1 lb] This makes my 35mm film scanning fast and easy, for both strips and uncut rolls of 35mm film. The build quality is robust and solid, and this carrier securely attaches to my light source with the Negative Supply stabilizing mask.

The including interchange format masks for this carrier are super helpful. I shoot regular 35mm and half frame, and not having to add additional masks is rad! The carrier includes half frame, full frame, and panoramic format masks.

This is a massive leg up in terms of sharpness/film flatness over the Valoi carrier I previously used, as well as the Skier system I used before that.