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Canon Kj17ex7.7b Iase Ii Hdgc Servo Lens

Canon Kj17ex7.7b Iase Ii Hdgc Servo Lens
  • Product Code: eq132167
  • Availability: In Stock

$34,545.00 $51,817.50

The Canon KJ17ex7.7B IASE II HDgc Servo Lensfrom Canon KJ17ex7.7B IASE II HDgc Servo Lensis a 17x zoom lens ideal for HD ENG capture using professional 2/3" B4-mount video cameras. This zoom features a compact, rugged design, a built-in 2x extender, and support for HD footage with minimized chromatic aberration and enhanced sharpness across the image. The Type-S servo drive increases the lens' operational efficiency and reduces power consumption.

Focus, zoom, and iris are all servo controlled, providing extremely smooth zoom, focus, and iris pulls. The Type-S digital drive unit uses three 20-pin connectors for interfacing with controllers like the ZSC-300D and FPD-400D and provides a 16-bit interface to virtual systems. It also has an onboard display for setting up a variety of functions, including Shuttle Shot, Frame Preset, and Speed Preset.

Compact & Rugged 17x Optical Zoom    Built-In 2x Extender, Type-S Drive Gen 4    Improved Chromatic Aberration Reduction    Precision Focus, Iris & Zoom Repetition    Dynamic 0.5 Second-5 Minute Zoom Speed    Shuttle Shot, Frame & Speed Presets    Optimized Optical Lens Design    3 x 20-Pin Connectors, Onboard Display

Parameters
Sensor Compatibility2/3" (16:9)
Focal Length7.7 to 131mm
With Extender: 15.4 to 262mm
Built-In Extender2x
Zoom Ratio17x
Angle of View16:9
Wide: 63.9 x 38.6° (H x V)
Tele: 4.2 x 2.36° (H x V)
16:9 With 2x Extender
Wide: 34.6 x 19.9° (H x V)
Tele: 2.1 x 1.18° (H x V)
Maximum Aperturef/1.8 to 2.3
With Extender: f/3.6 to 4.6
Focus TypeManual Focus, Servo
Iris TypeManual, Servo
MacroYes
Minimum Object Distance2' / 60 cm
Macro: 0.4" / 1 cm
Optical Image StabilizationNo
Weight3.44 lb / 1.56 kg

Ideal for HD ENG capture and other in-the-field productions, this compact and rugged 17x zoom has a focal length range of 7.7-131mm and 15.4-262mm with the built-in 2x extender.

Related Questions and Answers

Q: 1. Which is the filter size ?

A: 82mm.

Q: 2. Would this lens be a good choice adopt to a Blackmagic design Studio 4k camera using a B4 adopter or to the Ursa 4.6k with a B4 adopter?

A: You can use the KJ13x6B KRSD HDgc 13x 2/3 ENG/EFP Lens with both cameras as long as you use the appropriate adapters that compensate for the fact neither camera has the prism the lens is designed to work with. On the Studio 4K, use the MTF Services Ltd B4 2/3 To Micro 4/3 Adapter B&H # MTB4M43. On the USRA Mini 4.6, use the Blackmagic Design URSA Mini Pro B4 Mount B&H # BLUMPB4M.

Q: 3. I have a Canon C200 that I want to use for live event production and need a longer zoom servo lens. I purchased a MTF Services Ltd B4 2/3" to Canon EF Adapter and paired it with a Canon SD B4 lens and it works well but the image quality is much softer than any of my EF lenses. Being that this is an HD lens will this pair better and provide sharper images if I upgrade to the Canon KJ20x8.2B? I was also considering the Fujinon XA20sx8.5BERM-K3 ENG Lens.

A: The Canon KJ20x8.2B Portable 20x HD Lens with 2x Zoom Extender (B&H# CAKJ20X82BIR) is designed to offer high resolution images and will outperform Canon SD B4 lenses that regard as well as many others. The Fujinon XA20sx8.5BERM-K3 ENG Lens (B&H# FUXA20SX85BE) is exceeding similar in its optical specifications and offers similar performance.

Q: 4. Will this lens work correctly on the Blackmagic Ursa Broadcast G2 with no adaptors?

A: The Canon KJ13x6-KTS HDgc 13x 2/3" Full-Servo Lens will mount directly on the Blackmagic Design URSA Broadcast G2 Camera;s B4 mount without adapters.

Q: 5. Are the support sled, rear zoom, and rear focus controls included?

A: This lens comes with the the SS-41-IASD Full-Servo Kit and SUP-300 Lens Support. Servo Kit Included - https://bhpho.to/2zsaBhr Lens Support Included - https://bhpho.to/2Xtqo8a

Q: 6. Will this work on a Canon C100 Mark 1?

A: Sorry, no. This lens is designed to cover a ENG (Electronic News Gathering) 2/3 sensor which is much smaller than the Super35 sensor of the Canon C100. One solution is to use the MTF Services Ltd B4 2/3 to Canon EF Adapter with 2/3 lenses. You still cannot use the the Canon 8.2-164mm f/1.9-2.7 HD ENG Zoom Lens however. You need a 2/3 lens with an extender. The adapter and the lens's extender make the image large enough to cover the sensor. There are two disadvantages: you lose 2 stops of light and you must have the extender engaged at all times. See the attached links to the adapter and the most affordable 2/3 zoom with extender we have. If you are well heeled, Canon has made an ENG type lens for Super35 cameras including the Canon C Series camcorders. It is the Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount). Unfortunately, in order for this lens to cover the large Super35 sensor, it is bigger, made to the highest standards and priced accordingly. Final note: These lenses will require a separate power cable to a d-tap battery in order for the servo zoom motor to work. See attached cable.

Q: 7. Would this lens work on the ARRI Amira Premium?

A: At this time we are not resellers for ARRI Cinema Cameras, so you may want to contact them directly for a list of compatible lenses. That being said, if your ARRI Amira Premium has a B4 mount, this would fit on it. However you really will want to check with ARRI regarding their recommendations for B4 lenses.

Q: 8. Is this lens delivered with a hard case too?

A: The Canon HJ40ex14B IASE-V H 2/3" HDxs Broadcast Servo Lens with Image Stabilization does not come with a hard case.

Q: 9. Does this lens require a 6-pin or 12-pin connection?

A: It has a 12 pin connection.

Q: 10. Can i use ZSD-300D and FPD-400D + FPM-77 for full servo control on this lens?

A: You can use the ZSD-300D, the FPD-400D, and the FPM-77 with the Canon 8.2-164mm f/1.9-2.7 HD ENG Zoom Lens.

11/09/2024

[17x] This was exactly what we needed to get our camera back functioning for our online services!

5
17/07/2024

[2/3" (16:9)] Yes it's an expensive cable, but for us it's worth it since it allows us to use the Canon ZSD-300D and FPD-400D demands on our CN-E 18-80mm and 70-200mm cine servo lenses. This combo gives us a (relatively) affordable broadcast style setup with large sensor cameras like the Blackmagic Pockets and URSAs.


Note that you may need to supply 12v power to these lenses to enable focus control, but it depends on the camera. I found that it works fine without additional power on our Pocket 6K Pro and URSA Broadcast G2 with the native EF mount, but on the Pocket 4K with an EF-MFT adaptor it needed the 12v for the focus to work.

5
02/07/2024

[2x] As a documentary cinematographer, I'm always on the lookout for the ideal lens that can handle any situation. Traveling light is essential since we typically operate with a small crew. Previously, I used the Canon 15.5-47mm and 30-105mm lenses and often found myself stressed about selecting the most suitable lens for unpredictable documentary scenes. I was tempted to pickup a used 17-120 given the low price point, but when renting one, I found the 17mm just not wide enough for certain situations and often switched back to my 15.5-47mm. The new 15-120mm lens has been a revelation. The additional width at the wide end is transformative, yet it still offers significant telephoto capability. This lens handles everything from vérité-style shooting and B-roll to interviews, providing comprehensive coverage.

The build quality and weight of the lens are ideal for shoulder mounted shooting, and it performs well even when shooting from the hip. I use it with my Canon C300 Mark III, and it's safe to say I've found a perfectly balanced rig that's ergonomically satisfying and well-suited for my needs. I recommend having the lens calibrated at a Canon Cine Service Center. While it arrives in spec from B&H, the Canon techs can further calibrate its center sharpness. This lens is a game changer for documentary filmmaking.

5
27/06/2024

[2x] I've had this lens for a while now and can say it's my favorite lens. Canon fixed the biggest issue I had which was a warm color shift on the 17-120. No color shifts on this lens! Flip on the built in extender and the lens can be ready for full frame. It's really the perfect lens for reality, sports, doc and most everything else.

5
16/05/2024

[17x] I am a huge fan of this lens for field docu work. Great all around piece of glass for wildlife and longer lens applications while retaining a lightweight kit one person can carry tripod and sticks.

5
03/05/2024

[Yes] Saw this in Africa recently on a BBC truck on the same Canon CN20x50 Cine Lens. Mine at home did not have the handle that is made in Germany. So I called the company and they said I could get it at B&H. Wow not really a surprise since B&H has everything! Anyway this handle is a quality piece of gear for the lens. Screws are included along with simple instructions. Makes the lens much easier and, more importantly, safer to handle. Like I said, a must!

5

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