This Lynx Studio Technology Aurora⁽ⁿ⁾ is preconfigured with 8 analog ins and 8 analog outs on two DB-25 connectors, plus two LM-PRE4 preamp modules, which not only add the flexibility of eight channels of mic / line / Hi-Z inputs, but also bring an additional eight channels of A/D conversion. It is also equipped with a two-port, Lynx LT-DANTE LSlot interface card that allows for easy connectivity to a Dante audio network.

This Aurora⁽ⁿ⁾ is a mastering-grade 16-in / 8-out AD/DA converter, which supports up to 24-bit / 192 kHz conversion. Design and technology borrowed from the development of Hilo converters is used to significantly improve specifications and transparency over previous models, while attaining stunning Hilo-like performance. Ideal for audio engineers and producers who demand the most pristine recordings and mixes, the Aurora⁽ⁿ⁾ delivers coloration- and degradation-free signal for mission-critical audio applications in studios, mastering facilities, remote recordings, broadcast and live performance facilities.

The unit features an onboard microSD player/recorder capable of up to 32 channels of direct recording and playback, ideal when working in the field. Two headphone outputs with independent volume control let you monitor your sound with audiophile-grade precision, while a bright TFT LCD display gives you immediate access to all levels and functions, right from the front panel.

16-In / 8-Out AD/DA, 24-Bit / 192 kHz    2 LM-PRE4 4-Channel Preamp Modules    Lynx LT-DANTE Dante Interface Card    1-In / 1-Out SynchroLock 2 Word Clock    Hilo Converter Technology (HCT)    Onboard 32-Channel microSD Recorder    Two Audiophile-Grade Headphone Outputs    Future-Proof LSlot Design    Road-Ready Rackmount Reinforced Chassis    Full Windows and Mac Compatibility

• The two LM-PRE4 modules feature four high-performance mic/line/Hi-Z preamps each.
• They are sonically matched for the Aurora⁽ⁿ⁾ with all the transparency, detail and flexibility you've come to expect from Lynx.
• When combined with the built-in microSD recorder, the LM-PRE4 preamps transform the Aurora⁽ⁿ⁾ into a standalone mobile recording device.

• The LT-DANTE card provides digital input and output to a Dante audio network.
• The two-port card supports up to 32 channels at 96 kHz and 16 channels at 192 kHz.
• Use standard Cat 5 or Cat 6 cables.

• The analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This offers many sonic advantages like significantly reducing crosstalk and distortion while increasing dynamic range and performance.

• Proprietary SynchroLock 2 high-performance sample-clock technology provides a whopping 300,000:1 reduction in jitter, 5-second lock time, and absolute accuracy.
• Wordclock I/O provides one input and one output on BNC connectors.

Add Channels:

• Start with eight, sixteen, or twenty-four channels and later add additional groups of eight channels for up to thirty two total.

Add Modules:

• Digital I/Os, mic preamps; more are being designed now for future release.

Add Connectivity Options:

• Thunderbolt 3, ProTools|HD, or USB via LSlot cards (available separately).

• Mastering-quality, 16-in / 8-out AD/DA conversion at up to 24-bit / 192 kHz.
• 8 analog ins and 8 analog outs on two DB-25 connectors.
• Two preinstalled LM-PRE4 4-channel preamp modules (8 channels total).
• Preinstalled Lynx LT-DANTE, two-port Dante LSlot interface card.
• Wordclock I/O: one input and one output on BNC connectors.
• Onboard microSD player/recorder capable of up to 32 channels of direct recording and playback.
• Two audiophile-grade headphone outputs with independent volume control.
• 480 X 128 TFT LCD display provides immediate access to all levels and functions and ensures that you see every piece of critical data, from just about any viewing angle.
• Universal power supply built in, no wall warts.
• 1 RU rack-space design with no fan provides silent operation so you can keep unit in the recording room, with no need for isolation from distracting fan noise.
• Full Windows and OSX compatibility.
• Designed and built in Southern California, USA.

Related Questions and Answers

Q: 1. Can I extend the range of Cat6 cable using some kind of signal amplifier or i will be always limited to 70m max?

A: When outputting over Cat6 cable from the Blackmagic Design Studio Converter, the maximum supported cable run would be 100m or 328 feet.

Q: 2. Can you digitize vinyl records from an analog turntable or would baby face be better choice since it has a pre-amp?

A: The Babyface has microphone preamps. It would be helpful to know whether the turntable you will be using has phono level output or line level output. If the output is line level, then you can use any USB audio interface that accepts line level input to digitize vinyl. If the output level from the turntable is phono level, then you will need a phono preamp specifically for use with turntables such as the Rolls VP29 Phono Preamp (B&H # ROVP29), Bellari VP549 Phono Preamp (B&H # BEVP549), or ART Precision Phono Preamp for Turntables (B&H # ARPRECPHN). The ART USB Phono Plus Phono Preamp with USB (B&H # ARUSBPPPS) also features a built-in USB audio interface.

Q: 3. I am looking at integrating this with the BMD studio Pro camera over ethernet. The video tour and other documentation state that everything can be communicated via Cat6 ethernet. How does the "talkback" ethernet port out of this converter integrate into an intercom? What box would it plug into? Thanks!

A: As per Blackmagic Design: Cat6A or higher would need to be connected to camera. The Talkback RJ-45 outputs balanced analog audio to the camera headset system. It will connect to a 4-wire interface on the intercom.

Q: 4. Can someone explain to me the differences between this product and the BMD ATEM Talkback Converter 4K? I'm trying to achieve talkback and talley with 3 URSA's and an ATEM. Trying to figure out which one I need. Thanks!

A: The Black Magic Studio converter is used for Studio conversion when using Black Magic's Broadcast URSA Studio cameras. If you would like to add Talkback support to an Atem and URSA models the best choice is the Blackmagic Design ATEM Talkback Converter 4K BH #BLATEMTBC4K • MFR #SWRCONVRCKT4K8 https://bhpho.to/3A1mmd7

Q: 5. Will this unit work with a Mac using the M1 chip? Thanks.

A: The RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote is a Class Compliant device and is compatible for use with M1 Apple computers.

Q: 6. Is there any video or audio latency?

A: The Blackmagic Design Studio Converter adds about 600ms of latency to the system.

Q: 7. how long can the cable be on 4k and HD?

A: The recommended length for either resolution can be up to 150 feet long.

Q: 8. Does this come with the Fiber connectors included?

A: Fiber connection ports are there but fiber cable is sold seprately.

Q: 9. Can the unit be connected through the control port with a network switch?

A: The Blackmagic Design Studio Converter can provide external control and software updates which can be accessed through the control ethernet port. The connector will be enabled through software release.

Q: 10. Does it come with SFP modules?

A: The Black Magic Blackmagic Design ATEM Studio Converter 2 does not include SFP modules. Optional SFP converters - https://bhpho.to/3ofyMa7 There are three options: 3G-SDI SFP Optical Module 6G-SDI SFP Optical Module 12G-SDI SFP Optical Module