[0.25 lb] High quality foam.
The only issue - one of panels had small cuts on the back, probably caused by improper handling (plastic bag was also damaged).
Does not affect performance or look when mounted though.

[0.25 lb] Auralex Studiofoam great sound absorption at a price that can't be beat.

[0.25 lb] I now live in South Carolina. The capital city of South Carolina. When I noticed the earpads for the high end headphones left behind by my ex-husband were disintegrating, leaving little black specs in my ears, I called around. One guy at a well known audio business here assured me I would never find what I was seeking for my audio-technica headphones. Dinosaurs. So when I discovered B&H online I felt vindicated. As a former New Yorker, I was heartened to read the history of B&H and can't wait to visit your store on my next sojourn up to the Big Apple {which is the name of a building here in Columbia, SC, originally built to be a synagogue, morphed into an African American dance hall in the 30's and now an event venue}. Enjoying the headphones again, thank you very much.

[0.25 lb] works well, same sound

[0.25 lb] I'm trying to build a sound studio, these are ok. they weren't what I expected. My belief was they were 2 foot by 2 foot and they were but that's not big enough for what I need.

[0.25 lb] About as good as it gets for a microphone preamp. It's worth it to get this or the EC1 as a front end for your recording setup if you're in the market. The headphone mixing makes it perfect: That way you never really have to worry about buffer or latency settings in your interface. Plenty of power for all headphones (more than I've ever heard in any recording interface!) and quite clean too. (Almost too powerful for IEMS though! - it works but you may need to turn things way down though)

If you look up reviews/specs: it measures really well: you can't do any better for a clean preamp or DI. I've never been a fan of tube pres or transformer pres: but if you want that sound: the Mojo actually gets that type of sound but better anyways if you want 'tone'. (I simply just never switch it on)

The external power supply I'm not a fan of: I'd happily pay a bit more for a larger chassis and internal power supply. It's just one of those: if your cable breaks or you run it over with a chair or the pins get damaged - a replacement may not be easy to find and if you have something important to record and need to wait a week or months if this is your only preamp - that may not be what you want.

I'd suggest first buying a DPA or earthworks mic or another SDC that works great on vocals and any instrument: they make the biggest difference. Then interface as most interface preamps are pretty clean - and then one of these after that. These have more headroom and just sound a bit less compressed than most other preamps (easier to hear with IEMS) but a microphone and placement is obviously more important. Though the 0 latency headphone monitoring might actually be quite important too - to make sure you get a good take?

Either way - the EC1 or EC2 are great!

[0.25 lb] I chose to go with the Audio Technica replacement rather than another manufacturer.  Headphones work like new.

[0.25 lb] Very nice design!!
Thank's B&H very nice to take care shipping.

[0.25 lb] reliable speedy service ... and what looks like a Custom box for the length of wire :)

[0.25 lb] I recommend it for those who want to replace their old pad. This one does not modify the audio at all. Previously, I bought another one of another brand, cheaper and of another style, since where I live it is hot, but when I tried it, the audio sounded different and did not feel as closed as these, I ended up returning them. On the other hand, these ones sound very good and do not distort the audio at all. The only drawback I can give you is that, they can wear out a lot and you have to be changing them at least every 2 to 3 years, but for the price and that they are original, I do not think it will be a problem.