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Kolari Vision Streak Filter 67mm For Enhanced Photography

Kolari Vision Streak Filter 67mm For Enhanced Photography
  • Product Code: eq135318
  • Availability: In Stock

$209.97 $310.76

The 67mm Kolari Vision Streak Filter 67mm for Enhanced Photographyis useful for capturing mesmerizing light effects and enhancing the visual impact of your photographs. This filter transforms light sources, highlights, and reflective surfaces into a single, smooth streak. Crafted with professional-grade clear glass, the Kolari Streak Filter ensures color accuracy and preserves the overall image quality and contrast.

Strong Streaks from Specular Highlights    Optically Flat Filter    Aluminum Filter Ring    Front and Rear Filter Threads

Parameters
Filter Type2-Point Streak
Exposure ReductionNot Specified by Manufacturer
Size67 mm Rear Filter Thread 
Front Accessory Thread / Bayonet67 mm
Filter MaterialGlass
Ring MaterialAluminum

Related Questions and Answers

Q: 1. All Circular polarizers are made up of 2 polarizing glass stacked together and one rotates while the other remain fixed. Why is this one made with only one glass element?

A: This filter works the same as any other screw on circular polarizer where you would have a linear polarizer foil and an additional layer to prevent any cross polarization.

Q: 2. Has anyone used this with the Olympus M zuiko 7-14 f 2.8 pro?

A: The NiSi V6 Holder cannot fit this lens due to the design of the front element. There is the NiSi 150mm Filter Holder Kit with Enhanced Landscape NC CPL for Olympus M.Zuiko Digital ED 7-14mm f/2.8, B&H # NIFH150EO714 which accepts 150mm filters that are 2mm thick. https://bhpho.to/2Nqf0ab

Q: 3. would this work with Sigma 70mm macro with 49mm front threads, Sony FE 55mm 1.8 with 49mm threads, and Sony 16-70mm with 55mm threads?

A: Yes, will work with all those lenses with the proper step up rings.

Q: 4. Will the V6 holder fit on the main 82mm adapter ring for the V5? I ask because I use two 82mm adapter rings, one with and the other without a CPL mounted. I do this since screwing on/off the CPL is not easy due to a very thin bezel.

A: The V5 and V6 will fit on the same adapters.

Q: 5. until which lens supports vignetting? (full frame)

A: Vignetting will probably occur in lenses wider than 16mm on a full frame.

Q: 6. How to remove the step up ring if you need to move fro 72mm to another size lens? Only after 2 days of use, it is stuck.

A: You need to tighten them just slightly snug, but to remove it you need filter wrenches.

Q: 7. How is this attached to a Nikon 14-24 zoom ?

A: This kit is not compatible to the Nikon 14-24mm lens. You will need a specific holder system. Click the link below to view; https://www.bhphotovideo.com/c/search?Ntt=nisi%20%20nikon%2014-24&N=0&InitialSearch=yes&sts=ma

Q: 8. How can I use a lens hood with this filter holder?

A: There isn't a hood for this holder and would cause vignetting as well.

Q: 9. Can this system be used without the CPL?

A: Yes, you can take the CPL off.

Q: 10. Is this also fit to Tamron 15-30mm f2.8?

A: No, you will need to get the 150mm system from Nisi specifically for the Tamron 15-30mm lens. Click the link below to view; https://bhpho.to/2Go1Rxx

24/09/2024

[Glass] Best quality filters for my infrared photography!

5
21/09/2024

[Aluminum] I love the colors; the filter snaps into the Canon adapter and fits snugly. The Vari ND wheel spins somewhat freely, similar to the canon version. I wish it had some more tension on the wheel so it would feel more solid. But in no way effects the performance, it's superior to the canon in my opinion.

5
03/09/2024

[Aluminum] This is a really great filter for effects shots. If your using this filter with studio lights be mindful of your light positions. If they are really close to the camera you get less streak(so I discovered). If your lights are afurther from the camera(15-20 feet) you get more streak. It's a must to have a matte box with a rotating filter holder with this product so you can turn the streaks any way you want them. It's a neat filter, I'm looking forward to using it again.

5
29/08/2024

[67 mm] I’m new to IR photography. I’m using a Sony F828 with the magnet hack (Google it) & various external filters. I started with standard filters such as 720nm & 850nm but wanted something to pass more color for a more interesting twist. This 550nm delivers; it was worth the wait. It’s a lot of fun and making me enjoy photography again. There’s a lot of information out there about post-processing. Play with channel swapping (Photoshop channel mixer) to flex your creative muscles.

5
18/08/2024

[Glass] I have only tested this filter on my Lifepixel-modified Canon R6 (v1), but I like it already. It produces some really interesting color combinations that my other Lifepixel IR filters do not. Samples below are with custom white balance in-camera.

5
19/07/2024

[2-Point Streak] This is not a filter to have just for fun. First of all it requires you to have a Full spectrum conversion on your camera. Second of all it is for a very specific use and its price is no joke, so if you don't need it I would spend my money on something else I would use more. But in my case it's been a blast. I will use a lot more my converted camera now that I have it, and just getting started with experimenting out of the users manual I have a lot of ideas to work on with this filter.
The filter only lets through UV light so exposure compensation is required and even under bright sun you will more than likely shoot on a tripod, with high ISO using slow shutter speeds. This filter is a tool, not a toy.

5
13/07/2024

[67 mm] Shoot aerochrome with you converted full spectrum digital camera. Works like a charm, just set your white balance and trees turn red but keeps the sky blue. No need to sit in front of your computer to swap channels.
Ensure that your lenses do not create hotspots. Some lenses can create spots in the centre of images.

5
03/07/2024

[2-Point Streak] After long ago exploring IR images with Kodak chemical films, I purchased the Kolari K665Pro and K720Pro to use on a stock Canon EOS 5D Mark IV and Canon lenses. I chose the Kolari Pro series for their sharp cutoff spectra as well as their filter coatings compared to Kolari's base series or Hoya. The Kolari Pro quality / performance / price point trade-offs were great IMHO. Starting with the 665, I set the camera for manual exposure (typically bracketing around +2) and manual focus (typically longer focus settings), and the stock sensors pick up enough red for good composition and control. It has been a short learning curve and I am most pleased with the images that the Kolari filters are generating: awesome black and white landscapes, cloudscapes, and waterscapes, and excellent starting points for post-processed color shots (native red hue or channel swapped)! No discernible color aberration until I push the image magnification to its pixel limits. The coatings have been great with tough lighting angles - no flares - and stay remarkably clean in windy, dusty environments! Continuing experiments with the 720, which pushes the limits of the stock sensors but still works well. Highly recommend the Kolari 665Pro for anyone getting into IR!!!

5
26/06/2024

[Glass] This is a really cool pice of glass. If it's used with lots of lights you get that music video look. I cant really think of a use for this filter outside of a studio or well lit background. I have used it once so far and I'm very happy with my results. It is a bit pricy but all 4X4 filters are. I would not use/or buy this unless you have a matte box with a rotating filter holder. That is a MUST for this product.

5
02/06/2024

[Aluminum] I recently ordered this to have more options when shooting with a full-spectrum converted camera. It's great to be able to do false colour infrared without needing to use channel mixing in post production. It also opens up a wider range of treatments in the resulting files. I think it's my new favourite IR look.

5

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