[3200 to 5600K] This is a well-constructed dimmable light fixture with an excellent light output. The yoke is also well-constructed and features a handy 2-way stud receptacle. I say it's handy because I had to use the horizontal opening to attach to the light stand - this was because the soft-box attachment needed to be clear of the yoke - impossible to do when the light was mounted vertically.�

The only downside was the very high color temperature. You need gels or plastic sheets to correct the CT. Mine are on backorder so I was stuck on an interview shoot that needed 2700K.

[3200 to 5600K] This is a complete kit. Multiple Battery options, DMX Controls, variable power and color (blending 3200K - 5500K led's) - This is the premium version of the Dracast light. No plastic, solid construction, high CRI value LED's. The PROs - PLENTY of light. this 3 light kit replaces an older ARRI kit. in fact - low (Soft) light applications will require a modifier in close settings. All components are Grade A. Only problem is dimming at the lowest end of the scale (1-3 of 100 range) - where lights can turn off. LOW heat, great to bounce off ceilings / cards for general / fill lighting. Cases are really nice. CONS: More expensive, I didn't review the options and as a result overpaid for a DMX feature I don't need / can't use. ( should have picked the version without DMX for my application) Would have been ideal if it integrated a wireless control (when they are high on booms it's hard to adjust).

[Proprietary] Just took these lights plus two more LED500 Bi-Color on a small location shoot with green screen. I could not have been more impressed with these lights! Our talent was equally impressed and we looked like industry giants. Dialing in intensity and color temp is a breeze. Our screen was so easily lit and our talent has never looked more natural. In my opinion these lights are worth their weight in gold. Go Dracast! And as a huge bonus - the gear bags and tripods that match up with the lights are outstanding! Plus! Not done yet... zero heat and never tripped a breaker.

[Proprietary] I want to say a big THANK YOU to Dracast because I am so pleased with this light kit as well as their customer service. From the day I started researching their lights, I was greeted with friendly and knowledgeable associates that really cared about my customer experience and satisfaction. When the lights arrived, I quickly set them up and everything worked without any issues. They are perfect for a videographer that is on the go as well as someone that wants to set up a small studio. I currently have them as a small studio set up my garage and also have used them on the go for weddings, fashion shoots, and modeling. The light is even, powerful, and the bi-color adjustment is AMAZING!I highly recommend these lights for use and Dracast for a great customer experience!

[Proprietary] The amount of light output produced from this kit is worth the rather hefty price tag. It's not just powerful, it's also very color accurate, and quite comparable to the quality of Litepanels lights. Because this is a dual color kit, there's a seemingly endless mix of color temperature permutations for the effects you're looking for, without even needing gels. The light stands that come with the kits are above par and don't easily scratch or dent. All in all, this kit is a worthy investment.

[Proprietary] Previously I had a pair of ICE lights, but these are a huge step up for me. �Great lights!!

[CRI 95] I do many location interviews for my client and I have been lusting after battery powered LEDs. I was a tad nervous about the Dracast brand but my experience with the lights has been very good. The most recent was an interview with two subjects against a green screen. Two lights lit the screen and a single light with the Chimera did a great job covering both subjects. All three were on battery power, making setup very easy.

[CRI 95] When using Dracast lights on location or in the studio we have found the color balance as well as the consistency of light has been phenomenal. When we are in the field producing our award winning show, we need lights that we can depend on. It also is a plus that we can break down quickly at the end of a shoot without waiting for the lights to cool down. Easy transport, high quality and dependability - this is why we love Dracast lights. Since Family Ingredients travels to other countries, it is essential to have the best. The Family Ingredients Team also believes in sustainability and Dracast lights use minimal energy while providing peak performance. The lights look incredibly natural no matter the subject. Lighting is key and Dracast, whether in the studio or in the field always delivers.

[CRI 95] Some of the best built LED's I've worked with. The dimmer and color knobs are smooth. The metal body is a great touch. They have a really nice output as well. Paired with the Dracast Gold Mount batteries these guys are easy to use on set in any situation and if you're using gold mount batteries for cameras/monitors etc. it's always helpful to have a few more around. I think the only thing I don't like is the way the yolk attached to the light with these weird teeth, but I think that's something I'll just get used to. They do keep the light snug and in the correct position so I can't complain too much. May buy more to keep in the studio all the time

[CRI 95] I needed a 4 light kit to use either in studio and field production. I found this kit Perfect for my needs. Lightweight and sturdy (very important if you need to carry them around) You can shift and blend color temperatures and intensity as needed (no flickering!!!)