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Kolari Vision Pro Gen 3 Infrared Lens Filter 780nm 58mm

Kolari Vision Pro Gen 3 Infrared Lens Filter 780nm 58mm
  • Product Code: eq136159
  • Availability: In Stock

$284.97 $416.06

The 780nm, 58mm Kolari Vision Pro Gen 3 Infrared Lens Filter is fitted with precision machined brass rings, enhanced grip, and a superior lifetime warrantied construction while maintaining a low profile over your lens. This external infrared filter is perfect for adding to a full-spectrum conversion or on top of another infrared conversion to get a different effect. The filter features a hydrophobic AR coating that increases scratch resistance and causes dust, smudges, fingerprints, water, and even permanent marker to slide right off its surface with minimal effort. The brass ring construction features front and rear threading and an aggressive grip knurling for easier filter removal.

High-Transmission IR Glass    Anti-Reflective, Anti-Smudge Coating    Front and Rear Threaded Slim Brass Ring    Aggressive Grip Knurling

Parameters
Filter TypeKolari Vision 780nm Infrared
Exposure ReductionNot Specified by Manufacturer
Size58 mm Rear Filter Thread 
Front Accessory Thread / Bayonet58 mm
CoatingResistance Coated Only
Filter MaterialGlass
Ring MaterialBrass

Related Questions and Answers

Q: 1. Does the recommended accessory 62mm lens cap fit on the open end of the hood? (FWIW, a 55mm cap fits on similar hood that is designed to fit lenses with 49mm filter size.) If not, what if any cap will fit the hood?

A: Yes, the front threads of the hood are 62mm.

Q: 2. Has anyone tried this on a Sony FDR-AX53 (with 55mm-to-58mm step up ring)? (Or on the AX33 or AX100)? If so, any feedback on how well it worked?

A: While this lens has not been specifically tested on the AX53 you could certainly attach it with a 55-58mm Step-Up Ring. The AX33 has a 52mm thread, while the AX100 has a 62mm thread. Those are more popular sizes for Wide Angle Conversion lenses and Raynox makes options that will attach directly to those cameras.

Q: 3. Is it compatible with Panasonic 12-35mm f2.8?

A: Unfortunately no. These converter lenses are for cameras with small sensors and will not work on cameras with the larger MFT sensors. If you need a lens wider than 12mm, you would have to get a separate lens. The Olympus M.Zuiko Digital ED 9-18mm f/4.0-5.6 Lens B&H # OL91840 would be one suggestion.

Q: 4. Is the screw mount made of metal?

A: The ring on the B+W 58mm Collapsible Lens Hood is aluminum.

Q: 5. Would this work well with a Canon VIXIA HF G30?

A: I was not happy with the optical quality of the HD-6600 Pro 0.66x wide angle lens. It was very soft over all and had a small center area of the lens that actually reduced the contrast, so things in the that circle that were black, looked dark grey. Very strange lens. I would not recommend this lens to anyone. I would stick to name brand lens.Will

Q: 6. will two of these lenshoods fit on Canon 18x50 IS Binoculars without any problems?...I know the 58mm thread size will work, I'm just wondering about the physical size.

A: Yes. They fit perfectly and offer great protection for the binoc lenses. High quality product.

Q: 7. Will this be compatible with the Fuji 18-55 kit?

A: As the Fujifilm XF 18-55mm f/2.8-4 R LM OIS Zoom Lens uses 58mm filter threads, the Sensei PRO 58mm Aluminum Lens Hood would fit onto the lens. However, as indicated under the Overview for the lens hood, it is designed for APS-C lenses that have a focal length of 28mm or longer, so there is the possibility of vignetting when using the lens set wider than 28mm (between the 18-28mm range of the lens). I would therefore recommend either using the dedicated lens hood that came with the lens, or consider the Sensei PRO 58mm Wide Angle Aluminum Lens Hood, B&H # SELHMW58, which is designed for APS-C lenses up to 18mm wide.

Q: 8. For the 58mm version of this hood, is it possible to use a 58mm pinch type lens cap inside of it? Also, will this cause vignetting on a 17.5mm MFT lens?

A: The 58mm pinch cap works fine. Filters, though you didn't ask about them, are a related issue to consider; you can't attach a filter inside the hood. You must either use 58mm filters behind the hood, or 62mm filters in the hood's front end (either or both could create a vignetting problem). I use this hood on a 6x4.5cm film camera lens, so I can't address vignetting on your lens.

Q: 9. Will this work on the Panasonic G85 with the stock 12-60 kit lens?

A: Unfortunately this lens was designed & tested for digital video cameras and not for still cameras.However it might work fine for you.Please try it and advise

Q: 10. Have Canon EOS 18-55mm lens, thread size 58mm. Will this lens hood fit and work okay?

A: No, Sensei PRO 58mm Aluminum Lens Hood BH #SELHM58 works best for lenses 50mm and Longer (Full Frame). For the Canon EF-S 18-55mm f/3.5-5.6 IS II Lens BH #CA1855EFS, we would recommend the Sensei PRO 58mm Wide Angle Aluminum Lens Hood BH #SELHMW58 https://bhpho.to/2Y6OWDk.

19/07/2024

[Glass] Infrared takes a hole lot of experimenting. If you convert a camera I would say make a Full Spectrum Conversion. After that a full set of filters to se your options. This filter is one of the most user friendly filters you can get for it. Have fun with it if you get it.

5
19/07/2024

[Brass] I've been using the Kolari Vision IR Chrome Lens Filter on my IR full spectrum modified Sony a7iii with the 24mm G-Master lens. In order to achieve the vibrant red foliage colors with realistic blue skies and other colors, it is critical to have the correct custom white balance. At least with the Sony this required some experimentation as the usual gray card setting makes green foliage more orange than red (see photo), and this is very hard to correct in Lightroom. With my Sony, getting vibrant red foliage pushed the hues of other colors off a bit. Your experience may differ as I'm betting it's a function of the color algorithms in the specific camera being used. I did find that desaturating all color channels except blue can be any easy way to get b&w IR images with nice blue skies (see photo). Like all filters, plan to play with it a while to see how it affects your images under various circumstances.

5
09/07/2024

[Glass] Shoot aerochrome with you converted full spectrum digital camera. Works like a charm, just set your white balance and trees turn red but keeps the sky blue. No need to sit in front of your computer to swap channels.
Ensure that your lenses do not create hotspots. Some lenses can create spots in the centre of images.

5
21/06/2024

[Brass] I have only tested this filter on my Lifepixel-modified Canon R6 (v1), but I like it already. It produces some really interesting color combinations that my other Lifepixel IR filters do not. Samples below are with custom white balance in-camera.

5
13/06/2024

[Brass] After long ago exploring IR images with Kodak chemical films, I purchased the Kolari K665Pro and K720Pro to use on a stock Canon EOS 5D Mark IV and Canon lenses. I chose the Kolari Pro series for their sharp cutoff spectra as well as their filter coatings compared to Kolari's base series or Hoya. The Kolari Pro quality / performance / price point trade-offs were great IMHO. Starting with the 665, I set the camera for manual exposure (typically bracketing around +2) and manual focus (typically longer focus settings), and the stock sensors pick up enough red for good composition and control. It has been a short learning curve and I am most pleased with the images that the Kolari filters are generating: awesome black and white landscapes, cloudscapes, and waterscapes, and excellent starting points for post-processed color shots (native red hue or channel swapped)! No discernible color aberration until I push the image magnification to its pixel limits. The coatings have been great with tough lighting angles - no flares - and stay remarkably clean in windy, dusty environments! Continuing experiments with the 720, which pushes the limits of the stock sensors but still works well. Highly recommend the Kolari 665Pro for anyone getting into IR!!!

5
07/06/2024

[58 mm] I’m new to IR photography. I’m using a Sony F828 with the magnet hack (Google it) & various external filters. I started with standard filters such as 720nm & 850nm but wanted something to pass more color for a more interesting twist. This 550nm delivers; it was worth the wait. It’s a lot of fun and making me enjoy photography again. There’s a lot of information out there about post-processing. Play with channel swapping (Photoshop channel mixer) to flex your creative muscles.

5
05/06/2024

[Brass] After long ago exploring IR images with Kodak chemical films, I purchased the Kolari K665Pro and K720Pro to use on a stock Canon EOS 5D Mark IV and Canon lenses. I chose the Kolari Pro Gen series for their sharp cutoff spectra as well as their filter coatings compared to Kolari's base series or Hoya. The Kolari Pro quality / performance / price point trade-offs were great IMHO.

I posted a review of the 665 and can not say enough positives about it!!! 5 stars!!!

Still experimenting with the 720. It is slightly more technically challanging on a stock camera, but just as impressive as the 665 so far. Highly recommend the Kolari Pro Gen series for anyone getting into IR!!!

5
19/05/2024

[Brass] Works great on full spectrum cameras. Lets you get into the deep infrared on 720nm or higher converted cameras.

5
13/05/2024

[Brass] Best high quality filter for my infrared photography!

5
05/05/2024

[Brass] Best high quality filter for my infrared photography. Very happy with it.

5

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