[CinemaScope] We used the screen at our annual and special town meeting and found that it was better than anticipated. the powerpoints were projected so all could see no matter where they sat at our meeting. I couldn't be happier and worth the price.

[53 lb] The screen functions as described. we used the additional brackets to mount the screen to a concrete wall. The mechanical parts of the screen are smooth and easy to use!

[CinemaScope] After correspondence with B&H on product lines and availability , I selected the cinema contour to marry up with the projector specifications that were needed. It also worked well with the acoustic demands of the in wall speakers hidden behind it . The result was spot on. Excellent price coupled with exceptional performance. B&H got the job done. Pro service for pro contractors.

[2.35:1] This is my fourth ALR (ambient light reflecting) screen.

The first thing to know is, there are no miracle screens. There are good ALR screens, but none perform miracles. Even the best don't show a great picture in a really bright room. The second thing to know is, don't necessarily believe the promotional pictures and videos from manufacturers that show amazing screen performance. They have positioned the screens, projectors and cameras to show the screens at their very best. You are unlikely to duplicate this in a real world situation.

Almost all ALR screens have, to one extent or another, a major problem – screen artifacts. Shimmering, hot spots, sparkles, grainy appearance and so on. In order to eliminate this problem I have owned four different screens. My newest one, which wasn't available when I first started my quest for better picture quality, the Da-Lite Parallax, has none of these problems. Zero!

The Parallax probably doesn't have quite as good of ambient light rejection properties as some of the other screens, but with some light control and careful placement of light sources, you can still have light in the room and a great picture.

A great artifact free picture is really important now that we have 4K material to watch.

[CinemaScope] This screen looks beautiful, is simple to assemble, and is an amazing value for the price! I couldn't be happierwith it. The frame looks clean and professional, and the screen is perfectly smooth- no awkward stretch or wrinkles.

My only critique is it's a little difficult to make the corners align perfectly. I ended up with maybe half a millimeter gap on one corner, but you would have to look very closely to notice that. Otherwise the design is flawless. Impressively well engineered design with a minimal number of parts.

I almost never leave reviews for products, but I am legitimately impressed with this product. I wouldn't want its lack of prior reviews to dissuade anyone from trying it out.

[1.3] I have used this Da-Lite screen for the past 3+ years. This is actually my second purchase. Compared to some brands and products, the price is reasonable. The design is solid, great for portable use and easy to setup. However, it weights close to 70 pounds. A great product nonetheless.

[2.35:1] Very easy to assemble. For ambient lit rooms, this screen is very very good!

[CinemaScope] From an installers point of view, this screen really is nice. Install a top and bottom rail and the screen slides over the rails for an easy installation. The screen snaps to the rear of the frame for a very tidy and clean cut appearance. High quality frame, packaged well, easy to install... a good deal all the way around.

[1.3] Well packaged. Easy to assemble. System tensions screen perfectly for a no-sag presentation.

[CinemaScope] Assembly for very straight forward. Looks great on the wall. Really like the velour wrap around the frame. It does a very good job of rejecting light back onto the screen. Because of the size, (110 inch) I decided to put up a folding screen to cover it when not in use.