Kolari Vision 1/8 Mist Diffusion Filter 67Mm

Kolari Vision 1/8 Mist Diffusion Filter 67mm

Product Code: eq136609
Availability: In Stock

$209.97 $258.26

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Description
Reviews (9)

Introducing the Kolari Vision 1/8 Mist Diffusion Filter 67mmfrom Kolari Vision, your key to adding a touch of ethereal beauty to your photographs. With its unique ability to create a gentle, glowing haze effect, this filter opens up a world of creative possibilities. By delicately defocusing certain light elements while maintaining optimal sharpness and contrast, the Mist Diffusion Filter adds a cinematic, nostalgic aura to your images. Crafted with meticulous attention to detail, the filter ring features a robust yet lightweight construction using aircraft aluminum. The filter features both front and back standard threads that effortlessly accommodate stacking multiple filters and work seamlessly with standard lens caps.

Glowing Haze Effect Optically Flat Filter Aluminum Filter Ring Front and Rear Filter Threads

Parameters
Filter Type	Mist (Grade 1/8)
Exposure Reduction	Not Specified by Manufacturer
Size	67 mm Rear Filter Thread
Front Accessory Thread / Bayonet	67 mm
Filter Material	Glass
Ring Material	Aluminum

Related Questions and Answers

Q: 1. The diameter is really 7.0' (2.1 m)? On Westcott site is specified that The umbrella size is determined using the arc size and that the Diameter is 70.0 / 177.8 cm). Please help me with the correct actual diameter size. Thank you!

A: The dimensions listed for the 7' umbrella on the Westcott site is the correct one. Except for the Westcott Deep Umbrellas, the umbrellas size is determined by the arc.

Q: 2. Is it compatible with Nikon Speedlight 900?

A: No, the Westcott FJ80 Magnetic Diffusion Dome is not compatible for use with the Nikon SB-900 Speedlight Flash.

Q: 3. Does the pink/magenta tint neutralize the green tinge of the V1/AD100?

A: Godox Collapsible Diffusion Dome has no visual color effects on images although it has a light pink tint on the rubber. Therefore we can not recommend this tool as a color correction option.

Q: 4. Does it come with diffusion? Or is this just the frame?

A: The Aladdin AMS-ADBALL50 Ball1 includes the frame and diffuser. It can be used with the Aladdin BI-FLEX 1, Micro LED BI-FLEX M7 and ALL-IN-1 panels. Replacement diffusers are also available if it ever gets misplaced.

Q: 5. Will this fit FJ80ii?

A: Yes the Westcott FJ80 Magnetic Diffusion Dome also fits the FJ80II,

Q: 6. Is it compatible with Canon speedlights?

A: Unfortunately Westcott FJ80 Magnetic Diffusion Dome is not compatible with Canon speedlights.

Q: 7. Would this be necessary for a 35mm focal length or is the regular 67mm adapter ring fine for that focal length?

A: I bought this item for a 75mm 4X5 lens, the equivalent of a 21mm in full-frame 35mm. Works fine at that focal length. However, I suspect the regular adapter ring might work for a 35mm focal length with a 35mm film or sensor size.

Q: 8. Will this work with the photek 60" umbrella?

A: This would fit on a Photek 60" umbrella.

Q: 9. Will this fit the Yongnuo YN650EX-RF oval flash?

A: No, the Westcott FJ80 Magnetic Diffusion Dome does not fit on the Yongnuo YN650EX-RF Flash.

Q: 10. Does this attach by friction? Or magnets on a round head (i.e., will it work with an S-R1 adapter)?

A: Godox Collapsible Diffusion Dome attaches by friction. If you have the S-R1 adapter you would need the AK-R11 that attaches via magnets. Here it is: https://www.bhphotovideo.com/c/product/1553732-REG/godox_ak_r11_dome_diffuser.html

Joshua	27/09/2024
[67 mm] I use a wide range of lenses, from cheap primes to large zooms, and my filter sizes vary across the range. With these clip-in filters, I can attach ND filters and shoot video with both RF and adapted EF lenses with no issues. This 3 stop ND was perfect for shooting a music video outside in sunny Los Angeles, and the 1/8 Mist had just a hint of glow to highlights without killing the contrast. I own all three 1/8 mist (0-stop, 3-stop, and 6-stop), and I have one in my camera at all times. Looking to try the 1/4 mist at some point to compare. 5

Joshua	16/08/2024
[Glass] I use a wide range of lenses, from cheap primes to large zooms, and my filter sizes vary across the range. With these clip-in filters, I can attach ND filters and shoot video with both RF and adapted EF lenses with no issues. This 6 stop ND was perfect for shooting a music video outside in sunny Los Angeles, and the 1/8 Mist had just a hint of glow to highlights without killing the contrast. I own all three 1/8 mist (0-stop, 3-stop, and 6-stop), and I have one in my camera at all times. Looking to try the 1/4 mist at some point to compare. 5

Ki-Myung	07/07/2024
[Glass] Shoot aerochrome with you converted full spectrum digital camera. Works like a charm, just set your white balance and trees turn red but keeps the sky blue. No need to sit in front of your computer to swap channels. Ensure that your lenses do not create hotspots. Some lenses can create spots in the centre of images. 5

Anthony V	06/07/2024
[67 mm] Best high quality filter for my infrared photography! 5

Matthew	08/06/2024
[Aluminum] Excellent build quality, filter turns super smooth and works great. Such a nice feature having 2 in 1. 5

Anthony V	14/05/2024
[Glass] Best high quality filter for my infrared photography. Very happy with it. 5

Ryan	13/05/2024
[Glass] Took my photos with my 28-70 to the next level, it now lives on that lens and probably will forever. The 1/4 grade is absolutely perfect for everyday use. Will definitely be looking into different sizes for other lenses. 5

J Michael	24/04/2024
[67 mm] I've been using the Kolari Vision IR Chrome Lens Filter on my IR full spectrum modified Sony a7iii with the 24mm G-Master lens. In order to achieve the vibrant red foliage colors with realistic blue skies and other colors, it is critical to have the correct custom white balance. At least with the Sony this required some experimentation as the usual gray card setting makes green foliage more orange than red (see photo), and this is very hard to correct in Lightroom. With my Sony, getting vibrant red foliage pushed the hues of other colors off a bit. Your experience may differ as I'm betting it's a function of the color algorithms in the specific camera being used. I did find that desaturating all color channels except blue can be any easy way to get b&w IR images with nice blue skies (see photo). Like all filters, plan to play with it a while to see how it affects your images under various circumstances. 5