Gently level the gain on vocals and instruments with the Teletronix LA-2A Leveler Collection Plug-In from Universal Audio, an exacting digital emulation of the legendary analog unit's special combination of optical compression and tube amplification. Three different versions of the unit are provided, each with its own subtly distinctive character. Use the Peak Reduction control to set the threshold level and the Gain to boost the output to compensate for post-compressor volume loss; that's it. Between the slow multistage release of the T4-photo-cell compressor and the warm tube amplification, the LA-2A provides the magic sauce for transparent level reduction with a hint of analog color for that professional polish.

Owners of Apollo interfaces can record in the box through the plug-in for a real-time LA-2A tracking experience. This plug-in software download includes a native version that will run on Mac and Windows computers without UA hardware as well as a second version that runs accelerated on Apollo interfaces and UAD-2 hardware.

Emulation of LA-2A    Program-Dependent Optical Compression    For Tracking and Mixing    Gentle Vocal and Instrument Compression    3 Different Compressor Versions    Artists Presets    Includes Native, Apollo & UAD-2 Versions    For Mac and Windows Computers

Teletronix founder Jim Lawrence first used photocells for controlling audio gain in the early 1960s. His ingenious optical compression design was a technological breakthrough, far surpassing the stability and transparency of earlier circuits. Universal Audio founder M.T., Bill, Putnam later purchased this patented technology, continuing to manufacture the LA-2A for years to come.

The Teletronix LA-2A Leveler Collection puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. Like the hardware, the LA-2A Silver, LA-2A Gray, and LA-2 models offer distinct variations in time constants, compression knee, headroom, distortion, program, frequency dependence, and more.

With a brushed aluminum panel and original T4B gain-reduction module, this cherished late-1960s silver version of the LA-2A manufactured by Bill Putnam is perhaps the most flexible of the three plug-ins in the collection. Its fast time constant makes it suitable for the widest variety of program material, including transient-rich sources like drums and percussion. Jim Lawrence's original mid-1960s gray version of the LA-2A maintains a more average time constant, providing a range of medium-speed compression.

The exceptionally rare, early 1960s LA-2 unit preceded the LA-2A by several years. It provides the slowest response and a unique mellowed sound due to 50 years of luminescent panel aging inside the T4 module. Use the LA-2 with legato tempos and vocal sources for a transparent and sublime mood unlike any other compressor.

Related Questions and Answers

Q: 1. I have a Sony A7RII and a 70-400 SSM G2. Attached to a 2x TC and an LA-EA4, it allows for only manual focus. Does the LA-EA5 add autofocus functionality to the 2xTC under this setup? And if so, with how many phase detection focus points?

A: No, AF is not supported for teleconverters.

Q: 2. I have a huge hiss problem connecting my beeznees mic to the bae compressor in to this la2a what could it be?

A: Hissing in any piece of audio gear is indicative of electronic noise, due to either poor quality in components or improper gain staging. Keep in mind every time an audio device is added to the chain, the noise floor increases.

Q: 3. I have TAMRON A-MOUNT lenses ... 17-50mm & 70 / 200mm Does it work on Automatic with this Brand ...?

A: Sony, does not test the Sony LA-EA5 A-Mount to E-Mount Adapter with third party lenses. So the Tamron lenses might not work. And the Sony lenses listed that work are at this links with some limitations, https://bit.ly/3AZCeNQ

Q: 4. Whats its load capacity preferably in kilograms pls?

A: The following unit has a payload support of 23 lbs.

Q: 5. Is the LA-EA5 compatible with the Minolta 200mm f4 APO tele macro?

A: Yes, the LA-EA5 would be compatible with a Minolta Maxxum lens such as the 200mm f/4 APO Tele Macro.

Q: 6. what does it weigh?

A: The iFootage QL-I Quick Leveler weights 8.04 oz.

Q: 7. What is the angle or degree of tilt?

A: The iFootage QL-I Quick Leveler is approxemelty 15 degrees.

Q: 8. Does this support the use of teleconveters such as a 1.4 on A mount 300 f2.8

A: Yes

Q: 9. What are the dimensions, please? Diameter of top plate? Diameter of bottom surface? Height of unit? Thanks.

A: The dimensions provided by iFootage are as follows: height: 53 mm / 2.08 inch, top diameter: 65mm / 2.55 inch, mounted base diameter: 48mm / 1.88 inch.

Q: 10. Is AF/AE tracking supported for motor driven lenses on a new a7c?

A: According to Sony, yes, AF/AE tracking is supported for motor-driven lenses when using the Sony LA-EA5 A-Mount to E-Mount Adapter on the Sony Alpha a7C Mirrorless Digital Camera.