[Foam] Double nylon. Long goose neck. Clamps easily to stand. Does it's job.

[Foam] I already own a number of podcasting mics but saw a video on these Tula mics that really intrigued me. I mostly wanted to have the option for internal recording without the mic even needing plugged in to a power source.

I have NOT been disappointed. The quality of the mics has been superb. A perfect blend of highs/mids/lows. It makes my voice sound good (adult male), my wife's (adult female) and even my three year old boy's! Very crisp sound - not needing much post production correction at all, if any!

They're made of high quality metal materials. Parts are replaceable (don't see that needing to be done, but still nice). The retro, yet somehow modern, look to them is so so good. You just WANT to use them.

Internal recording and battery life are game changers. Wow! You can even record a single track that uses the noise cancellation feature, but simultaneously record a safety track without it.

Plenty of buttons on both sides is nice too, so you don't have a lot of tricky taps to get where you want with the settings.

The only things I can warn you about are these:
- There is no screen or gain knob with numbers to see settings or playback features. You kind of have to get your muscle memory down a bit to navigate the features (not bad though with all the available buttons).
- These mics are sensitive! Definitely buy the Tula pop filters or you'll get too many plosives.

One last good thing - although all these mics sound better when your mouth is closest to the mic, these Tula mics sound great even when you're a few feet away. Awesome!

[0.025 lb] I use the Synco Mic D2 for voiceover work. The included foam windscreen is really thick in front of the address end of the mic, and is the biggest complaint about it, as it can muffle your voice to a degree. This pop filter was highly rated for this mic, and it's perfect. My voice comes through perfectly, and with this setup, I don't need to worry about plosives.

[Foam] Using this on my Sennheiser MKH 416. Does a much better job than the wind cover that came with the mic. It reduces pops to next to nothing, it's quite lightweight and very transparent sounding. Just a really nice design. The small size makes it great for voiceover work as it doesn't block your view for reading even if you bring the mic up close and in front of you.

[0.025 lb] Great pop Filter - reduces pop, doesn't impact tone.

[0.025 lb] We record books for the blind using volunteer readers across the country. Our previous solution was a mix of multiple pieces of equipment that required extensive training and support. The Tula is intuitive for our readers to use, has excellent sound quality, and good noise rejection.

[0.025 lb] works well

[Foam] Bought it to help with de-essing and plosives on my AT2035. Performs shockingly better than just a foam windscreen that I was using previously. Fits perfectly on my AT2035 with the shock mount. There was enough of a gap between the filter and mic grill that I was able to keep my foam windscreen as well just by sliding it down the element a bit so that the pop screen mount can attach.

[0.025 lb] Got this for my Shure SM27 and it fits just fine. Installation couldn't be easier. Does the job it's supposed to much more economically than any alternatives I could find.

[0.025 lb] Bought to use with a Rode USB mic. Not much to say about it other than it is 100% easier than one of those clamp on types like the one I had with my focusrite setup. It works, it looks great, once you install it you will probably forget it is there.