Built for DJs, drummers, producers, and soundtrack composers, Ujam Beatmaker 2 Circuits Virtual Instrumentis a software instrument doubling as your personal, real-time drum-track creator for producing retro grooves with the analog warmth and feel of classic drum machines. Beatmakers Circuits offers 10 professionally created kits with 16 drum instruments each, 460 patterns organized in 20 Styles with 23 ready-made patterns each, for a total of 460 patterns, all waiting to be fired off and arranged using your MIDI controller in real time.

Choose from 12 Mix settings and boost the intensity of your beat using the Amount knob. The sweetener function gives you control over the impact of your drums. Optimized for live arrangement and mixing, Beatmaker Circuits takes advantage of Ujam's simple yet powerful macro controls, allowing for dynamic and tonal tweaking on the fly.

For DJs, Drummers, Producers    Retro Electronic Drums and Grooves    10 Kits with 16 Drum Instruments Each    460 Patterns: 20 Styles with 23 Patterns    Phrase Drag-and-Drop into DAW    Sweetener Midrange Control    12 Mix Presets with Beat Intensity    Individual Audio Outputs    Mac/Windows, VST 2/3, AU, AAX

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 Mix Presets, optimized for classic drum machines and grooves.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 Mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• Carve out the mids, crank the sub, and add shimmer to the highs all at once, straight into a slammed compressor for maximum impact. You can also set the control negative for a tight midrange knock.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through Individual Outputs.
• It offers one-knob saturation, a loudness maximizer, an Ambience selector, Sweep dual filter, a Maximizer, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano roll integration: The names of styles and drum-elements are displayed on the keys of your piano roll to help you find the right styles and drums faster and easier for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 Styles and 460 patterns with intro, verse, chorus, fill, and ending
• 10 drum kits with 16 instruments each
• 12 Mix presets with Beat Intensity
• Special control: Sweetener
• Master section for sound processing Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

Related Questions and Answers

Q: 1. How does the Milvus compare to the Contax Zeiss 21mm?

A: While also a manual focus lens like a Contax Zeiss Distagon T* 21mm, the Milvus offers an electronically controlled aperture on Canon EOS bodies, improved lens coatings and a weather sealed design.

Q: 2. Will the de-clicked iris work well with the video on my d780, or does it still need to be locked on like f16 for the Nikon CPU not to Fritz out. If it works well I will probably grab this and an 85 for my film making

A: The aperture of the ZEISS Milvus 35mm f/1.4 ZF.2 Lens for Nikon F has a de-click feature specifically for filmmaking applications. To use the manual aperture on the lens, you will need to set this in the camera menu (go to F5 customize command dials, aperture setting and change from sub-command dial to aperture ring).

Q: 3. will the Blackmagic 6K Pro control the electronic aperture?

A: Yes, ZEISS Milvus 21mm f/2.8 ZE Lens for Canon EF has the electronic contacts on thelens mount which would allow Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF) to control aperture and other electronic feature on the lens. The focus is the only manual operation that you can not control through the camera.

Q: 4. is this len manual focus?

A: The ZEISS ZF.2 lenses are manual focus, but do provide communication with the camera body via a CPU. This allows for the use of various functions, including the exposure meter, various exposure modes, transfer of meta data and focus confirmation. You can learn more at: a href= http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/manual_focusing.html target= _blank http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/manual_focusing.html/a anda href= http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/camera_mounts/zf2_lenses.html target= _blank http://www.zeiss.com/camera-lenses/en_de/website/photography/what_makes_the_difference/camera_mounts/zf2_lenses.html/a

Q: 5. Are there different versions of this lens?

A: The only difference is what camera mount it sports. Aside from that there are no other different versions of this lens.

Q: 6. Can you let me know which way around the focus rotates on the Otus? Same as the regular Nikon lenses or the same way as the Canon version. Thanks

A: The Nikon F version rotates the same way as Nikon lenses (i.e. the scale reads from infinity on the left to MFD on the right) and the Canon EF version rotates the same way as Canon lenses (i.e. the scale reads from MFD on the left to infinity on the right).

Q: 7. Does it have weather sealing gasket?

A: Yes it does according to the information provided by Zeiss.

Q: 8. Where is this lens made?

A: The Zeiss Milvus 85mm f/1.4 ZE is made in Japan.

Q: 9. is it sealed against dust and moisture?

A: I'm sorry - I really don't know. Sorry!

Q: 10. I see aperture ring and numbers in the product image. If this was used on D7200, does the camera recognize the aperture selected on the ring? And how do the 1/3 aperture stops work?

A: The aperture selection on the ZEISS Milvus ZF.2 lenses can be done using the ring on the lens barrel, or via the sub-command dial on the camera. This choice needs to be made in the set-up menu on the camera (refer to the D7200 user manual for more information). When the aperture ring on the lens is chosen, the aperture is changed in 1/2 stop increments. When the aperture is controlled via the camera using the sub-command dial, then the aperture can be controlled in 1/3 stop increments. When using this method, the aperture on the lens should be set to the lowest level until it clicks into place. Otherwise you will see EE readings in the camera menu.