Dual-channel Vca Compressor - Dangerous Music
- Product Code: eq13977
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Mastering engineers take note: the Dangerous COMPRESSOR is designed to give you transparent dynamics control, so you can reign in dynamic material, make it loud, and minimize dynamic comprises. With a bevy of useful features, this VCA compressor can help you deliver a master that’s every bit as loud and impactful as the competition, while allowing you to retain a sense of dynamics.
A big selling point for the COMPRESSOR is its versatility: the BOX can handle anything from hip hop to acoustic folk with ease. Such versatility is achieved through separate detection circuits for the right and left channels (maintaining impeccable stereo separation), switchable dual-slope detection circuits (for handling peaks and average levels differently), and comprehensive sidechain filtering (to keep low end from triggering compression, or to help tame sibilant material). Add audiophile-grade components throughout as well as stepped controls for perfect recall, and you’ll have a compressor up for transparently handling the most demanding tasks—all without the intermodulation distortion so typical from similar methods employed in the digital realm.
Mastering-Grade Stereo Compressor Transparent Dynamic Control Helps Retain Dynamics at Loud Levels Separately Handle Peak & Average Signal Dual-Detectors Preserve Stereo Integrity Comprehensive Sidechain Filtering Audiophile-Grade Components VU & LED Metering Virtually No Distortion
Parameters | |
---|---|
Frequency Response | ±0.25 dB from 15 to 80 kHz |
Maximum Level | +27 dBu |
Noise Floor | <-93 dBu Band Limited from 22 to 22 kHz |
THD+N | <0.005% |
IMD | <0.007% |
Crosstalk Rejection Typically @ 1 kHz | >115 dB |
Fuses | USA: 500 mA Fast Blow for 120 V
Europe 250 mA Fast Blow for 240 V |
Input Impedance | 20 Kilohms |
Output Impedance | 50 Ohms |
Sidechain Filter | Bass Cut: 6 dB/Octave, -3 dB at 60 Hz
Sibilance Boost Corner Frequency is 1 kHz with +2 dB at 5000 Hz Shelving |
Rack Unit Space | 2 |
Dimensions | 19 x 3.5 x 12" / 48.3 x 8.9 x 30.5 cm |
Weight | 19 lb / 8.6 kg |
Packaging Info | |
Package Weight | 17.905 lb |
Box Dimensions (LxWxH) | 22.4 x 18.7 x 8.6" |
When linked in stereo, most compressors take the left and right signals, combine them to mono, and send the combined signal to a detector circuit. This causes the loudest elements in the center to dominate information in the sides. Even worse, any out of phase information will either be ignored or exaggerated.
The COMPRESSOR utilizes two totally independent RMS detectors on each channel, with a nuanced and sophisticated circuit governing how they work together in stereo. This allows the unit to deliver crystal-clear and rock-solid stereo imaging when processing a full mix, a drum buss, a finished master, or any stereo material.
What's more, you can use each channel as an independent mono compressor, or you can cascade the two channels into each other for ultra-transparent compression with peak limiting. Try this for riding a vocal, a spiky lead instrument, or any other track where powerful yet transparent control is demanded.
The COMPRESSOR has a dual-slope detector that you can engage with the SmartDyn button. With SmartDyn engaged, the COMPRESSOR can control fast transient peaks without causing average volume levels to drop. This lets you maintain higher average volume levels while avoiding the pumping artifacts commonly incurred when pushing toward the expectations of modern loudness.
Smart Dynamics is equally helpful when tracking a dynamic singer or mixing a snappy drum kit, and most users end up leaving the "SmartDyn" button engaged at all times.
The COMPRESSOR includes an automatic attack/release setting that works intelligently, so you can just focus on the threshold and make-up gain knobs. If you need more precise settings for attack and release, simply press the Manual Att/Rel button and start tweaking.
The COMPRESSOR includes two bypassable, audiophile-grade sidechain EQs. These feed the detector circuit, changing the behavior of the compression.
Bass Cut turns down low end below 60 Hz, so the COMPRESSOR won't overreact to low-frequency content, or create pumping.
The Sibilance Boost utilizes the BAX EQ's ultra-linear high-end shelf to push more treble content into the detector, which causes The COMPRESSOR to dynamically attenuate sibilance and other unwanted spikes of high-end, such as harsh cymbals, blaring loops, or erratic acoustic guitar strums.
The dual VU meters can show you gain reduction, input levels, or output levels. There is a -6 dB offset button, so that loud material is always hovering in a usable range, perfect for visually monitoring average levels.
What VUs cannot show you are the lightning-fast transients. That's where the LED metering comes in. Together, the VU and LED meters provide critical insights into the intricate inner workings of the COMPRESSOR in action.
Chris Muth designed the COMPRESSOR, and his name is synonymous with fastidious design used throughout the world of high-end mastering studios. He ensured that only high-quality components were used, even in areas of the circuit that don't pass audio. Detector and control voltage circuits (which lie at the heart of any compressor but are not in the audio path) are often built from substandard components in order to cut costs. However, these detector components dictate how well any compressor behaves, and if you seek nuance and intelligence you'll adore the COMPRESSOR.
Related Questions and Answers
Q: 1. Can you specify the weight of this product in Kg? (Including box)
A: The Warm Audio WA-2A Single-Channel Tube Optical Compressor (B&H # WA2AV2) has a package weight of 11.445 lb / 5.196kg.
Q: 2. Do these have connections for digital output
A: There is no digital I/O. All of the connections are analog.
Q: 3. Can the FMR RNC be connected directly to the Pioneer DDJ 800 DJ Controller? Can then the FMR RNC be connected to the AKG HP4E? Hence, the signal flow is as follows: DDJ 800 = FMR RNC = HP4E = Headphones https://www.bhphotovideo.com/c/product/1244140-REG/akg_3450h00010_hp4e_4_channel_headphone_amplifier.html/qa
A: Yes, it is possible to send audio from the headphone output on the Pioneer DJ DDJ-800 Controller into the FMR Audio RNC1773 Really Nice Compressor, then out to the AKG HP4E 4-Channel Headphone Amplifier for up to four users to listen through headphones.
Q: 4. Would this give my presonus 3.5 monitors give a better preformance?
A: Not necesarily better performance. But different characteristics: "The PreSonus FC-670 Compressor is a Fat Channel compressor plug-in, which is state-modeled to accurately capture the unique sound and response of the original hardware processor. The FC-670 emulates the design of an iconic tube compressor/limiter from the 50's to impart an unmistakable silky warmth on just about any signal."
Q: 5. What would i gain by converting to dbx 266 from my current alesis 3630?
A: Both compressors offer the same settings with the dbx 266xs offering better quality according to some customers.
Q: 6. what compressor is this modelled after?
A: PreSonus does not specify a specific hardware compressor that the PreSonus Everest C100A Compressor is modeled after.
Q: 7. Does this just help in recordings, or is there a clear difference in live speaking as well?
A: I use it for recording only, but I believe it would work as well for live speaking as well. The adjusted sound would just go directly to speakers instead of the recorder.
Q: 8. Will this work with other Manufacturers' Cameras?
A: Yes, the Digital Watchdog Compressor 16-Channel HD and Legacy Analog to IP Signal Encoder will work with other camera brands.
Q: 9. Will the ArtPro VLA II work in my home stereo behind a front end source for better sound?
A: The VLAII is a ok compressor, depending on your source instrument. I find it ok on vocal and acoustic guitar.There are much better compressors in the $500-$700 range. But it works and sounds good in general. Depends on your budget.
Q: 10. Is 220V available?
A: The Dangerous Music Master Summing Monitor Analog Mixer features a worldwide power supply; 100-130, 200-250 volts user selectable.
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