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Peregrine 235 Cinemascope 45x105.8" Fixed Frame Screen

Peregrine 235 Cinemascope 45x105.8" Fixed Frame Screen
  • Product Code: eq142126
  • Availability: In Stock

$1,698.00 $2,648.88

The EPV PGF115WH1-WIDE Peregrine 235 45 x 105.8" Fixed Frame Projection Screen is a cinema wide 2.35:1, 115" diagonal, low-profile, fixed frame screen featuring EPV's versatile CineWhite screen material.

The CineWhite surface is designed to work with all lens throws to provide light diffusion uniformity and excellent color rendition for projected images. This screen material has a 1.1 gain, wide viewing angle, and works best in dark or dimly lit environments. The PGF115WH1-WIDE assembles in minutes on a 3.5" aluminum frame coated in black velvet to prevent projector overshoot. All hardware is included, and the lightweight split-frame design makes for easy shipping and delivery to install sites. Additionally, a sliding wall mount is included to ensure proper alignment with your projector.

115" Diagonal | 2.35:1 Aspect Ratio    CineWhite Screen Surface    1.1 Gain | 180° Viewing Angle    Supports HD, 4K, and 3D Projection    3.5" Black Velvet-Covered Aluminum Frame    Fully Tensioned with Black Backing    Sliding Wall Mount Included    Works with All Lens Throw Ratios

Key Specs
Front/Rear ProjectionFront
Aspect Ratio2.35:1
MotorizedNo
Diagonal115.0" / 2.9 m
Gain1.1
TensionedYes
Type
SeriesPeregrine235
Front/Rear ProjectionFront
Aspect Ratio2.35:1
StyleFrame, Wall
MotorizedNo
Dimensions
Viewing Area45.0 x 105.8" / 1.1 x 2.7 m
Diagonal115.0" / 2.9 m
Overall HxW (Max)52.1 x 112.9" / 1.3 x 2.9 m
Height AdjustableNo
Surface
Finish NameCineWhite
Gain1.1
Viewing Angle180 degrees
MaskingAll Four Sides
TensionedYes
Black BackingYes
Whiteboard SurfaceNo
MotorNo
Included ControlsNo
Frame
Frame InfoYes;
Finish: Velvet-covered
Width: 3.5" / 8.9 cm
Depth: 1.6" / 4.1 cm

CineWhite (Tension Matte White) has broad light dispersion through diffusion uniformity, black and white contrast, and true color rendition, making it the one of the most versatile surfaces in EPV’s tensioned screen product lines. The uniform diffusion surface has black backing to eliminate light penetration and is easily washable with mild soap and water.

Related Questions and Answers

Q: 1. Quantity. So, each pack comes with two complete kits? That is two for the back of the speakers, and two for the wall, a total of four pieces. Or is it simple a kit for one speaker?

A: This bracket is for one speaker. However, it is only sold in multiples of two. So you can buy them for 2, 4, 6, 8, etc.

Q: 2. Which projection does it use?

A: We think you are asking is there any protection filter available for this lens. As it often happen, a lens manufacturer creates a fisheye lens and then several months later a 3rd party maker comes up with a solution. That usually involves a large holder for the filter and an adapter for the lens. Unfortunately, there is no solution like that at this time.

Q: 3. Is this product pre-scored and drilled??

A: Yes

Q: 4. Can I use this paper to print with canon pro 1000? Rear tray instead of manual tray?

A: Yes, it is compatible.

Q: 5. what is the opacity?

A: The Moab Lasal Photo Matte 235 has an opacity of 86.

Q: 6. How is the printing in this paper? Planning on using for proof prints as a gift to clients !

A: Amazing, it has great quality and an excellent finish.

Q: 7. How do I put film in?

A: When looking at the back of the camera there should be a button on the left side that you can slide. If it doesn't open, make sure the knob on the top left is released. (If not, pull it up. It is the knob for the film rewind.) Then you should be able to load your film just like any other film camera. Be sure to push the top rewind knob back down before you try to take pictures. I hope this helps! Have fun with it, I know I am!

Q: 8. What is the grain direction on the 13x19 paper, GS or GL?

A: According to Moab, unfortunately they produce all of their sheet paper in either GS or GL based on lot number. Due to our large inventory, we cannot confirm the ones we test will be the ones you receive. Moab's website says "Depending on the converting yields, we cut our sheets in both short and long grain configurations and record the grain direction in the lot numbers with either a GL or GS for 'grain long' or 'grain short' respectively." They mention contacting Moab directly for specific projects that require grain direction for information on specific batches of paper.

Q: 9. Do I need anything else to use this with my Peerless-AV?

A: The Peerless-AV EXT 006 Fixed Length Extension Column (6") BH #PEEXT006. This 1.5" NPT (schedule 40) threaded pipe is constructed of heavy-gauge steel, features notched ends for added safety when locking, and a black fused epoxy finish. The EXT 006 is compatible with all Peerless single unit mounts, and offers a 5-year warranty.

Q: 10. Hi. Does it work with tilta MB-T12? Thank you

A: Yes this filter should work with the Tilta MB-T12.

14/09/2024

[All Four Sides] Very easy to assemble. For ambient lit rooms, this screen is very very good!

5
14/09/2024

[CineWhite] Installed in front of church and has good, even brightness across the auditorium.

5
04/09/2024

[Frame, Wall] Took two weeks to get since it was a special order. But worth the wait. I love the upgrade. I went from a white 1.0 gain to cinegrey 1.2 gain and what an improvement with the contrast. Especially the blacks stand out. But beware, you have adjust the brightness of the projector otherwise you end up with more projector light in the middle. Also, elite screens changed the framing from the older heavier and sturdier materials to the new more flimsy assembly and lighter aluminum framing on the SaberFrames.

5
17/08/2024

[Front] I've been projecting onto a flat gray wall for years thinking it's good enough. This thing is a night and day difference. Vibrant colors and way brighter with the lights on it the curtains open

5
24/07/2024

[Front] I bought it for my light controlled home theater room to increase my already high contrast protector. The gray screen gives the picture an extremely beautiful image with vivid colors an excellent contrast and brightness. The screen should be built with more quality material to provide a more strong screen especially on the back. Should have a blacks back cover.

5
01/07/2024

[1.1] I upgraded my church to widescreen. Our old screens were Da-Lite snapons, and the frames were held on my clamps screwed into the wall.
These Elite screens were a touch tricky to assemble (the frame must be assembled, then the vinyl gets stretched across the frame and you use plastic clips to systematically secure it in place) but they are mounted to the wall with 4 (3 on top, 1 bottom) little metal plates.
Removal is as easy as unlatching it on the bottom, picking it up from the top via a ladder and setting it down.
Therefore, basically hassle free if you need to repaint or something. The whole structure is pretty light for 2 people.


As for the picture, they are fine. I can't really speak to the screen specs because I just needed something that works. I have zero complaints. The deep black velvet on the frame helps a lot with getting the projection aligned.
I would buy these again. The price is just superb.

5
14/06/2024

[Front] I was surprised at how easily it assembled and how tight and flat the surface is ( not a ripple in it, like my old Da-lite Perm Wall had ). The quality is excellent. And the images from my Epson 5040ub on the screen are brighter, sharper and clearer and the color is more accurate. A great purchase. I tip my hat to Elite and to B& H ( for their great service). Thank you both!

5
15/05/2024

[Yes] Great quality and look! It's a bit tricky to put together, but once it's up it's a gem

5
09/05/2024

[All Four Sides] This is my fourth ALR (ambient light reflecting) screen.

The first thing to know is, there are no miracle screens. There are good ALR screens, but none perform miracles. Even the best don't show a great picture in a really bright room. The second thing to know is, don't necessarily believe the promotional pictures and videos from manufacturers that show amazing screen performance. They have positioned the screens, projectors and cameras to show the screens at their very best. You are unlikely to duplicate this in a real world situation.

Almost all ALR screens have, to one extent or another, a major problem – screen artifacts. Shimmering, hot spots, sparkles, grainy appearance and so on. In order to eliminate this problem I have owned four different screens. My newest one, which wasn't available when I first started my quest for better picture quality, the Da-Lite Parallax, has none of these problems. Zero!

The Parallax probably doesn't have quite as good of ambient light rejection properties as some of the other screens, but with some light control and careful placement of light sources, you can still have light in the room and a great picture.

A great artifact free picture is really important now that we have 4K material to watch.

5
02/05/2024

[Yes] This screen looks beautiful, is simple to assemble, and is an amazing value for the price! I couldn't be happierwith it. The frame looks clean and professional, and the screen is perfectly smooth- no awkward stretch or wrinkles.

My only critique is it's a little difficult to make the corners align perfectly. I ended up with maybe half a millimeter gap on one corner, but you would have to look very closely to notice that. Otherwise the design is flawless. Impressively well engineered design with a minimal number of parts.

I almost never leave reviews for products, but I am legitimately impressed with this product. I wouldn't want its lack of prior reviews to dissuade anyone from trying it out.

5

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