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Peregrine 235 Cinemascope 54x127" Fixed Frame Screen

Peregrine 235 Cinemascope 54x127" Fixed Frame Screen
  • Product Code: eq142127
  • Availability: In Stock

$1,647.00 $2,108.16

The EPV PGF138WH2-WIDE Peregrine 235 54 x 127" Fixed Frame Projection Screenis a cinema wide 2.35:1, 138" diagonal, low-profile, fixed frame screen featuring EPV's versatile CineWhite 2 screen material.

The CineWhite 2 surface is designed to work with all lens throws to provide light diffusion uniformity and excellent color rendition for projected images. This screen material has a 1.1 gain, wide viewing angle, and works best in dark or dimly lit environments. The PGF138WH2-WIDE assembles in minutes on a 3.5" aluminum frame coated in black velvet to prevent projector overshoot. All hardware is included, and the lightweight split-frame design makes for easy shipping and delivery to install sites. Additionally, a sliding wall mount is included to ensure proper alignment with your projector.

138" Diagonal | 2.35:1 Aspect Ratio    CineWhite 2 Screen Surface    1.1 Gain | 180° Viewing Angle    Supports HD, 4K, and 3D Projection    3.5" Black Velvet-Covered Aluminum Frame    Fully Tensioned with Black Backing    Sliding Wall Mount Included    Works with All Lens Throw Ratios

Key Specs
Front/Rear ProjectionFront
Aspect Ratio2.35:1
MotorizedNo
Diagonal138.0" / 3.5 m
Gain1.1
TensionedYes
Type
SeriesPeregrine235
Front/Rear ProjectionFront
Aspect Ratio2.35:1
StyleFrame, Wall
MotorizedNo
Dimensions
Viewing Area54.0 x 127.0" / 1.4 x 3.2 m
Diagonal138.0" / 3.5 m
Overall HxW (Max)61.1 x 134.1" / 1.6 x 3.4 m
Height AdjustableNo
Surface
Finish NameCineWhite 2
Gain1.1
Viewing Angle180 degrees
MaskingAll Four Sides
TensionedYes
Black BackingYes
Whiteboard SurfaceNo
MotorNo
Included ControlsNo
Frame
Frame InfoYes;
Finish: Velvet-covered
Width: 3.5" / 8.9 cm
Depth: 1.6" / 4.1 cm

CineWhite 2 (Tension Matte White) has broad light dispersion through diffusion uniformity, black and white contrast, and true color rendition, making it the one of the most versatile surfaces in EPV’s tensioned screen product lines. This tension PVC surface is a top choice for today’s high-contrast ratio projectors in commercial or residential presentations. The CineWhite 2 material equals the performance to EPV's MaxWhite FG product, but improves the experience with the superior surface flatness. The uniform diffusion surface has black backing to eliminate light penetration and is easily washable with mild soap and water.

Related Questions and Answers

Q: 1. What is the brightness percentage/level of Lasal Matte?

A: Moab Lasal Photo Matte 235 is rated at 103% Brightness.

Q: 2. How do u rate this fpr monochrome prints

A: Hi Arvind. Thanks for your inquiry. The paper is superb for both monochrome and color, with an advanced coating that reproduces a wide tonal range. You'll also get very good detail in the blacks with its high dmax.

Q: 3. Quantity. So, each pack comes with two complete kits? That is two for the back of the speakers, and two for the wall, a total of four pieces. Or is it simple a kit for one speaker?

A: This bracket is for one speaker. However, it is only sold in multiples of two. So you can buy them for 2, 4, 6, 8, etc.

Q: 4. when it says pigment or Dye ink, does that mean it works with inkjet printers?

A: Yes, Inkjet printers usually use Dye or Pigment inks. So that paper will work on most inkjet printers.

Q: 5. Do I need anything else to use this with my Peerless-AV?

A: The Peerless-AV EXT 006 Fixed Length Extension Column (6") BH #PEEXT006. This 1.5" NPT (schedule 40) threaded pipe is constructed of heavy-gauge steel, features notched ends for added safety when locking, and a black fused epoxy finish. The EXT 006 is compatible with all Peerless single unit mounts, and offers a 5-year warranty.

Q: 6. Hi. Does it work with tilta MB-T12? Thank you

A: Yes this filter should work with the Tilta MB-T12.

Q: 7. What is the grain direction on the 13x19 paper, GS or GL?

A: According to Moab, unfortunately they produce all of their sheet paper in either GS or GL based on lot number. Due to our large inventory, we cannot confirm the ones we test will be the ones you receive. Moab's website says "Depending on the converting yields, we cut our sheets in both short and long grain configurations and record the grain direction in the lot numbers with either a GL or GS for 'grain long' or 'grain short' respectively." They mention contacting Moab directly for specific projects that require grain direction for information on specific batches of paper.

Q: 8. How is the printing in this paper? Planning on using for proof prints as a gift to clients !

A: Amazing, it has great quality and an excellent finish.

Q: 9. What's the main difference between Lasal Matte and Entrada Matte? Which would work better for prints mounted to greeting cards? Need a soft velvet matte finish.

A: The Entrada paper is thicker, 15.5mil. If you are mounting the paper to greeting cards, the thinner Lasal would probably be fine. As far as which one looks better would be a matter of opinion and might vary depending on the image too.

Q: 10. what grain is this cut to?

A: Good question. Each box is coded with the grain direction by either a 'GS' for Grain Short - or 'GL' for Grain Long within the lot number that is printed on the back side of the box on the label. The lot number will be a series of letters and numbers stamped on the label. The GS or GL indicates grain direction.

25/09/2024

[1.1] This screen is really well constructed. I totally recommend it... make sure your space is the right size!

5
18/08/2024

[Front] What a difference ,the picture is bright and detailed I did not think that it would have that much effect on the image...I went from a sound transparent screen to this and had to move the center channel but totally worth it!

5
13/08/2024

[180 degrees] This screen looks beautiful, is simple to assemble, and is an amazing value for the price! I couldn't be happierwith it. The frame looks clean and professional, and the screen is perfectly smooth- no awkward stretch or wrinkles.

My only critique is it's a little difficult to make the corners align perfectly. I ended up with maybe half a millimeter gap on one corner, but you would have to look very closely to notice that. Otherwise the design is flawless. Impressively well engineered design with a minimal number of parts.

I almost never leave reviews for products, but I am legitimately impressed with this product. I wouldn't want its lack of prior reviews to dissuade anyone from trying it out.

5
25/07/2024

[180 degrees] Very easy to assemble. For ambient lit rooms, this screen is very very good!

5
21/07/2024

[2.35:1] I bought it for my light controlled home theater room to increase my already high contrast protector. The gray screen gives the picture an extremely beautiful image with vivid colors an excellent contrast and brightness. The screen should be built with more quality material to provide a more strong screen especially on the back. Should have a blacks back cover.

5
06/07/2024

[2.35:1] I've been projecting onto a flat gray wall for years thinking it's good enough. This thing is a night and day difference. Vibrant colors and way brighter with the lights on it the curtains open

5
18/06/2024

[Yes] This is a great screen for home theater. The picture quality is great and the quality of the material is great. It assembled very easily and looks nice on the wall. The thin bezel gives it a big tv look when not in use. This is a great product.

5
03/06/2024

[180 degrees] Took two weeks to get since it was a special order. But worth the wait. I love the upgrade. I went from a white 1.0 gain to cinegrey 1.2 gain and what an improvement with the contrast. Especially the blacks stand out. But beware, you have adjust the brightness of the projector otherwise you end up with more projector light in the middle. Also, elite screens changed the framing from the older heavier and sturdier materials to the new more flimsy assembly and lighter aluminum framing on the SaberFrames.

5
27/05/2024

[1.1] I was surprised at how easily it assembled and how tight and flat the surface is ( not a ripple in it, like my old Da-lite Perm Wall had ). The quality is excellent. And the images from my Epson 5040ub on the screen are brighter, sharper and clearer and the color is more accurate. A great purchase. I tip my hat to Elite and to B& H ( for their great service). Thank you both!

5
22/05/2024

[Yes] This is my fourth ALR (ambient light reflecting) screen.

The first thing to know is, there are no miracle screens. There are good ALR screens, but none perform miracles. Even the best don't show a great picture in a really bright room. The second thing to know is, don't necessarily believe the promotional pictures and videos from manufacturers that show amazing screen performance. They have positioned the screens, projectors and cameras to show the screens at their very best. You are unlikely to duplicate this in a real world situation.

Almost all ALR screens have, to one extent or another, a major problem – screen artifacts. Shimmering, hot spots, sparkles, grainy appearance and so on. In order to eliminate this problem I have owned four different screens. My newest one, which wasn't available when I first started my quest for better picture quality, the Da-Lite Parallax, has none of these problems. Zero!

The Parallax probably doesn't have quite as good of ambient light rejection properties as some of the other screens, but with some light control and careful placement of light sources, you can still have light in the room and a great picture.

A great artifact free picture is really important now that we have 4K material to watch.

5

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