[77 mm] very good balancing between clinical precision and anamorphic identify. I bought 2. Wish i bought the set at one time.

[35mm] Fits great with the Blazar Remus Anamorphic lenses with the R5C! Have had no issues with the mount seizing to the lens like I have seen in one or two reviews. I think as long as you don’t over tighten it you are good. Everything fits snug too so no play between the lens and the adapter or the camera. It even has a waterproof seal between the camera and adapter which is cool. Would recommend if you don’t need autofocus or ND.

[2.52 lb] I got this NiSi lens with a few others to have in my kit for commercial and branded content work. The image is super clean and neutral which gives a lot of flexibility in the type of work I can do with it - whether corporate or something more artistic. Highly recommend for anyone looking for a versatile lens!

[T22] I won’t say that the other reviewer is wrong, cause he very well could have gotten a bad one, but this PL adapter fits my 6k full frame perfectly. Extremely snug fit with minimal to no wiggle. Have to really pull at it to get wiggle. My Blazar Remus PL’s fit extremely well and snug on the adapter end (as they should since it locks). All in all it’s a perfect adapter for me.

[T1.9] These lenses are phenomenal for the cost. If you've worked with a variety of the more budget-friendly cine lenses, you'll tell the difference as soon as you hold this lens, but then you'll be blown away as soon as you see it through the monitor. I've been putting my gfx100ii with one of these lenses in the hands of my filmmaker friends and asking for first impressions and watching their response echo my own says it all.

[T1.9] The NiSi PL adapter for DJI DL Mount is currently the lightest PL adapter out for the DJI system. This works perfectly on my Ronin 4D system. I'm using it to adapt Cinema and Anamorphic PL lenses. The NiSi Athena adapter works without any calibration needed, just remove the DL mount and install this and you are good to go. You do still need the DJI X9 Counterweight when adapting heavier lenses. Overall very happy as it works perfectly.

[Full Frame] I am in production now, using this lens and it's amazing, solid, sharp, yet naturally soft. I'm using it with the EOS C300 Mark II so in combination with the camera, it produces such a beautiful aesthetic straight out of the box. The lens is so well crafted. No breathing at all. It has a great weight to it. My first Canon Cine Prime Lens purchase and thus far, am totally satisfied. I will definitely be investing in more. The 35mm is a great choice for a first purchase as you can use this prime for so many applications. You could shoot an entire feature with just a 35mm if need be. I don't scoff at the price either. Artist's tools do cost. I'm a firm believer that you truly do get what you pay for.

[2.52 lb] Love this lens! But I have it setup with the DJI Lidar RS as well and haven't used it on it's own outside of basic testing.


The lens itself is very nice - solid construction with a decent front loaded weight, and an easy enough to balance shimming system for mount swapping. The glass offers a lot of character with minor fringing and fairly low distortion, get it for that classic softer cine look and don't expect it to be the cleanest/sharpest lens around. I personally love how it rolls off the highlights and still gives details in the skin but also a bit of softness, when paired with my c70.


All that said, I bought this lens as part of a whole setup to solve a specifc problem, and for that purpose I couldn't be happier! I shoot mainly with a c70 in solo operating conditions as a b-cam op. This lens not only solves most of my focusing issues, but it also serves as the fastest setup with it's auto calibration feature when paired with DJI's Lidar RS. Now I get a decent jump in hitting focus while in auto via the Lidar mod, and I have the added benefit of more unique cine lens look vs my native Canon DSLR glass. It's awesome, and has performed perfectly for me so far! I only wish that they'd release a wider 21mm Cyber or maybe a 16 or 18 instead.

[77 mm] Recently got these lenses and have used them for almost two months across various projects, from commercials in New York to a short film in Miami. Here's what stood out:

- Exceptional build quality.
- Impressive brightness with an aperture of 1.9, resulting in beautiful bokeh.
- Consistent weight across the lenses – a real game changer when working with gimbals.
- Comes with a good quality practical carrying case for five essential lenses.
- Top-notch optical performance: no focus breathing noticed, acceptable distortion.

For indie filmmakers, these are a top pick. Highly recommended.

[T1.9] I own the 16,35,50,85,and 105 (but wanted to call attention to this full kit)

These lenses have been absolutely incredible and some of my favorite to use. They are clean, yet not “clinical.” Built incredibly well, nice and fast lenses, with a nice range.

I think for the price, these are the best bang for the buck, and have outdone any lens set I’ve used even near this price.