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Laowa Nanomorph S35 Anamorphic Prime Lens Kit Nikon Z Silver Flare

Laowa Nanomorph S35 Anamorphic Prime Lens Kit Nikon Z Silver Flare
  • Product Code: eq143558
  • Availability: In Stock

$13,797.00 $21,937.23

This Laowa Nanomorph S35 Anamorphic Prime Lens Kit Nikon Z Silver Flarefrom Laowa Nanomorph S35 Anamorphic Prime Lens Kit Nikon Z Silver Flareis a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 27mm, a Nikon Z lens mount, an aperture range of T2.8 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.

The prime lens has a very short minimum focus distance of 16.9" and offers anamorphic qualities such as high contrast, silver color lens flares, and a 70.8° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Nikon Z lens mount is interchangeable and can be swapped out for an optional mount.

27, 35, 50, 65 & 80mm Anamorphic Primes    Compact Anamorphic Lenses for S35 Sensor    1.5x Anamorphic Squeeze Ratio    Silver Flare    Interchangeable Nikon Z Mounts    Hard Lens Case

Key Specs
Focal Length27mm
Maximum ApertureT2.8
Lens MountNikon Z
Lens Format CoverageSuper35/APS-C
Filter Thread55 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.8
Minimum ApertureT16
Lens MountNikon Z
Interchangeable MountYes
Horizontal Squeeze (Anamorphic)1.5x
Lens Format CoverageSuper35/APS-C
Image Circle25.6 mm
Angle of ViewSuper 35
Diagonal: 70.8°
Focus ScalesImperial, Metric
Optical Design15 Elements in 13 Groups
Filter Thread55 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 16.9" / 43 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades13
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Electronic CommunicationNo
DiameterMaximum: 2.4" / 60 mm
Front: 2.3" / 58 mm
Length3.5" / 90 mm
WeightNot Specified by Manufacturer
Packaging Info
Package Weight1.41 lb
Box Dimensions (LxWxH)6.8 x 4.4 x 3.5"

A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.

Related Questions and Answers

Q: 1. Will these lenses be mount swappable? (EF-PL)?

A: Yes, the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (Canon EF, Blue Flare) are mount swappable between EF and PL. You can find the optional mounts here: https://bhpho.to/42QGmf0

Q: 2. Does the optional full-frame adapter this comes with cause a stop of light loss?

A: When using the Venus Optics Laowa Proteus 2x Anamorphic 35mm T2 Lens, when using the optional 1.4x full frame adapter, there will be the loss of one stop of light.

Q: 3. Are they compatible with the Metabones RF-PL Cine 0.71x Speedbooster? Will they mount correctly?

A: As the rear element of the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (ARRI PL, Amber Flare) protrudes approximately 15mm from the flange, these lenses will not be compatible with the Metabones ARRI PL Lens to Canon RF-Mount T Cine Speed Booster ULTRA 0.71x (EOS-R).

Q: 4. Can it cover Red Komodo sensor?

A: The Venus Optics Laowa 10mm f/4 Cookie Lens for Canon RF (Black) will cover the RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF) Super35 / APS-C size sensor.

Q: 5. What would the angle of view of the 65mm be on a Sony A7S III or FX3?

A: The BLAZAR LENS Remus 65mm T2.0 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare) would give a horizontal field of view of approximately 45 degrees when used with a camera such as the Sony FX3 Full-Frame Cinema Camera.

Q: 6. Will it require PL-EF adapter for Canon EOS Rebel t7, or have built-in EF mount without a protrusion that's too big?

A: This model of the Remus 65mm T2.0 Full-Frame 1.5x Anamorphic Lens (Canon EF, Blue Flare) comes natively with built in EF Mount. The Remus 65mm T2.0 Full-Frame 1.5x Anamorphic Lens (Canon EF, Blue Flare) does not require a adapter to work with EF mount bodies. Compatibility with EF-S mount DSLR body's may vary.

Q: 7. How long do they measure physically?

A: The dimensions of the BLAZAR LENS Remus 45/65/100mm kit are the following. The 45mm is 90mm in length, The 65mm is 101mm in length, and the 100mm is 110mm in length.

Q: 8. I shoot Red Gemini, will the image oval of this cover Geminis larger than typical 4perf height 30x18mm sensor in open gate?

A: The BLAZAR LENS Remus 35mm T1.6 S35 1.5x Anamorphic Lens (ARRI PL, Blue Flare) covers a 25x17mm image circle

Q: 9. Just wonder if they will work properly with Canon r5 c using adapter?

A: Yes, the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (Canon EF, Amber Flare) works perfectly with the Canon Mount Adapter EF-EOS R.

Q: 10. Hello, regarding what is stamped on the 100mm Is T2.8 but everywhere even in specs is written T2. what is the correct aperture?

A: The BLAZAR LENS Remus 100mm T2.8 1.5x Anamorphic Overview is indeed T2.8, as the barrel length cannot maintain a T2 aperture like the smaller lenses in the set.

25/09/2024

[Yes] These lenses have a constant 1.5x squeeze factor, which gives consistent results across the entire focus range and makes for reliable de-squeezing in post. Other affordable Anamorphic lens brands do not have a constant squeeze factor. This lens is clean with minimal chromatic aberration only at the very lowest T-stop. It is incredibly lightweight which is useful in run and gun productions. I cant speak for the PL mount, as those may have a bit more heft to them. Flaring is very gentle on the silver version and slightly more aggressive on the blue and amber versions. You cant go wrong with this lens. See attached example.

5
23/09/2024

[T2.8] First off, there's a review with 1 start saying ( Not for professional use ) - I think that's an irresponsible opinion, without any room for subjectiveness. Since the definition of a professional really is nothing more than someone who is being paid for their work, you can't just say not for professional use, when there are many types of looks in demand by clients looking for exactly what these produce. I'd say these are definitely lenses for professionals in the right situation.


Quick mentiontions (tough body and mounts, strong gears, very controlled flaring, and ultra light).

I am not saying these are the best tools for every job, and I agree that there are some issues regarding the lenses distortion - which are easily noticeable in review videos (evidently the other person didn't study before buying), which for me, has all be quickly addressable in an editor with limited adjustments if I decided to correct it.


However, I have already had a few clients, including my own personal work, where the look and feel these lenses with the distortion they create is preferred, it added a feel to the image, it was the deciding factor to use these for the productions actually (feature films), it added a driving mood that complimented the narrative - so when I say they are a tool, I am simply saying - understand what your tools have to offer, and you will know if they are the right ones for the jobs, and in those cases, these lenses are phenomenal. They are a little too sharp for my typical feel, but I slapped a custom made filter in my matte box, and they have become the perfect look for my film making aesthetic.


Study these lenses on YouTube, understand their strengths and weaknesses, and make sure those strengths align with your objective - if they do, BUY THESE - I love mine.

5
24/08/2024

[Nikon Z] I am truly amazed by the images these lenses can produce for the price and size! If you are looking for lenses that don't look sterile and have some character to them without having to sell all your possessions to afford them, then these are absolutely the lenses for you!

5
12/07/2024

[Nikon Z] Blazar nailed this and no its not a perfect lens... but for under a grand ITS INSANE that a TINY and LIght-weight anamorphic getting you that old panavision c-d series aesthetic but you can actually own these. Are they 2x no obviously not - My Gemini is 30x18mm (rounded) and on 4 perf S35 ie larger S35 chips like my Red Gemini this Lens is a DREAM... Its definitely soft wide open as most vintage anamorphics are and has some CA and flaws but they are very organic... and although the squeeze isnt 2x the Bokeh are CLEARLY oval and the blue streaks (got the blue streak PL ) are great... I always think you need to see how SMALL they are to believe it I dont need a support on My Gemini or when using the FF on my Eos r5. I cant wait for rest have 100 and Hoping the 85 comes soon and then the 33mm FF But this one is a must if you can only buy one.

5
17/06/2024

[Nikon Z] Conversion with supplied EF mount was not too difficult. Fit is perfect. Love this affordable option for shooting anamorphic. Ordered the Laowa Venus 1.33x front anamorphic adapter to get a 2x squeeze out of it. Because of the availability delay on the adapter I can't report on the two together yet. But at a 1.5x squeeze I'm pretty impressed. Every review on youtube has been pretty spot on so no need to repeat it here.

5
09/06/2024

[Nikon Z] Ive used the 27mm for a while and was convinced I needed something a bit closer for my kit. Great tool to have and compliments the the other lenses as well for both my Komodo and R5C! Very little distortion, barely any breathing and the silver flare is not obnoxious! Recommend these lenses as they are small and light and great intro to the bigger and beefier vintage anamoprhics.

5
01/05/2024

[T2.8] Great value for the price. The aesthetics of the images achieved are beautiful. It would be nice to have a detailed manufacturer's video of the mount change from PL to EF.

5

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