Steinberg Nuendo 13 Music Audio Postproduction Software Downloadis music and audio postproduction workstation software designed to provide versatile workflows, task efficiency, and integration with industry-standard tools for composers, audio editors, sound designers, and mixers, in film, television, music, game audio, VR, postproduction, and immersive sound. In this latest update, Nuendo 13 introduces unique and time-saving features for dialog editors and mixing and recording engineers, new integrated workflows for authoring MPEG-H Audio content, innovative tools for dialog recording, Dolby Atmos improvements, additional plug-ins, and more than 20 extra workflow enhancements.

For superior audio quality, Nuendo 13 utilizes a 64-bit audio engine compatible with resolutions up to 384 kHz. The software offers unlimited audio, instrument, and MIDI tracks, and can accommodate up to 256 physical I/O as well as 256 group channels. Nuendo 13 offers advanced mixing capabilities and a powerful film-mixing-style automation system. Over 100 professional effect and processor plug-ins are part of the package, including a convolution reverb with many impulse responses, a high-quality channel strip, and channel EQ. The convenient loudness track and loudness meter helps you keep control over your levels. Nuendo 13 is compatible with macOS and Windows systems and operates in VST2 and VST3 formats. (Only 64-bit plug-ins are supported. Nuendo does not support VST2 when running natively on Apple Silicon Macs).

Dialogue 2.0 with ADR Script Reader    Tonal Match and Voice Separator    Film, TV, Music, Games, Immersive Sound    Unlimited Audio/Instrument/MIDI Tracks    Dolby Atmos Improvements    Netflix Loudness Meter    Author and Mix MPEG-H Audio    Film-Mixing-Style Automation    Post Presets and Game Sound-FX Content    macOS, Windows

ADR Script Reader

• With ADR Script Reader, Nuendo 13 moves away from cumbersome document-based workflows. It shows ADR takes via a web browser on any tablet or laptop on the same LAN network, letting the voice talent have a digital script and the ability for an editor or the session director to change it instantaneously.
• Dialog can be edited and notes added in Nuendo’s marker data with no need for the inconvenience of syncing documents.
• A Dialog Context Preview displays the dialog lines before and after those selected, highlighting how the currently selected line is embedded in the scene.

TonalMatch

• TonalMatch is a new direct offline process (DOP), which analyses the sound characteristics of an audio recording and enables it to be transferred to other clips, matching the spectral profile (EQ) and ambient noise floor. It can be used to match an ADR session to the original production sound more quickly and precisely than has previously been achievable using EQs and/or other editing plug-ins.

VoiceSeparator

• VoiceSeparator is a new AI-based VST plug-in, which is trained to detect and isolate spoken dialog from complex background noises including other voices, and also reduce or remove undesired voice sounds from background and ambient recordings. Used as an insert effect or DOP, it can be used to quickly isolate the sounds that are wanted and remove those that aren’t.

VocalChain Plug-in

• Dialog editing, processing, and creative voice sound design are arts of their own, needing a lot of expertise and experience to master. The new VocalChain plug-in includes dedicated modules for the different steps of voice processing, helping to deliver excellent results. With a wide range of presets exclusively for postproduction, VocalChain makes voice sound design faster and more efficient than ever.

Detect Silence Extensions

• Cleaning up dialog while keeping background noise for use on a different track is easier with the updated Detect Silence panel. Instead of only stripping silent parts, dialog content can now be split automatically, then events can be created for the silent and nonsilent areas. Dialog and silent events can then be edited individually, as required by the project.

Bounce Empty Space

• Bounce Selection now allows blank audio clips to be created from any selection, which can be useful for filling gaps or for later offline processing.

Support for TTAL 1.1

• Nuendo 13 now provides greater support to TTAL-based Netflix dubbing workflows by supporting TTAL 1.1, including Forced Narrative and multicharacter attributes.

ADR Swipe Improvements

• ADR count-in and swipe options can now be set independently. Black picture can be selected during preroll, regardless of count-in type.

Next Generation Audio

• Nuendo 13 features a completely integrated workflow for authoring and mixing content for the object-based MPEG-H Audio format. The ADM Authoring window now offers it as a new format, where tracks and groups can be assigned as objects or beds to MPEG-H Audio components. In the new Renderer for MPEG-H plug-in, metadata parameters can be configured to create versions of the mix called presets. These presets are a key feature of MPEG-H Audio, offering advanced interactivity options. From the Renderer the project can then be exported as MPEG-H ADM or MPEG-H Master files.

Three-Layer Z-Panning Mode

• MPEG-H Audio requires three-layer Z-panning range for below listener sounds, meaning the Z-parameter range must allow negative values. This is now possible in Nuendo 13. To ensure full compatibility with older projects and Nuendo versions, two user-selectable Z-panning modes are available—the new three-layer and the previous two-layer.

ADM Authoring Formats

• The ADM Authoring window has been updated to support different immersive formats—Dolby Atmos (Internal Renderer), Dolby Atmos (External Renderer), MPEG-H, and OSC. After selecting the desired object-based authoring format, the ADM editor will display the attributes and settings available for that format.

Renderer for Dolby Atmos Enhancements

• The new Renderer for Dolby Atmos adds 9.1.6 speaker configuration support, a common cinema format used in many studios and for Atmos-enabled Home Theaters. Supporting this format brings Nuendo 13 into line with the latest surround sound developments.

More Models for Headphones Match

• Headphones Match has been updated with five extra headphone models: Shure SRH 1840, Audio Technica ATH-M70x, Beyerdynamic DT 900 Pro X, Neumann NDH-30 and AKG K-70.

Channel Tab

• The new Channel tab in the Project window gives direct access to all functions of the channel strip, without having to switch to the MixConsole. Detached from the Track Inspector, the important processing and functions sections of the project’s tracks can be worked on while viewing more of the overall project.

Redesigned MixConsole

• The MixConsole has been overhauled with a streamlined design, providing more straightforward access to the most frequently-used functions.

Vocoder

• Get really creative with vocal sound design and add analog flavor to audio clips with the legendary Steinberg Vocoder. Use up to 24 filter bands, sidechain input, and enjoy in-depth control over the sounds of voices.

EQ-P1A and EQ-M5 Equalizers

• Two new equalizers, the EQ-P1A and the EQ-M5, add a classy sound to your productions.

Black Valve and VoxComp Compressors

• These two new compressors provide even more control over your sound. The VoxComp is specifically designed for voices, gently taming recordings without compromising clarity, transients, or expression. BlackValve is a classic tube compressor with lots of warmth, character, and sonic detail.

Sampler Track

• Sound design with the Sampler Track is now even more creative, thanks to stunning new Spectral Warp modes for extreme manipulation of samples, sound effects, and powerful envelope creation.

SpectraLayers One Update

• The new and improved SpectraLayers One features an updated spectral engine, state-of-the-art AI processing, and faster, better results when unmixing vocals.

Replace Audio in Video

• It’s now possible to export a new soundtrack directly into the original mp4 video file, avoiding time-consuming video rerendering. This is useful in many situations—the composer previewing a film score, a scene with dialog and SFX as a guide for the composer, a rehearsal reel for a voice actor before ADR recording, or other previews provided by sound editors.

Track Versions for Video Tracks

• When producing to picture, a project often needs to be edited to new versions of a video file. Making A-B video-edit comparisons within a project is now more convenient with Track Versions for the video track. This allows the inclusion of specific versions of a video file with a set of other tracks, then refers back to previous edits by switching track versions.

Track Import Improvements

• Nuendo 13 includes new track import improvements, to make bringing content in from a variety of delivered reels and project files more flexible. The revised import dialog includes options for more flexibility and control when importing tracks, events and time ranges, as well as the ability to restrict the range of imported events and how they are merged to existing tracks.

Project Templates

• If you’re new to Nuendo or switching from a different DAW, these new project templates will get you started quickly. They include stereo and surround, up to Dolby Atmos postproduction projects, ADR sessions and immersive audio formats like MPEG-H, Ambisonics and Dolby Atmos music.

New Key Commands Dialog

• The new Key Command dialog makes managing shortcuts quick and easy. Find commands with the dynamic filter and try new macros on the fly. Many new commands have also been added, including rename selected events, add marker on active marker track, and move range to next hit point.

Playback Start Point

• When switching from a different DAW, it can sometimes be difficult to adapt to different workflows. The playback start position can now be configured from the current location, cycle start or selection, which is a familiar workflow in other DAWs. Return to start position on stop is also available.

Audition Unprocessed Sound for DOP

• Comparing audio events processed with DOP against their previous state is easier. By ALT-clicking on the audition button, processing can be bypassed when previewing clips.

Modern Video Engine

• The video engine for Windows systems has been improved, including GPU hardware decoding for H.264 and better overall performance. Video playback is now more fluent.

Switch Channel Configuration

• The channel configuration can now be switched from mono to stereo and vice versa with a single click.

Vertical Zoom with Mouse Wheel

• Zoom in and out vertically with the mouse wheel, to a choice of transport or selection, by pressing CMD+Shift.

Hybrid CPU Architecture Support

• Nuendo 13 takes full advantage of modern computer CPUs for enhanced audio processing.

Better Windows Handling

• Nuendo 13 features Windows-compliant multiwindow handling.

Drum and Key Editor Enhancements

• The Range tool is now available in the Key Editor and Drum Editors. Editing multiple parts from within the Key and Drum Editors is now possible, as well as switching between tracks with the new Visibility tab and maintaining an overview with the new Track display.

New Presets for Chord Progressions

• The new chord pads make it easy to find creative chord progressions. New presets provide excellent starting points, while enhanced functions make it even simpler to create unique music.

Iconica Sketch Library

• Iconica Sketch allows everyone from beginners to professional composers to create full orchestral scores of the highest quality. It includes 140 articulations for 34 instruments in a compact 5GB library.

Enhanced MIDI Effects

• The Step and MIDI Input features are now even more powerful. Note lengths can be modified on the fly and voices added on top with the new polyphonic note input features. Additional MIDI plug-ins have had a design overhaul, giving them a fresh new look.

New Sample Packs

• Be inspired by five exclusive new sample packs by Grammy-winning producer Beat Butcha, creative mastermind Sharooz, and acclaimed sample boutiques 91Vocals and Touch Loops.

MIDI 2.0

• Nuendo 13 now supports MIDI 2.0, including high resolution velocity, CC, aftertouch, pitch bend, and poly pressure data.

Simplified CC Recording

• MIDI CCs can now be recorded in simplified ramps to make it quicker and easier for editing the controller events afterwards.

Tap to Tempo

• The project tempo can be easily adjusted to the beat with the new Tap Tempo feature on the Transport Bar.

Flexible Return Channels

• Instrument tracks/racks/sampler return channels can be set as inputs for audio tracks, as well as FX and group channels.

Related Questions and Answers

Q: 1. Greetings! Up to what micro sd capacity does the equipment support?...thank you!

A: The Sony NW-WM1AM2 Walkman Digital Music Player BH #SONWWM1AM2 would support up to 2TB microSD.

Q: 2. The 5V-DC port looks like a micro USB, is this correct? And does it come with a power adapter or do I need to supply one?

A: You are correct it is a micro USB connector and it does come with a USB power supply and cable

Q: 3. Can I use this device to listen to music stored on my iphone through a vintage sansui receiver and speakers?

A: Sure. Pair your iPhone via Bluetooth with the Audioengine B1 and connect the B1 receiver to the Sansui receiver's audio input.

Q: 4. Will it fit YPG 235?

A: The Yamaha Music Rest for PSR-E373 is designed specifically for the Yamaha PSR-E373. It is not compatible with other models.

Q: 5. Is this rest compatible with the Yamaha EW300?

A: The Yamaha Music Rest for PSR-S950 or PSR-S750 Keyboard is not compatible with the Yamaha EW300.

Q: 6. Is there a particular USB bluetooth adapter that is compatible with device, which will work on Windows 7/8/10?

A: We do not carry a Bluetooth transmitter on the level of this Audioengine receiver. Any Bluetooth audio transmitter should be compatible with your Windows computer. The generally will connect to the headphone jack. This will do the job: Aluratek ABT01F Bluetooth Universal Audio TransmitterB&H # ALABT01F MFR # ABT01F

Q: 7. Is there anything besides an extended range, that makes this receiver more accurate in conveying signal to a stereo system? What is it about this that makes it better than other receivers?

A: The Bluetooth version and the codec along with the DAC used makes this one among the best receivers we carry.

Q: 8. Can you record voice on this?

A: The FiiO M11S High-Resolution Portable Music Player, BH # FIM11S, has no embedded microphone or external microphone port to create voice recordings.

Q: 9. Where do you buy a 2 TB Card?

A: The largest microSD cards we currently carry are 1 TB. 2 TB cards may be released in the future.

Q: 10. Can I use this with iTunes on my iMac?

A: It is a digital blue tooth receiver. It's an excellent product.