This Allen & Heath SQ-5 Hard Case by Jason Casesfeatures a Pelican 1640 case with a laser-cut high-grade custom foam that holds the Allen & Heath SQ-5 48-Channel Digital Mixer and cables. The case measures approximately 27 x 28 x 16" and features wheels and a retractable handle.

Pelican 1640 Hard Case with Custom Foam    Holds SQ-5 Mixer and Cables    Wheels and Retractable Handle

Related Questions and Answers

Q: 1. Does it work for presonus studiolive 32cs series iii?

A: This case will not work, because it is too small for a 32-channel mixer. I would recommend the Gator Cases G-Tour Series ATA Wood Flight Case for Presonus StudioLive 32III Mixer, B&H # GATRPRSL323N.

Q: 2. I bought a Behringer FX2000 processor. How do I hook it up to the A&H Zed 12FX??

A: https://www.allen-heath.com/media/AP7085_3-ZED12FX_ZED16FX_ZED22FX-User-Guide-Issue-3.pdfThe above link will take you to the User Guide of ZED12FX and other similar models from Allen & Heath. Study the guide for information.If you plan to connect the Behringer or other external FX units to the ZED, we recommend doing so by patching the unit to the ZED mixer through a post-fader AUX send. Do this by using (3) unbalanced or balanced 1/4 cables (guitar cables). Use balanced cables if the distance is long, otherwise for short distance, unbalanced cables are fine.Take Cable #1 and run it from the ZED FX send to the FX2000 mono (L) input. This is usually on the rear panel of the FX unit. Take Cable #2 and Cable #3 from the L and R outputs of the FX2000 (on rear panel) and connect these to one of the STEREO input channels on the ZED. Input a signal (microphone for example) into a channel on the ZED.Now, be sure to turn up the knobs and faders on the ZED's channel send and Master section to hear your FX2000's effect on the mic.Understand that with this method you are taking your signal out of the ZED to the FX2000 and then back into the ZED.Read the User Guide for more details. If you need further assistance, please contact your salesperson and ask for support. There are qualified and trained sales people at B&H to assist you.

Q: 3. What are the dimensions of the unit itself?

A: The dimensions of the Allen & Heath SQ-6 are as follows: 25.1 x 20.3 x 7.8" / 638 x 514.9 x 198 mm.

Q: 4. How do you select mic/line Hi-z inputs? I played with the 18T at my local dealer and could not find these settings in the menus.

A: The XLR inputs on channels 1-8 and XLR-1/4" inputs on channels 9-16 can be used for mic- or line-level input on the Allen & Heath CQ-18T Compact 18-Channel Digital Mixer with Touchscreen, but DI is required for Hi-Z input (instruments like a guitar and bass). Only the CQ-20T has Hi-Z inputs on channels 15-16.

Q: 5. can you add waves plugins ?

A: This system is Core Audio compliant. You may load WAVES plug-ins into your Mac for use with your current compatible DAW.

Q: 6. Will this board interface with a Behringer S16 digital snake?

A: The Allen & Heath SQ-5 is not designed to interface digitally with Behringer products. Compatibility is not guaranteed and results may vary.

Q: 7. Will this be good enough fro a professional recording studio ? Or will I get a much better sound from a Focusrite top priced? Or will it not be notifyable ?

A: I would say the QU-32C is good enough to operate in a professional recording studio, absolutely. The QU-32C is is capable of 32x32 channel recording/playback at 24-Bit and a 48kHz sample rate over USB-B to a computer. Beyond that, the AnalogiQ digitally controlled preamps offer excellent transparency, minimal distortion, and an incredibly low noise floor, with a warm, musical sound that some digital consoles lack. In comparison to high end Focusrite products, a Focusrite interface could offer a high sample rate (upwards of 192kHz) as well as a different selection of preamps, which could potentially be noticeable depending on your acoustic environment and the speakers you're monitoring through. But a Focusrite interface will lack the hands-on control that a console like the QU-32C can offer. Both are more than capable of operating in a professional studio environment as far as audio quality goes. Deciding between the 2 really depends on your workflow. If like hands-on control, then the QU-32C may be the option for you. But if you need to record at sample rates beyond 48kHz, a Focusrite interface may be the better option.

Q: 8. Is there an AUX Send for doing mix-minus setups?

A: The Allen & Heath CQ-12T Compact 12-Channel Digital Mixer with Touchscreen does not have a mix-minus feature.

Q: 9. Can I use the tablet to Start/Stop Playback/Recording from USB drive/Sd card or Bluetooth?

A: Yes, you can control start/stop and playback/recording for the Allen & Heath CQ-18T Compact 18-Channel Digital Mixer's USB drive and for the SD card when using the app with an iPad. The controls for playback via Bluetooth are on the mixer.

Q: 10. Do I need to buy the Dante card as an extra in this package?

A: Yes, you will need to purchase the Allen & Heath SQ Dante Module for SQ Mixers and AHM-64 Audio Processor (B&H # ALMSQDANTE64) as a separate item. It is not included with the Allen & Heath SQ-6 Digital Mixer.