The 62mm NiSi Armor FX PRO L395 UV Filter 62mmfrom NiSi Armor FX PRO L395 UV Filter 62mmis designed to withstand extreme conditions, including heavy impacts such as hammer blows. It's even explosion proof and protects your lens against dust, fingerprints, dirt, scratches, sand, and seawater spray. The filter's optical glass features double-sided low reflection and nano coating that makes it waterproof and oilproof and easy to clean. It allows high light transmittance with neutral colors and no loss in sharpness even when using high-megapixel sensors. The filter frame is made of brass and has an ultra-slim two-tone construction with knurling for easy gripping, and it features a front filter thread.

For Extreme Conditions, Explosion Proof    99% Transmittance with Low Reflection    Two-Toned Brass Frame with Knurling    Front Filter Thread

Related Questions and Answers

Q: 1. What is the primary difference between this and the "non-pro" lenses. Is the glass the same, but different ring controls?

A: The Panasonic Lumix S PRO 16-35mm f/4 Lens would be the only 16-35mm lens designed for the Leica L-mount lens mount. The closest lens options to the above lens would be the Sigma 14-24mm f/2.8 DG DN Art Lens for Leica L, B&H # SI142428L, or the Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Leica L, B&H # SI185028DCLM. The main difference between the above lens is the Sigma 14-24mm f/2.8 DG DN Art Lens for Leica L would be wider and would be twice as bright as it has a constant f/2.8 aperture. Both the Panasonic and Sigma lens are considered professional lenses from the respective manufacturers. The Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Leica L would be a more economically-priced lens. It has a brighter aperture with a constant f/2.8 aperture and it has a longer optical zoom range, but the optical image quality would not quite be on par as the image quality from the professional lens options listed above. Build quality and optical performance would be main differences between "professional" lenses and standard or entry-level lenses.

Q: 2. What is the point of this lens? Wouldn't it make sense for it to be f1.2 or even f1.0 for the price?

A: compering to other 50mm 1.4, this lens has Optical Design 13 Elements in 11 Groups vs (nikon 50mm 1.4 ) 8 Elements in 7 Groups vs ( canon ef 50mm 1.2 ) 8 Elements in 6 Groups , Diaphragm Blades 11, Rounded , vs 9, Rounded , vs 8, Rounded that what makes this lens so good

Q: 3. Does it works on Leica SL2?

A: This does work on a Leica SL.

Q: 4. Does the 100mm filter holder for Olympus 7-14mm lens take a CPL?

A: Yes you can use for example the Kase 100 x 100mm Skyeye CPL Filter BH #KASECPL44

Q: 5. Does this lens have a static rear lens element at the mount for better weather sealing?

A: No, the rear element of the Panasonic Lumix S PRO 16-35mm f/4 Lens retracts inside the lens barrel, therefore we recomend keeping the rear cap on if the lens is not mounted on the camera.

Q: 6. Does the tripod collar also have a 1/4x20 screw hole?

A: Yes, the tripod collar has a 1/4" mounting thread.

Q: 7. What filters can I use with this?

A: The NiSi 100mm Filter Holder can use any 100x100mm or 100x150mm filter that is 2mm thick. Since many people use the 7-14mm lens for landscapes, a common filter to use is a graduated neutral density filter to balance the exposure between the ground and the sky. Please take a look at the following link: https://bhpho.to/3jiNnzt

Q: 8. Where is the lens made?

A: This lens from B&H is made in Japan.

Q: 9. Will the lens hood for the Lumix 100-400 Telephoto fit using this filter?

A: Yes, it will fit.

Q: 10. I'm intrigued by many raving reviews on the image quality this lens can produce. I noted that the official description stated improved auto focus performance. I wonder if the statement applicable to continuous autofocus for video. Particularly on S5, S1, S1H bodies, and compared to Lumix 50mm/f1.8 lens? If the solid improvement exists, many will opt for getting this lens, for this reason alone.

A: The Panasonic Lumix S PRO 50mm f/1.4 Lens has two focus motors - linear and stepping - which allow it to achieve fast focusing for both still photography and video recording usage needs and would have substantial performance increase in comparison to the Panasonic Lumix S 50mm f/1.8 Lens.