Shure Ulxd Wireless Lavalier Kit With Mx150 Microphone

Product Code: eq14580
Availability: In Stock

$5,979.00 $7,712.91

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Description
Reviews (18)

Part of the ULX-D wireless series, the Shure ULXD Wireless Lavalier Kit with MX150 Microphonehouses a single digital receiver in a rugged half-rack unit with an external power supply.

The ULX-D Series simplifies the set up and management of large numbers of wireless systems. It is ideal for professional sound reinforcement applications in large live venues and houses of worship, as well as A/V installations in conference, educational, and corporate facilities. Compatible with a wide selection of Shure transmitters and mic capsules, it delivers pristine 24-bit/48 kHz digital audio, capturing every detail with clarity, accurate low end, and crisp transient response.

The ULX-D operates in the UHF band, utilizing Digital Predictive Switching Diversity to protect the transmission from interference, delivering rock-solid RF signal stability without audio artifacts. In Standard mode you can run up to 17 channels per 6 MHz TV channel, at a range up to 330'. Alternatively, the High-Density mode lets you run up to 47 channels per 6 MHz TV channel, at a maximum range of 98'. The system offers AES-256 encryption for security.

The unit features audio and RF meters, 60 dB of gain control, and both XLR and 1/4" outputs. A large LCD screen and intuitive controls let you quickly make adjustments, even in low-light situations. Additional features include automatic frequency scanning, IR sync, gain optimization to match any input source, and internal limiting to prevent clipping.

The Ethernet port allows multiple receivers to be easily networked together for simplified frequency coordination and deployment via Shure's Wireless Workbench software. In addition, the Channels Mobile App enables you to control the system remotely from an iOS device.

H50 Frequency Band ULXD4 Single-Channel Receiver ULXD1 Bodypack Transmitter MX150/C Subminiature Lavalier Cardioid Polar Pattern Kevlar-Reinforced Cable AES 256-Bit Encryption

Key Specs
Wireless Technology	Digital UHF
Diversity	Antenna Diversity
Max Operating Range	328.1' / 100 m
Receiver Type	Tabletop
Number of Audio Channels	1
Audio I/O	1x XLR 3-Pin Male Balanced Output 1x 1/4" TRS Female Balanced Output
Network I/O	1x RJ45 (10/100 Mb/s)
Power Requirements	AC/DC Power Adapter
Parameters
Number of RF Channel Frequencies	2560
Diversity	Antenna Diversity
RF Frequency Band	H50: 534 to 598 MHz
RF Bandwidth	64 MHz
Frequency Step Size	25 kHz
RF Channel Scanning	Auto-Scan
Max Operating Range	328.1' / 100 m
Max Transmitters per Band	60
Timecode Support	No
Mobile App Compatible	Yes: Android & iOS App Name: ShurePlus Channels Functionality: Remote Control
OS Compatibility	Windows 10 or Later macOS 10.14 or Later
Latency	< 2.9 ms
Modulation	Proprietary
Receiver
Receiver Type	Tabletop
Mounting Options	Rackmount, Tabletop (with Included Hardware)
Rackmount Size	1 RU (1/2 Rack)
Antenna	2x 1/2 Wave External, BNC (Rear-Mount)
Antenna Bias Voltage	12 to 13 VDC, 150 mA (per Antenna)
Number of Audio Channels	1
Built-In Microphone	No
Audio I/O	1x XLR 3-Pin Male Balanced Output 1x 1/4" TRS Female Balanced Output
Gain Range	-18 to +42 dB (1 dB Steps)
Pad	30 dB
Audio Output Level	XLR Output: +18 dBV (Line Level) XLR Output: -12 dBV (Mic Level) 1/4" Output: +12 dBV (Consumer Level, Instrument Level)
Phantom Power Protection	On 1/4", XLR Outputs
Frequency Response	30 Hz to 20 kHz ±1 dB (Dependent on Mic)
Network I/O	1x RJ45 (10/100 Mb/s)
Network Protocols	DHCP, Manual IP
USB Class-Compliant	No USB Connectivity
Standalone Audio Interface Capable	No
Impedance	XLR Output: 100 Ohms (Balanced)
Approximate RF Sensitivity	-98 dBm
Adjacent Channel Isolation	>70 dB
Spurious	Rejection: >80 dB
Power Requirements	AC/DC Power Adapter
AC/DC Power Adapter	15 VDC at 600 mA (Included)
Input Power	100 to 240 VAC, 50 / 60 Hz at 250 mA
DC Input Power	15 VDC at 600mA
Display & Indicators	1x Backlit LCD (Battery Status, Channel, Group, Menu Navigation) 2x Multi-Segment LED (AF Level, Output Level, Peak)
Housing	Steel
Operating Temperature	0 to 122°F / -17 to 50°C
Storage Temperature	-20 to 165°F / -28 to 73°C
Dimensions	6.7 x 1.7 x 7.8" / 171 x 44 x 197 mm
Weight	2 lb / 0.9 kg
Packaging Info
Package Weight	6.5 lb
Box Dimensions (LxWxH)	18.346 x 14.882 x 3.622"

24-bit/48 kHz digital audio delivers clear and accurate sound reproduction
Extended 20 Hz to 20 kHz frequency range with flat response
> 120 dB wide dynamic range for excellent signal-to-noise performance
Up to 60 dB of independently adjustable gain for each channel
Works with a wide selection of Shure mics and transmitter types including the ULXD1 bodypack and ULXD2 handheld transmitters that provide complete mobility for presenters/performers, and the ULXD6 boundary and ULXD8 gooseneck base transmitters to accommodate meeting rooms with flexible seating layouts

Single-channel receiver operates in the H50: 534 to 598 MHz UHF band
64 MHz tuning range lets you run up to 60 channels at the same location in Standard mode or 90 channels in High-Density mode
Digital Predictive Switching Diversity uses a microprocessor to switch antennas before dropouts occur
Comes with two remoteable 1/2 wave dipole antennas
256-bit AES encryption offers unbreachable privacy—uses unique, randomized encryption key generated every time encryption is enabled
Interference detection and alerts provide instant confirmation on both the receiver LCD and WWB software when interference is present
Adding UA874 active antennas or PA805 passive antennas increases the range of your system and offers increased protection against interference
The UA844+SWB antenna distribution system (available separately) lets you stretch the power of your antenna pairs, giving you more on-air channels in less setup time

Networked Control

Ethernet networking enables real-time, precision monitoring and control of your system, as well as automatic frequency coordination across multiple receivers, using Wireless Workbench, SystemOn, and Axient Spectrum Manager software
Compatible with external controllers such as AMX and Creston
Crosssubnet control-enabled for management between multiple facilities or venues

Functionality

Optimized scanning automatically finds, prioritizes, and deploys the cleanest frequencies to transmitters over IR sync
Proprietary Gain Ranging optimizes system dynamic range for any input source, eliminating the need for transmitter gain adjustments
Internal limiter automatically engages to prevent digital clipping of your audio
Unit has an individual gain control, an XLR output with switchable mic/line level, and a 1/4 output
Quick visual check using audio and RF LED meters with peak indicators
Intuitive front-panel controls with lockout feature and easily readable LCD with adjustable contrast
Remote Control: Make adjustments anywhere in the venue via the Channels Mobile App for iOS devices
Smart Power Management on Transmitters: Advanced SB900A lithium-ion rechargeable batteries with SBC chargers (both available separately) provide extended transmitter battery life over alkaline batteries, battery-life metering in hours and minutes (accurate to within 15 minutes), and detailed tracking of battery health status

Related Questions and Answers

Q: 1. what wireless label microphones would work well with this receiver?

A: The Shure SM58 wireless microphones with H9: 512 - 542 MHZ work excellent with this receiver.

Q: 2. Will this tie clip work for a Shure WL-50 mic?

A: The MX150 cable is thicker than the WL50. As such, it may be a loose grasp and not provide a reliable fit.

Q: 3. Can I connect this lavalier directly to a Zoom H5?

A: The Shure MX184 is able to connect directly to one of the 2 available XLR mic inputs on the recorder. It will also receive its power from the recorder.

Q: 4. Will this microphone work with the Shure Beta inline xlr preamp using phantom power?

A: Yes, it is compatible.

Q: 5. origin for this mic ?

A: The Shure SM11-CN is currently manufactured in Germany.

Q: 6. Hı , can this microphone be connected to Asio sound interface to record directly to computer?

A: Unfortunately no, because this microphone uses a TA4F connector, it is meant to be specifically hooked up to a Shure wireless body pack that accepts this type of connector. There are ways around this, but I would suggest using a different microphone that has a standard TRS or XLR connector.

Q: 7. does shure BLX88 mix sounds from the dual XLR inputs?

A: No. There is no mixer functionality.

Q: 8. How long is the cable?

A: The attached cable on the MX184 microphone is approximately 4-feet long.

Q: 9. Will this clip work with the Shure WL93 lav mic?

A: This product is not intended for use with the WL93. The recommended clips are RK354SB for mounting a single WL93, and the RK307DB for mounting two.

Q: 10. Dear can i use this with sony nx3. After making cable long of this mic

A: The MX184 it seems should be compatible as the NX3's specifications indicate it has the necessary XLR audio input with phantom power.

Joel	27/09/2024
[DHCP, Manual IP] I am using this lav mic to amplify a 5 string banjo. I had been using a generic electret battery driven lav mic (think radio shack) for that purpose, replacing the mini-plug with a female 1/4 inch, then using a standard guitar cord, plugging into a Baggs Para DI, then into the board of the sound system with an xlr mic line. That was OK, but I had lots of thin wire to coil, a fragile battery pod and the nusiance of dead watch batteries if I forgot to switch the thing off. The SM11 of course needs no batteries and the wiring is much more robust than the cheap lav mic. I can go direct into a mixing board and the sound is quite nice. The banjo doesn't really need a lot of high end amplification, and doesn't produce deep lows -- all of which the dynamic mic doesn't pick up. So the result is a nice warm sound, and much more full-spectrum than the electret mic to my ear. Probably because the diaphragm is larger, I guess. I don't need to hide this rather large (thumb size)lav canister in clothing, like a video person would. It rides in the backside of the banjo. The included tie clip worked fine, clipped to a little jig I sometimes use. But instead I wrapped the body in some dense memory foam, and made my own mount that also acts as a tone regulator behind the head -- it's an open-back banjo thing. Looks like this product is robust and should work for years. Works fine going straight into the mixing board. But when I run it through the Baggs Para DI (which is a preamp as well as a DI) I have to use a transformer to change the signal to HI-Z for the 1/4 inch input. Then the output from the Bagg's male xlr (lo-z again) is too hot for the mixing board, so I use a 20db attenuator between the DI out and the board mic-line in. Works fine that way. 5

Joseph	15/09/2024
[-98 dBm] These are great. Easy to rig up with a broadcast loop, quick and easy to mic up the talent. 5

Mark	01/09/2024
[1] I use these with my sennheiser G3 lav. After losing the pricier sennheiser mzq222 clip I picked up these. It includes 3 clips and 9 of the plastic cable pinches. It has been working perfectly. 5

Allen	27/08/2024
[30 dB] Save yourself drop outs and feedback which can be embarrassing to any Wedding DJ. I am super pleased with this heavy hitter! It is absolutely a game changer for me handing over my wireless mic for a toast and having confidence it will not fail. 5

Stece	25/08/2024
[Tabletop] I use these for recording depositions. For the price you can't beat the price. 5

P. Flanagan	04/08/2024
[30 dB] So I have about 30 wireless lav mics in inventory, all with different clothing clips. When one inevitably breaks you can never get the actual replacement, in some cases you don't want to. This clip sandwiches the wire between the foam insert and hold the mic just right where you want it. Need it on the other side, just pop the wire out, flip the clip, and off you go. I always have a few extra in the desk drawer, just in case. 5

OJ	01/08/2024
[15 VDC at 600mA] Interchangeable mic 5

anyonymous	01/08/2024
[1 RU (1/2 Rack)] I am using this mic for personal history videos. It works great! Nice price for the features. High quality. I would definately recommend this mic to others. 5

anyonymous	27/07/2024
[< 2.9 ms] Needed a small, quality microphone for Documentary video shoot. Sound quality is excellent and reception of radios works well. Have only just received product and not put it to full use, but early tests seem to go well. 5

Drome McKauliff	15/07/2024
[Steel] I've used a lot of lav mics, from the $25 range to the $250 range. I got this mic in a package with some other equipment, and have been blown away at its professional sound. The signal-to-noise ratio is awesome, the sound is clear and the design is rugged. The only downside is that the mic itself is fairly large, and doesn't hide as well when clipped to the talent. 5