[0.81 lb] Used the roll to test a second-hand camera. Definitely love the results, especially considering the price.

[Powder] Took a couple of rolls with me on a family trip and I was very happy with the results.

[0.81 lb] As others have noted, this is Ektachrome 5294 movie film, spooled in to cassettes, for 35mm still cameras. It has great color, and saturation, as well pleasing skin tones. Like its sold by Kodak Alaris counterpart, it is a great all around film. I use it for all occasions, both in the studio, and outdoors. Since it is a movie film, it doesn't have frame numbers along the edges; not a big deal, just something to note.

[0.81 lb] This film was a real treat after buying it on a whim. I found the pop of color vibrancy on it, and its low grain, to be stellar. I live in Texas so we get plenty of bright sun, so this low ISO film is perfect for that. I know its just a repackaging of a Kodak aerial film, but that isn't really available to us consumers, but Flic Film Elektra is, and I plan to shoot more of it! I highly recommend it to photographers looking for fairly cheaper color negative film, and in applications where you like some nice extra reds and greens

[0.81 lb] At first glance, I thought it was a wasted roll, but after some color corrections in Lightroom, the warm tones were there while still highlighting the natural colors that modern slide film highlights. I will definitely shoot with it again to see if I can fine tune the exposure a bit.

[0.81 lb] I bought this film kinda on a whim after really liking Flic Film Elektra and how they handled their packaging. I needed something for varied lighting that wasn't CIneStill 800t as I didn't want the hallation, and I gotta admit I find Portra 800 just a little boring (though reliable to keep around)

Its still not known at this time where Aurora 800 comes from, as opposed to some others from Flic Film, but I gotta say I kinda love it. This whole roll was shot pushed to 1600, and everything came out beautifully. There was so much latitude in it that I could do some edits to pull back exposure and the grain becomes so nice, without losing any of the character of the image or the shadows. I haven't shot it at box speeds yet, but the way 1600 still captures such great color, as well as detail in light, shadow, and midtones I really am sure box speed will be great too.


Until we finally get someone making 1600 speed film again, I think Aurora will be my go to for color at 1600. CineStill 800t will also still get some rotation for that, but I feel that will be much more situational for me.

[0.81 lb] Great Product.

[0.81 lb] Absolutely love this film stock! Keeping plenty of rolls on hand, it's the perfect sweet spot for me between the more grounded Porta 800, and the more intense Cinestill 800T.

[0.81 lb] I am very satisfied with the product. It is very practical in use. The water heats up quickly and the temperature is regulated very precisely. Important for users in Germany (220 V AC): An adapter power supply (from 220 V to 110 V AC) is required, which is at least 600 watts continuous current. This is the power of the heating rod.

[Powder] In August, I went on a trip the the Pacific Northwest, and wanted to capture it on Slide and B&W. I shot 5 rolls of Chrome 100 using a Nikon F with a 50mm F/1.4 and using a Pentax Spotmeter V!

Very happy with how they turned out! I also brought two rolls of Kodak's E100 to compare, and since Chrome 100 is just bulk loaded E100D wasn't much of a difference between E100 and Chrome 100!

I really enjoyed this roll and for the price (especially since E100 is 21.99 on B&H) you can't get much better than this!